Tattoo : Illicit Ink by Tim Franco

A series of intimate portraits of the underground tattooist community in South Korea shot on paper negatives. An obscure South Korean law makes tattooing technically illegal.
Illicit Ink | Tim Franco | Photographer of the year 2019

TIM FRANCO, PHOTOGRAPHER OF THE YEAR AND PUBLISHED IN OUR BLACK & WHITE 2019

A series of intimate portraits of the underground tattooist community in South Korea shot on paper negatives.

An obscure South Korean law makes tattooing technically illegal. Although this does not stop a growing number of underground tattoo parlors to open in people’s home or in hidden rooms, it does pose a challenge for a young generation looking to express themselves beyond the imposed ideal South Korean look – often controlled by the Kpop and cosmetic industries.

Illicit Ink | Tim Franco | Photographer of the year 2019
Illicit Ink | Tim Franco | Photographer of the year 2019

The tattoo history is actually centuries old in Korea. Sailors marked themselves with frightening shapes to scare away the monsters that inhabited the deep seas. But things changed during the Joseon dynasty when tattoos were used to mark robbers for their crimes and slaves as a perpetual mark of punishment. In the 20th century, South Korean gangs inspired by Japanese Yakuza used tattoos as a distinctive mark. This rather dark history of the art created a negative perception that has endured to this day in this very conservative society. Nowadays, a new generation of Koreans influenced by pop stars, Western athletes and television programs see tattoos as attractive and fashionable. But the ban remains in place.

Those portraits of young South Korean Tattooists who chose to defy laws and cultural standards have been captured directly on pieces of 8×10 inches negative photographic paper.

Illicit Ink | Tim Franco | Photographer of the year 2019
Illicit Ink | Tim Franco | Photographer of the year 2019

About Tim Franco

Tim Franco is a French Polish photographer born in Paris in 1982. At 18, while studying engineering , he starts an online music magazine for which he takes his first photographs. almost a decade later, he has moved to China and starts working full time as a photographer while documenting the underground music scene in Shanghai. Around this time, Tim starts to document the incredible urbanisation of China and its social impacts while collaborating with newspaper such as Le Monde, Wall Street Journal and the New York Times. This body of work will to the publication of a collaborative book about Architecture and Urbanism in china with the Enrico Navarra Gallery in Paris then to the publication in 2015 of his first Monograph: Metamorpolis – the conclusion of five years of work about the rural migration in the fastest urbanising city in the world: Chongqing. It is during this time that Tim develops his style of working mostly on analog camera and trying to bring a minimalist aesthetic to documentary photography. in 2016, Tim Franco moves to South Korea where he starts working on a long term project about North Korean defectors. He is now collaborating – amongst others – with Time Magazine, National Geographic, Geo Magazine , 6 Mois. He is also working on short term documentaries about Odd places around the planet as well as on commercial photography projects. Tim is a member of Inland.[Official Website]

Illicit Ink | Tim Franco | Photographer of the year 2019
Illicit Ink | Tim Franco | Photographer of the year 2019

Illicit Ink | Tim Franco | Photographer of the year 2019
Illicit Ink | Tim Franco | Photographer of the year 2019

Illicit Ink | Tim Franco | Photographer of the year 2019
Illicit Ink | Tim Franco | Photographer of the year 2019

Illicit Ink | Tim Franco | Photographer of the year 2019
Illicit Ink | Tim Franco | Photographer of the year 2019

Illicit Ink | Tim Franco | Photographer of the year 2019
Illicit Ink | Tim Franco | Photographer of the year 2019

Illicit Ink | Tim Franco | Photographer of the year 2019
Illicit Ink | Tim Franco | Photographer of the year 2019

Illicit Ink | Tim Franco | Photographer of the year 2019
Illicit Ink | Tim Franco | Photographer of the year 2019

Illicit Ink | Tim Franco | Photographer of the year 2019
Illicit Ink | Tim Franco | Photographer of the year 2019

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Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
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