B&WBioOceaniaAnimus by Liam Lynch

The Latin word for Intellect is Animus, Animus is defined as: character, intellect, memory, consciousness, often mind. An intrepid sleuth, Liam Lynch endures whatever extremes he must to capture the story he is bound to tell us in his photographs.

The Latin word for Intellect is Animus, Animus is defined as: character, intellect, memory, consciousness, often mind.

An intrepid sleuth, Liam Lynch endures whatever extremes he must to capture the story he is bound to tell us in his photographs.

Compelled by creative and environmental concerns you’ll often find him bathed in sweat and mosquitoes in the jungles of Borneo or in the depths of our most unexplored oceans. The compelling imagery that Liam captures and the masterful techniques he uses to create his beautiful original prints, transport the viewer to their own unique state of consciousness within the natural world and will leave you questioning the foundation and values of human intellect.

A chance commission in the mid 90’s led Lynch to work alongside Zoos Victoria in Australia, documenting animals in a captive environment, although this proved to be enlightening and educational for several years it ultimately ignited a passion that would lead him into remote parts of South East Asia and into the oceans of the Pacific and Coral seas to capture glimpses of some of these species in more natural environments.

Animus | Liam Lynch
Animus | Liam Lynch

Attention to planing and detail, working with dedicated professionals in the field has allowed him to gain access to unrivalled opportunities in which to capture the essence of our most vulnerable wildlife, always mindful that this is their environment and he is a privileged guest.

His work has been published worldwide in both art and conservation journals, he donates some of his images and time to not for profit organisations, drawing attention to the plight of endangered and threatened species through art.

For his recent collections he’s begun using age old Palladium printing techniques Lynch then creates prints of extraordinary depth and richness that are simply tantalising to behold. For Lynch crossing the line from machine made to hand made does necessitate a commitment, and true, the work is labor intensive, but… in the end, what unfolds before your eyes is more of an ‘art-object- than an ordinary photograph. [Official Website]

Animus | Liam Lynch
Animus | Liam Lynch

Animus | Liam Lynch
Animus | Liam Lynch

LLP_Humpback_01 LLP_Motherhood_01 LLP_Omega_01 LLP_Orangutan_Hand_01 LLP_Orangutan_hanging LLP_SpiderCrabs

Animus | Liam Lynch
Animus | Liam Lynch

Animus | Liam Lynch
Animus | Liam Lynch

Animus | Liam Lynch
Animus | Liam Lynch

Animus | Liam Lynch
Animus | Liam Lynch

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PHOTO: © JO LAUREN | UNITED KINGDOM | ISSUE 10
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PRINTED EDITION
Interview with Samuel Feron; Published in our printed edition #16

DnaEuropeInterview with Samuel Feron; Published in our printed edition #16

Samuel Feron has been photographing Nature for 2 decades, exploring remote and sparsely habited areas all over the world. He tries to go beyond what the eyes first see, assuming that Nature has secrets in itself.
Interview with Marco Cheli; Published in our printed edition #16

DnaEuropeInterview with Marco Cheli; Published in our printed edition #16

I think that Dodho provides a fantastic opportunity for those who want to be recognized by an informed public and by their peers. Seeing my work in the pages of Dodho, well, it is the most exciting thing that has ever happened to me, and I have photography to thank for it.
Interview with Lys Arango; Published in our printed edition #16

DnaEuropeInterview with Lys Arango; Published in our printed edition #16

Time, dedication, and the right rhythm combined with a human approach make the work of Lys Arango one of the most truthful and inspiring photo testimonies of indigenous people.
Interview with France Leclerc; Published in our printed edition #16

AmericaDnaInterview with France Leclerc; Published in our printed edition #16

Canadian Travel photographer France Leclerc tries to find this commonness with joy showing sweet observation through fresh eyes to portray ethnic group communities the world seems to ignore.
Interview with Nikolina Petolas; Published in our printed edition #16

DnaEuropeInterview with Nikolina Petolas; Published in our printed edition #16

I work in several techniques, but what you are reffering to in ’Tale of the Blue Pear’ series  are mostly digital collages combined with digital painting. I also paint in traditional techniques but that is done on canvas or hard board.
Interview with Michele Punturieri; published in our print edition #15

DnaInterview with Michele Punturieri; published in our print edition #15

This work is somewhat impromptu because it has been carried out, so to speak, on the spot and at the moment. Street photography pure, trying to capture the most interesting moments and faces in the places I visited. 
Interview with Dimitri Weber; published in our print edition #15

