ConceptEuropeGillian Hyland ; Film Stills or Dramatic Moments

Gillian Hyland creates supernatural staged images, presented as film stills or dramatic moments. Hyland’s unsettling mise-en-scene are full of sex and desire, sadness and nostalgia. Narratives that are psychologically evocative - at once sublimely theatrical yet poignant.

Gillian Hyland creates supernatural staged images, presented as film stills or dramatic moments.

Hyland’s unsettling mise-en-scene are full of sex and desire, sadness and nostalgia. Narratives that are psychologically evocative – at once sublimely theatrical yet poignant.

Like Richard Avedon and Guy Bourdin, the mix of fashion and art has challenged us to accept stylised new ideas of femininity and masculinity, innocence and sensuality. Hyland describes herself as an image maker and story teller. Her dramatic photographs are based on her own poems, and depict characters in human dramas and isolated emotional situations. Frozen in time, solitary and vulnerable moments are presented in glorious technicolor and timeless sets.

Hyland’s visual career began as a stylist and set designer. Highly successful, the move to photography was a natural progression in wanting to create her own imagery. Acclaimed for her use of colour and settings Hyland has used the same title for this body of work since its inception in 2014.

Encapsulating her memories and emotions in poems she then transforms these into images, offering a new perspective. Composing the shot is a lengthy process. Setting up a shot can take up to three weeks of preparation. Choosing the characters Hyland looks for people who can give something of themselves.

Gillian Hyland | Film Stills or Dramatic Moments
Gillian Hyland | Film Stills or Dramatic Moments

It’s not about creating a pretty picture, for me it’s the intention that lies beneath it that is truly worthwhile. I’m drawn to the thinking mind behind the face, the subject’s eyes holding a story in their gaze, that is what I aim to capture through my photographs.

Gillian Hyland | Film Stills or Dramatic Moments
Gillian Hyland | Film Stills or Dramatic Moments

The imagery plays with our notions of nostalgia, and taps into society’s cultural understanding of feelings and beliefs. The composition of each image suggests a larger narrative within a single moment. The photograph explores Hyland’s sense of self and society and aims to engage and trigger an emotional response from the viewer.

She says, ‘I want the viewer to look at my image and see themselves. The use of sets and costumes is part of creating a story that we can all identify with, a past we can just recall parts of.’

Gillian chose to explore a photo series in Cuba due to its vibrancy, history and the countries current period of transition. Hyland is used to working with actors and models but this time approached people in the street, scouting for locations while walking through the city, peering in windows.

Gillian Hyland | Film Stills or Dramatic Moments
Gillian Hyland | Film Stills or Dramatic Moments

Cuba is so evocative, it is like being in the 1950’s, there is an extraordinary aesthetic there. The mix and the diversity of faces is so inspiring. My eyes were constantly drawn to everything around me. It is so unpredictable and striking.

Gillian Hyland | Film Stills or Dramatic Moments
Gillian Hyland | Film Stills or Dramatic Moments

About  Gillian Hyland

Born in Dublin in 1982 artist and photographer Gillian Hyland lives and works in London. Describing herself as an image maker Hyland personally composes every aspect of her pictures, a skill gained from 14 years in the visual arts industry, as a stylist, art director and set designer. This diverse background helped her realise and develop and artistic, photographic approach which led to the creation of the series “Words in Sight”.

Gillian Hyland presents “Words in Sight”, a project that began in 2014 and since then has been exhibited around the world and received several awards, including Royal Arts Prize, International Photographer of the Year, Travel Photography Society Award, Sony World Photography Award, Magenta Flash Forward Award, La Quatrieme Image, AX3 – American Aperture Award, Moscow International Photo Award, PX3 – Prix de la Photographie, PDN Curator Awards. [Official Website]

Gillian Hyland | Film Stills or Dramatic Moments
Gillian Hyland | Film Stills or Dramatic Moments

Flight_Of_Fancy I_May_I_Might_I_Must I'll_Miss_You_Till_I'm_OLd Last_Moments Letting_Go Lost_In_Blue Off_The_Road Second_Skin Secret_Glimpses Silent_Wishes Simple_Days So-Far Stolen_Promises Street_Cred Sunshine_Days

Gillian Hyland | Film Stills or Dramatic Moments
Gillian Hyland | Film Stills or Dramatic Moments

Gillian Hyland | Film Stills or Dramatic Moments
Gillian Hyland | Film Stills or Dramatic Moments

Gillian Hyland | Film Stills or Dramatic Moments
Gillian Hyland | Film Stills or Dramatic Moments

Gillian Hyland | Film Stills or Dramatic Moments
Gillian Hyland | Film Stills or Dramatic Moments

Gillian Hyland | Film Stills or Dramatic Moments
Gillian Hyland | Film Stills or Dramatic Moments

Gillian Hyland | Film Stills or Dramatic Moments
Gillian Hyland | Film Stills or Dramatic Moments

Gillian Hyland | Film Stills or Dramatic Moments
Gillian Hyland | Film Stills or Dramatic Moments

Gillian Hyland | Film Stills or Dramatic Moments
Gillian Hyland | Film Stills or Dramatic Moments

Gillian Hyland | Film Stills or Dramatic Moments

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PHOTO: © JO LAUREN | UNITED KINGDOM | ISSUE 10
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I think that Dodho provides a fantastic opportunity for those who want to be recognized by an informed public and by their peers. Seeing my work in the pages of Dodho, well, it is the most exciting thing that has ever happened to me, and I have photography to thank for it.
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I work in several techniques, but what you are reffering to in ’Tale of the Blue Pear’ series  are mostly digital collages combined with digital painting. I also paint in traditional techniques but that is done on canvas or hard board.
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This work is somewhat impromptu because it has been carried out, so to speak, on the spot and at the moment. Street photography pure, trying to capture the most interesting moments and faces in the places I visited. 
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I like the colours on my pictures to pop a bit. To be as natural as possible, while catching the eyes of the people looking at my pictures. So, I enhance some of those colours during my editing process, mostly to give them a homogeneous look that suits my style.
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Photo by ©Ryotaro Horiuchi | Japan | Issue#14
Dodho Magazine is pleased to announce the new call for the photographers selection from all over the world that will be presented in an exceptional edition.
Deadline: Monday, November 30, 2020
Photo by ©Ryotaro Horiuchi | Japan | Issue#14
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Thank You. We will contact you as soon as possible.
Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
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