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AsiaConceptA light leads to another by Momoi Atsushi

In this work, I've been inspired by my personal experience that some fragmentary memories are recalled irrelevantly, indeed it happens to all of us.
15794 min

In this work, I’ve been inspired by my personal experience that some fragmentary memories are recalled irrelevantly, indeed it happens to all of us.

These memories having utterly different contexts in time and space respond to each other as fragmental images in light and then they are about to connect with one light after another. It seemed that dim light came up gradually from the darkness and then became brighter with changing, appearing or disappearing to my consciousness. While “past and there” which have been reconstructed and modified to suit “now and here ” remain and flicker, I recognize that my consciousness is composed of layers of memory. In order to visualize this dynamic process about evocation, I shot my Mac display monitor which is randomly projecting the photographs taken by myself, as gathering of memories, by a function of slideshow. At first, I inputted a large number of images in past shooting onto slideshow and then set in it to display these randomly with modifying the setup. Once I finished setting up, incoherent images came and went at random on the monitor. It was quite interesting that I thought this function resembled how to recall my personal memories. Not only through re-photographing incoherent images overlapped on a monitor, but also making use of the specific character of photography which is “save the memories” as a metaphor, I have tried to trace memory as universal experience : how our consciousness are reconstructed by the past images. My aim of this work is to reconsider the connection between the “past” memory and the phase of “now”.

About Momoi Atsushi

Atsushi Momoi was born in Osaka, JAPAN, in 1979. After studying sociology at Kwansei Gakuin University, he went to the London College of Printing (currently the London College of Communication) to study photography. His main theme of photography is to depict the relationship between inner and outer self – in other words, to visualize the fluctuating connection between his subjectivity based on layers of memory and the world itself as a recognition object. By intending to show the various layers of the world which appear when grasping the materials as it is mingles with his own memory, he pursues a new sense of value to update people’s perspectives. He currently lives and creates in Tokyo, JAPAN. [Official Website]



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Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
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Dodho Magazine is pleased to announce the new call for the photographers selection from all over the world that will be presented in an exceptional edition.
Deadline: Monday, November 30, 2020
Photo by ©Ryotaro Horiuchi | Japan | Issue#14
CALL
FOR ENTRIES
Dodho Magazine is pleased to announce the new call for the photographers selection from all over the world that will be presented in an exceptional edition.
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Deadline: Monday, November 30, 2020
Contact
How can we help? Got an idea or something you'd like share? Please use the adjacent form, or contact contact@dodho.com
Thank You. We will contact you as soon as possible.
Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.