DnaEuropeInterview with Dimitri Weber; published in our print edition #15

I like the colours on my pictures to pop a bit. To be as natural as possible, while catching the eyes of the people looking at my pictures. So, I enhance some of those colours during my editing process, mostly to give them a homogeneous look that suits my style.
Interview with Ana Maria Robles; published in our print edition #15

AmericaDnaInterview with Ana Maria Robles; published in our print edition #15

There is no doubt that women play a leading role, but they are still a patriarchy and all decisions are made by men who meet in assemblies to discuss everyday issues. The pipes are carved and armed by them and generally match their ornaments in both the Toposa and the Didinga.
TRENDING STORIES
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Half of the century ago a sea disappeared from the face of the Earth. Cotton plants drunk the sea up. Old sailors still remember how they used to provide fish for the entire Soviet Union and how weddings have taken place on the ships.
Tokyo Hotel Story by Nathalie Daoust

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Nathalie Daoust’s photographs reflect a love for random places and a wild, inexhaustible sense of inquisitiveness.
Five minutes with Dalia Fichmann

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I never planned to become a photographer it came naturally. I spent a lot of time participating at dog sports contests. Watching and participating alone was too boring there is always a lot of waiting time.
Sarah Koenig Wagner; Exhibitions manager for Medium Festival

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Sarah Koenig Wagner is a photographic artist and fine arts advocate who holds degrees in photography and art history from the University of Arizona.
Sharon Tenenbaum – Where creativity lies

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Early Work

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In my first year as a photographer, I took impressionistic photographs of London using Cokin filters and various techniques to try to achieve that.
Metaphysical Body Landscapes by Anna Lazareva

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Shifts of perception by Michel van Weegberg

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The old garden by Diana Bloomfield

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My grandparents' house, set back from the street, right in the middle of town, stood on a couple of acres. A vegetable garden in the back, pecan trees in the front, and fruit trees all around seemed commonplace.
FEATURED STORIES
Wildlife photography; Land of Giants by Will Burrard-Lucas

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These photographs are part of a larger series documenting the elephants of Tsavo and the work of Tsavo Trust. The full series is published in a new book titled “Land of Giants”.
Under the sign of the rat; Roger the Rat by Roger Ballen

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Surreal, refined, disturbing: Roger Ballen has made a name for himself with his special eye for what is usually considered minor or outside, yet is nevertheless profound and touching.
Intimate portraits of animals; Behind Glass by Anne Berry

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Behind Glass is a collection of photographs made in monkey houses of small zoos throughout Europe. Anne Berry is recognized for her ability to create lyrical, intimate portraits of animals.
Fictional narrative photography; Birth Undisturbed by Natalie Lennard

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Birth Undisturbed is a fictional narrative photography series by Natalie Lennard, that brings scenes of natural childbirth into cinematic fine-art tableaux.
Japanese Aquariums by George Nobechi

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Japanese Aquariums is a journey into some of my oldest, most treasured childhood memories. Whenever I visited my grandparents in the small, northern Japanese city of Otaru, my grandfather, a high school teacher and an enormous influence in my life, would take me to the aquarium.
Greenland; Stories from the Sea by Camille Michel

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Greenland became politically independent from Denmark in 1979 and is slowly getting on the path to economic independency. The ‘ice country’ is currently facing the consequences of climate change.
Intimate diary; Jazz Notes by Giuseppe Cardoni

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It is a declaration of love by Giuseppe Cardoni, but also by an Italian region, Umbria, which has always hosted the most important jazz festivals and where the author took most of his photographs.
Guatemala; Until the corn Grows Back by Lys Arango

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Until the corn Grows Back; Lys Arango’s project was selected and published in our print edition 16. Criminal violence in Central America was something that happened very far away and that explained, according to the media, the gigantic caravans of migrants that from 2017 began to travel thousands of kilometres to reach the United States
Greatest jockeys; Fortza Paris by Marco Cheli

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Photo by ©Ryotaro Horiuchi | Japan | Issue#14
Dodho Magazine is pleased to announce the new call for the photographers selection from all over the world that will be presented in an exceptional edition.
Deadline: Monday, November 30, 2020
Photo by ©Ryotaro Horiuchi | Japan | Issue#14
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Thank You. We will contact you as soon as possible.
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Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
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