OceaniaShotPainted Souls by Biljana Jurukovski

"Painted Souls" is the result of an ongoing passion for exploring alternative cultures and traditions, where the subjects are photographed against a plain background in order to capture the full vibrancy of their traditional dress and showcasing their artistic skills in the area of beautification.

“Painted Souls” is the result of an ongoing passion for exploring alternative cultures and traditions, where the subjects are photographed against a plain background in order to capture the full vibrancy of their traditional dress and showcasing their artistic skills in the area of beautification.

People photographed belong to Surma tribe that resides on the border between Ethiopia and South Sudan and one can claim that Surma are one of the most iconic tribes in Ethiopia. They remain isolated, untouched by foreigners due to the location, lack of amenities and due to tribal conflicts. What makes them so iconic it is their imagination and artistic skills when it comes to beautification, decorating and being fashionable in their own way.

Painted Souls | Biljana Jurukovski

The Surma tribe use their bodies as a canvas, adorning themselves with pigment gleaned from powdered volcanic rock and natural materials such as flowers, leaves and grasses – as well as animal horns and shells – to create an aesthetic which is at once distinctive and endlessly inventive.

I want to encourage the viewer to look beyond the poverty of many of the areas I travel to and seek to provide a window on a world which is rarely seen or talked about. My work is constantly striving to empower all of us to see the beauty in our difference and diversity – to show that each of us is unique, and this is to be embraced and celebrated. With this portfolio I want to honour the beauty of the Surma people, to reveal their strengths and their pride.

Painted Souls | Biljana Jurukovski
Painted Souls | Biljana Jurukovski

About Biljana Jurukovsk

Biljana Jurukovski (43) is a Macedonian Australian Award Winning Photographer who has always been inspired and amazed by the diverse and beautiful expressions of different cultures. Biljana’s portraits are a culmination of her passion, love and respect for other cultures and traditions; they depict a graceful world where strength and pride are engraved on the faces of the people photographed. Biljana consider herself as explorer and adventurer with a great passion for photography. Her aim is through photography to create discussions about different cultures, their way of living and accepting life challenges. Biljana sees photography as a medium for communication between people. She has travelled in many countries on five continents through some of the most remote areas and has faced very challenging situations in the quest to photograph lives of tribal people. [Official Website]

Painted Souls | Biljana Jurukovski
Painted Souls | Biljana Jurukovski

Painted Souls | Biljana Jurukovski
Painted Souls | Biljana Jurukovski

Painted Souls | Biljana Jurukovski
Painted Souls | Biljana Jurukovski

Painted Souls | Biljana Jurukovski
Painted Souls | Biljana Jurukovski

Painted Souls | Biljana Jurukovski
Painted Souls | Biljana Jurukovski

Painted Souls | Biljana Jurukovski
Painted Souls | Biljana Jurukovski

Painted Souls | Biljana Jurukovski
Painted Souls | Biljana Jurukovski

Painted Souls | Biljana Jurukovski
Painted Souls | Biljana Jurukovski

Painted Souls | Biljana Jurukovski
Painted Souls | Biljana Jurukovski

Painted Souls | Biljana Jurukovski
Painted Souls | Biljana Jurukovski

Painted Souls | Biljana Jurukovski
Painted Souls | Biljana Jurukovski

Painted Souls | Biljana Jurukovski
Painted Souls | Biljana Jurukovski

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PHOTO: © JO LAUREN | UNITED KINGDOM | ISSUE 10
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PRINTED EDITION
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DnaEuropeInterview with Samuel Feron; Published in our printed edition #16

Samuel Feron has been photographing Nature for 2 decades, exploring remote and sparsely habited areas all over the world. He tries to go beyond what the eyes first see, assuming that Nature has secrets in itself.
Interview with Marco Cheli; Published in our printed edition #16

DnaEuropeInterview with Marco Cheli; Published in our printed edition #16

I think that Dodho provides a fantastic opportunity for those who want to be recognized by an informed public and by their peers. Seeing my work in the pages of Dodho, well, it is the most exciting thing that has ever happened to me, and I have photography to thank for it.
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DnaEuropeInterview with Lys Arango; Published in our printed edition #16

Time, dedication, and the right rhythm combined with a human approach make the work of Lys Arango one of the most truthful and inspiring photo testimonies of indigenous people.
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Canadian Travel photographer France Leclerc tries to find this commonness with joy showing sweet observation through fresh eyes to portray ethnic group communities the world seems to ignore.
Interview with Nikolina Petolas; Published in our printed edition #16

DnaEuropeInterview with Nikolina Petolas; Published in our printed edition #16

I work in several techniques, but what you are reffering to in ’Tale of the Blue Pear’ series  are mostly digital collages combined with digital painting. I also paint in traditional techniques but that is done on canvas or hard board.
Interview with Michele Punturieri; published in our print edition #15

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This work is somewhat impromptu because it has been carried out, so to speak, on the spot and at the moment. Street photography pure, trying to capture the most interesting moments and faces in the places I visited. 
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DnaEuropeInterview with Dimitri Weber; published in our print edition #15

I like the colours on my pictures to pop a bit. To be as natural as possible, while catching the eyes of the people looking at my pictures. So, I enhance some of those colours during my editing process, mostly to give them a homogeneous look that suits my style.
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AmericaDnaInterview with Ana Maria Robles; published in our print edition #15

There is no doubt that women play a leading role, but they are still a patriarchy and all decisions are made by men who meet in assemblies to discuss everyday issues. The pipes are carved and armed by them and generally match their ornaments in both the Toposa and the Didinga.
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Photo by ©Ryotaro Horiuchi | Japan | Issue#14
Dodho Magazine is pleased to announce the new call for the photographers selection from all over the world that will be presented in an exceptional edition.
Deadline: Monday, November 30, 2020
Photo by ©Ryotaro Horiuchi | Japan | Issue#14
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Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
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