Google Street View; Lost highway by by Florian Ruiz

The access of the deserted roads across the 20km exclusion zone around the Fukushima’s nuclear plant is forbidden. Here, inspiring myself from the ready-made artwork, I sought to test the bounds of photography by using Google Street View images taken after the accident as an artistic material.

The access of the deserted roads across the 20km exclusion zone around the Fukushima’s nuclear plant is forbidden. Here, inspiring myself from the ready-made artwork, I sought to test the bounds of photography by using Google Street View images taken after the accident as an artistic material.

As in traditional Japanese engravings, I chose to arrange the panels to recompose these landscapes in order to emphasize the feeling of disorientation. I also decomposed perspectives, lines and angles and created a vibration to make the presence of radiation perceptible. Like my most recent works, I used assembly, collage, super impression, distortion to find a balance and organization in a chaotic world.

Florian Ruiz
37°21’54.7 N 141°00’33.2 E

Florian Ruiz

37°21’56.7 N 140°59’37.7 E

About Florian Ruiz

I’m a French photographer who creates projects to express the atmospheres, feelings, and sensations of desolate places. In my recent works, I sought to test the bounds of photography by challenging its ability to render an image of what is invisible to the eye by means of time and distortion. I’m using assembly, collage, super impression; processes that reinvent and twist the very landscape. I favor a pinhole camera to portray the unexpected, the fortuitous, and the deformed as a multiple reality. My most recent work, « Fukushima, invisible pain » is second of the Sony World Photography 2013 in the professional Conceptual category, finalist of the International Emerging Artist Award 2013 and won the Arpia prize 2014. I’m living and working in Tokyo. [Official Website]

Florian Ruiz

37°28’09.3 N 141°01’56.8 E

Florian Ruiz

37°28’15.1 N 141°02’10.4 E

37°28'32.4 N 141°01'47.3 E

37°28’32.4 N 141°01’47.3 E

37°29'15.9 N 141°02'13.0 E

37°29’15.9 N 141°02’13.0 E

37°29'30.0 N 141°00'12.6 E

37°29’30.0 N 141°00’12.6 E

37°29'51.5 N 140°59'26.8 E

37°29’51.5 N 140°59’26.8 E

google street 37°34'50.0 N 141°01'15.7 E

37°34’50.0 N 141°01’15.7 E

37°39'21.5 N 141°01'09.4 E

37°39’21.5 N 141°01’09.4 E

google street 37°19'59.2 N 141°01'34.5 E

37°19’59.2 N 141°01’34.5 E

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Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
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