J.W. Fike’s Photographic Survey of the Wild Edible Botanicals of the North American Continent

Within my system the plant is excavated, arranged in the studio, photographed, then illustrated digitally in such a way as to render the edible parts in color while the remaining parts
J.W. Fike’s Photographic Survey of the Wild Edible Botanicals of the North American Continent

Within my system the plant is excavated, arranged in the studio, photographed, then illustrated digitally in such a way as to render the edible parts in color while the remaining parts, less emphatically, read as contact prints.

The plants in the resulting images float in an infinitely black expanse, referencing both photograms of botanical specimens used as scientific illustrations and visions from the collective unconscious. I strive to create images that function as conduits in a uniquely charged space connecting art, science and spirituality.

While this type of art may appear atavistic and indeed references historical approaches to understanding and utilizing nature, its redeployment, in this contemporary era, is vitally relevant to environmental issues. These edible plants grow all around us, in yards, alleys, ditches, and empty lots. Each testifies to our symbiotic evolution with all of life, and functions as both poetic metaphor and concrete proof of our intimate tether to the natural world. It is my hope that this art foments contemplative wonderment by offering viewers both information and insights that if realized kindle a reconnection to the natural world and a mystical counterbalance to scientific objectivism.

J.W. Fike’s Photographic Survey of the Wild Edible Botanicals of the North American Continent

I prefer mounting exhibitions that feature plants found within that same community. My place- based approach to photography signals an interesting shift in configuring the medium’s relation to subject, audience and site. My work actively engages the community by utilizing relevant contextual information, interdisciplinary research, and an elegant if slightly spellbinding aesthetic. These elements all work together to offer knowledge and conjure a glimpse of deeper ecological truths. My layered approach to creation offers multiple entry points and a diverse range of engagement. Currently, I’ve photographed over one hundred twenty plants in ten different states and plan to continue the survey until I’ve created a collection that spans the continental United States.

I hope the resulting catalogue will serve as an archive for an uncertain ecological future, reliable guide for foraging, and contain meditative symbols in communion with philosophical, spiritual and ecological truths.

J.W. Fike’s Photographic Survey of the Wild Edible Botanicals of the North American Continent
J.W. Fike’s Photographic Survey of the Wild Edible Botanicals of the North American Continent

About Jimmy Fike

Jimmy Fike was born on a cold December morning in Birmingham, Alabama.  He received a BA in Art from Auburn University and earned an MFA in Photography from the Cranbrook Academy of Art under the tutelage of Carl Toth.  Jim has taught art at Wake Forest and Ohio Universities and is currently an Art Faculty Member at Estrella Mountain College in Avondale, Arizona.  His photographic work endeavors to find creative, contemporary ways to approach landscape by incorporating place, identity, ecology, and mythology.  His series on wild edible plants has been exhibited in a number of shows across the county, featured in the L.A. Times, and can be found in the permanent collection of the George Eastman House Museum. When not creating art or teaching Jim enjoys reading, cooking, picking guitar, and hiking with his dog Sallie. [Official Website]

J.W. Fike’s Photographic Survey of the Wild Edible Botanicals of the North American Continent
J.W. Fike’s Photographic Survey of the Wild Edible Botanicals of the North American Continent

J.W. Fike’s Photographic Survey of the Wild Edible Botanicals of the North American Continent
J.W. Fike’s Photographic Survey of the Wild Edible Botanicals of the North American Continent

06_dandelion 07_curlydock 08_sheepsorrel 09_horehound 10_wolfberry 11_passionflower 12_purslane_small 13_miners_lettuce 14_pineappleweed

J.W. Fike’s Photographic Survey of the Wild Edible Botanicals of the North American Continent
J.W. Fike’s Photographic Survey of the Wild Edible Botanicals of the North American Continent

J.W. Fike’s Photographic Survey of the Wild Edible Botanicals of the North American Continent
J.W. Fike’s Photographic Survey of the Wild Edible Botanicals of the North American Continent

J.W. Fike’s Photographic Survey of the Wild Edible Botanicals of the North American Continent
J.W. Fike’s Photographic Survey of the Wild Edible Botanicals of the North American Continent

J.W. Fike’s Photographic Survey of the Wild Edible Botanicals of the North American Continent
J.W. Fike’s Photographic Survey of the Wild Edible Botanicals of the North American Continent

J.W. Fike’s Photographic Survey of the Wild Edible Botanicals of the North American Continent
J.W. Fike’s Photographic Survey of the Wild Edible Botanicals of the North American Continent

J.W. Fike’s Photographic Survey of the Wild Edible Botanicals of the North American Continent
J.W. Fike’s Photographic Survey of the Wild Edible Botanicals of the North American Continent

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Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
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