Chiarascuro by Graeme Youngson

In photographic terms it’s usually taken to mean photographs taken in strong low sunlight where the highlights retain detail but the shadows are left well alone.
Chiarascuro | Graeme Youngson

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CHIARASCURO as I’m sure you know is an Italian word, CHIARA (bright and clear) and SCURO (dark or obscure).

In photographic terms it’s usually taken to mean photographs taken in strong low sunlight where the highlights retain detail but the shadows are left well alone.

It’s perhaps fair to say that this style of photography can be at odds with the current emphasis on cameras which have a high dynamic range and where a lot of photographers try to pull out as much detail from the shadows when post processing. There is of course no such thing as a correct exposure so each to their own.

Chiarascuro | Graeme Youngson
Chiarascuro | Graeme Youngson

What I like about this style of photography is its’ ability to simplify compositions, isolate and highlight a particular subject in an urban environment.  Conversely if one shows details in every part of the photo this can be visually confusing by giving equal importance to everything that’s there.

On a feelings level this style of photo can often give a sense of isolation and the potential loneliness of the urban world.

In terms of taking these type of photos a strong low directional light is critical; the winter or late in afternoon or early in the morning. In order to expose successfully you need to spot meter on the highlights in the scene or – as I do – overriding the evaluative meter reading and underexposing between 2 – 5 stops. Some increase in contrast when post processing can be useful as well. The style seems to often work best in black and white.

Chiarascuro | Graeme Youngson
Chiarascuro | Graeme Youngson

Chiarascuro | Graeme Youngson
Chiarascuro | Graeme Youngson

Chiarascuro | Graeme Youngson

Chiarascuro | Graeme Youngson

Chiarascuro | Graeme Youngson

Chiarascuro | Graeme Youngson

Chiarascuro | Graeme Youngson

Chiarascuro | Graeme Youngson

Chiarascuro | Graeme Youngson
Chiarascuro | Graeme Youngson

Chiarascuro | Graeme Youngson
Chiarascuro | Graeme Youngson

Chiarascuro | Graeme Youngson
Chiarascuro | Graeme Youngson

Chiarascuro | Graeme Youngson
Chiarascuro | Graeme Youngson

Chiarascuro | Graeme Youngson
Chiarascuro | Graeme Youngson

Chiarascuro | Graeme Youngson
Chiarascuro | Graeme Youngson

Chiarascuro | Graeme Youngson
Chiarascuro | Graeme Youngson

Chiarascuro | Graeme Youngson
Chiarascuro | Graeme Youngson

Chiarascuro | Graeme Youngson
Chiarascuro | Graeme Youngson

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Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
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