I´m the street by Omri Shomer

I've thought about it more than once, where does my urge to go out and take pictures in the street comes from. After all, it is not a natural thing to go out and photograph strangers.For seven years now I worked as a copywriter for advertising companies, responsible for ideas, new stories.

I’ve thought about it more than once, where does my urge to go out and take pictures in the street comes from. After all, it is not a natural thing to go out and photograph strangers.

For seven years now I worked as a copywriter for advertising companies, responsible for ideas, new stories. One day I decided that written ideas were not enough for me. As a result of working closely with my Art director, I realized that what I lacked were the visual stories. A story, as street photographers tend to say in professional jargon, is actually a situation or a few situations that connect unexpectedly and create something completely different from what we see in reality. But what situations are so fascinating to me, I asked myself?

Many photographers say that the most important thing, other than a good story is the ability to ask yourself as a photographer why you photograph what you are taking.After years of wondering and taking pictures of the street without understanding what I was looking for, I understood who I was. Yes, I did not believe it, but the street shot also helped me solve problems with myself. I realized there were many layers in me, on the one hand the clown, the comedian, the one who always sought color, laughter and a surprising end to every joke. On the other hand, a deep melancholy loneliness that makes me converge inside me, wanting to be alone for a moment. I realized that it could not exist without it. I realized that the street was me and I was the street. [Official Website]

I´m the street | Omri Shomer

I´m the street | Omri Shomer

I´m the street | Omri Shomer

I´m the street | Omri Shomer

I´m the street | Omri Shomer

I´m the street | Omri Shomer

I´m the street | Omri Shomer

I´m the street | Omri Shomer

I´m the street | Omri Shomer

I´m the street | Omri Shomer

I´m the street | Omri Shomer

I´m the street | Omri Shomer

I´m the street | Omri Shomer

I´m the street | Omri Shomer

I´m the street | Omri Shomer

I´m the street | Omri Shomer

I´m the street | Omri Shomer

I´m the street | Omri Shomer

I´m the street | Omri Shomer

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Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
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