Anna Agoston : Lines, surfaces and texture

Anna Agoston - photographs of “living” plant elements found in nature. Prints are archival pigment prints, 100 plus years permanence, on thick Hahnemuhler photo rag 500 gsm paper.

Magazine

Our printed editions, circulating throughout various galleries, festivals and agencies are dipped in creativity.

The spirit of DODHO’s printed edition is first and foremost an opportunity to connect with a photographic audience that values the beauty of print and those photographers exhibited within the pages of this magazine.

We invite professional and amateur photographers from all around the world to share their work in our printed edition.

https://www.dodho.com/wp-content/uploads/2024/03/ban28.jpg

All twenty pictures submitted are part of my ongoing 202 piece series, named “Untitled”. Pictures in the series are black-and-white, 22”x 30” (includes a 3.5″ white border), macro photographs of living plant elements found in nature.

Prints are archival pigment prints, 100 plus years permanence, on thick Hahnemuhler photo rag 500 gsm paper. Pictures are deliberately Untitled, so as not to distract from the image itself. The artwork is abstract in that there is a departure from reality. I deliberately distil certain aspects of my subjects in an attempt to reveal what I feel are their essential characteristics. I believe this makes the interaction between viewer and subject more intense.

My artwork is intended to invite contemplation.

My art is an attempt to express as accurately as possible what I feel while in the presence of my subject. In doing so I aim to expose its essence. I give my feelings form by studying my subject and emphasizing the defining lines, surfaces and texture. I emphasize these by using a macro lens, as well as by shooting in black and white. Both have the power to divert from the subject as a whole and focus on those elements that I have determined relevant.

The subjects of my pictures are living plant elements found in nature. My art speaks for itself. I have no wish to impose my own thoughts on viewers, but rather I want them to see and feel things independently. For this reason my work is untitled. I believe that my work is outside time, since it represents the essence of its subjects and the subjects themselves are timeless My art is abstract in that there is a departure from reality. I deliberately distil certain aspects of my subjects in an attempt to reveal what I feel are their essential characteristics. I believe this makes the interaction between viewer and subject more intense.

About Anna Agoston

Anna Agoston is an award-winning contemporary artist whose medium is photography. A resident of Brooklyn, New York, Anna was born and raised in Paris, France. Always passionate about art, she qualified as an architect DPLG (government-certification) at the Ecole d’Architecture Paris Malaquais, and went on to earn the M.Arch.II degree in architecture at Harvard University’s Graduate School of Design. There, she studied fine art photography under Professor Jim Dow of the Department of Visual and Environmental studies, and photographed her first series, “Dorm.”

In October 2013, Anna made her lifelong passion, fine art photography her main professional occupation. Since January 2014, her work has been included in fourteen juried group exhibitions, in ten different states. One of her pictures is now a part of the Permanent Collection at the Fort Wayne Museum of Art, Indiana. She has received two international awards, and has been published online several times. Her self- published book “Untitled Vol.1” was recently added to the library at the Museum of Modern Art, and the Hirsch library at the Museum of Fine Arts Houston.

Also concerning her book, Anna was honored to receive an email on May 22nd 2014 from the internationally renowned architect and recipient of the 2013 Pritzker architecture prize Mr. Toyo Ito. In his email Toyo Ito writes “Pictures in your book are so beautiful that they give me design inspiration.” Anna challenges the concept of aesthetics, by making art that is intended to invite contemplation. Her artwork consists of black-and-white macro photographs of living plant elements found in nature. [Official Website]
Untitled #152 Anna Agoston

Untitled #171 Untitled #168 Untitled #167 Anna Agoston Untitled #166 Anna Agoston Untitled #183 Anna Agoston Untitled #157 Anna Agoston Untitled #156 Untitled #155 Untitled #202 Untitled #199 Untitled #63 Untitled #60 Untitled #133 Anna Agoston Untitled #50 Untitled #187 Untitled #186  Untitled #90 Untitled #149

Untitled #150
Anna Agoston : Lines, surfaces and texture

Other Stories

stay in touch
Join our mailing list and we'll keep you up to date with all the latest stories, opportunities, calls and more.
We use Sendinblue as our marketing platform. By Clicking below to submit this form, you acknowledge that the information you provided will be transferred to Sendinblue for processing in accordance with their terms of use
We’d love to
Thank you for subscribing!
Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted.
- Between 10/30 images of your best images, in case your project contains a greater number of images which are part of the same indivisible body of work will also be accepted. You must send the images in jpg format to 1200px and 72dpi and quality 9. (No borders or watermarks)
- A short biography along with your photograph. (It must be written in the third person)
- Title and full text of the project with a minimum length of 300 words. (Texts with lesser number of words will not be accepted)
This is the information you need to start preparing your project for its presentation
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
Contact
How can we help? Got an idea or something you'd like share? Please use the adjacent form, or contact contact@dodho.com
Thank You. We will contact you as soon as possible.
Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
Get in Touch
How can we help? Do you have an idea or something you'd like to share? Please use the form provided, or contact us at contact@dodho.com
Thank You. We will contact you as soon as possible.