AmericaConceptPersonal narrative : A Conversation with Nature by Marius Schultz

At the same time he tells a personal narrative of the microcosm in which he and his children were born and live every day. We are presented with a timeless story, both sensory and evanescent, in which the main characters are the trees and their greatness.

An immersive view of nature’s vastness and purity, which reminds us of our origination. A long-term project, 12 years of images, set in the surroundings of Oslo, where both human interference and noise are absent.

We are presented with a timeless story, both sensory and evanescent, in which the main characters are the trees and their greatness.
They interact harmoniously with the deep water, the endless sky, the open landscapes and the intense colors of the seasons.

Just like nature has infinite shades of colors, photography has countless angles and views. Thus, photography alone is witness to those unique shades of color and myriad of details created by light and dark.The photographer tells a universal tale, of the power of these trees that are the custodians of world history.At the same time he tells a personal narrative of the microcosm in which he and his children were born and live every day.

His family lives in constant dialogue with two red-headed girls, icons of purity and simplicity, who articulate the stages of life and the seasons. An obsession with trees creates a strong feeling of disorientation and wonder, which forces us to look closely and carefully at nature. The act of seeing draws the readers in to this magical and faraway world, and invites them to take part in this poetic story. [text: Arianna Catania]

A Conversation with Nature | Marius Schultz
Personal narrative | A Conversation with Nature | Marius Schultz

A Conversation with Nature | Marius Schultz
Marius Schultz

A Conversation with Nature | Marius Schultz
A Conversation with Nature | Marius Schultz

A Conversation with Nature | Marius Schultz
Marius Schultz

A Conversation with Nature | Marius Schultz
A Conversation with Nature | Marius Schultz

About Marius Schultz

Marius Schultz (born 1962) attended Brooks Institute of Photography in Santa Barbara, California. Water has always fascinated him. Throughout his adult life it is always water, the Norwegian water that he returns to when seeking the close and calm. His photographs are characterized by the affiliation and the need to be near water, which also is a recurring theme in his work. In early exhibitions Schultz explored the human body in landscapes where water is always present. By giving the exhibitions titles like “Waves” he reveals his true reference. These photographs become metaphors depicting life and the waves in it. Schultz portrays the reality that surrounds us. He is engaged in the wholeness of nature; how things are linked together. His photographs of the water is surface appear as sequences of what we see around us. The reeds and the water represent the organic, the presence of nature which itself has pictorial qualities. Patterns are formed, and the reeds can be compared to the strokes of a brush across a canvas. The abstraction creates a separation between what one really sees and what is merely a playful and poetic composition made by nature; the reflection of the sky, the shadows of the reeds and the rippled surface complement each other and create esthetic expressions. Schultzs photographs capture the spontaneous moment on the waters surface and are based on natures own exhibition and own premises. The ongoing playfulness is frozen even though nature itself always changes and time passes by. [Official Website]

A Conversation with Nature | Marius Schultz
Marius Schultz

A Conversation with Nature | Marius Schultz
Personal narrative | A Conversation with Nature | Marius Schultz

A Conversation with Nature | Marius Schultz
Marius Schultz

A Conversation with Nature | Marius Schultz
A Conversation with Nature | Marius Schultz

A Conversation with Nature | Marius Schultz
Marius Schultz

A Conversation with Nature | Marius Schultz
A Conversation with Nature | Marius Schultz

A Conversation with Nature | Marius Schultz
Marius Schultz

A Conversation with Nature | Marius Schultz
A Conversation with Nature | Marius Schultz

A Conversation with Nature | Marius Schultz
Marius Schultz

A Conversation with Nature | Marius Schultz
A Conversation with Nature | Marius Schultz

A Conversation with Nature | Marius Schultz
Marius Schultz

A Conversation with Nature | Marius Schultz
A Conversation with Nature | Marius Schultz

A Conversation with Nature | Marius Schultz
Marius Schultz

A Conversation with Nature | Marius Schultz
A Conversation with Nature | Marius Schultz

A Conversation with Nature | Marius Schultz
Marius Schultz

A Conversation with Nature | Marius Schultz
A Conversation with Nature | Marius Schultz

A Conversation with Nature | Marius Schultz
Marius Schultz

A Conversation with Nature | Marius Schultz
A Conversation with Nature | Marius Schultz

A Conversation with Nature | Marius Schultz
Marius Schultz

A Conversation with Nature | Marius Schultz
A Conversation with Nature | Marius Schultz

A Conversation with Nature | Marius Schultz
Marius Schultz

A Conversation with Nature | Marius Schultz
A Conversation with Nature | Marius Schultz

A Conversation with Nature | Marius Schultz
Marius Schultz

A Conversation with Nature | Marius Schultz
A Conversation with Nature | Marius Schultz

Magazine

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DEADLINE: TUESDAY, NOVEMBER 31, 2021

PHOTO: © JO LAUREN | UNITED KINGDOM | ISSUE 10
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Simply Stunning Landscapes – Would you like to capture stunning landscapes every time you shoot… without having to travel far from home?

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PRINTED EDITION
Interview with Samuel Feron; Published in our printed edition #16

DnaEuropeInterview with Samuel Feron; Published in our printed edition #16

Samuel Feron has been photographing Nature for 2 decades, exploring remote and sparsely habited areas all over the world. He tries to go beyond what the eyes first see, assuming that Nature has secrets in itself.
Interview with Marco Cheli; Published in our printed edition #16

DnaEuropeInterview with Marco Cheli; Published in our printed edition #16

I think that Dodho provides a fantastic opportunity for those who want to be recognized by an informed public and by their peers. Seeing my work in the pages of Dodho, well, it is the most exciting thing that has ever happened to me, and I have photography to thank for it.
Interview with Lys Arango; Published in our printed edition #16

DnaEuropeInterview with Lys Arango; Published in our printed edition #16

Time, dedication, and the right rhythm combined with a human approach make the work of Lys Arango one of the most truthful and inspiring photo testimonies of indigenous people.
Interview with France Leclerc; Published in our printed edition #16

AmericaDnaInterview with France Leclerc; Published in our printed edition #16

Canadian Travel photographer France Leclerc tries to find this commonness with joy showing sweet observation through fresh eyes to portray ethnic group communities the world seems to ignore.
Interview with Nikolina Petolas; Published in our printed edition #16

DnaEuropeInterview with Nikolina Petolas; Published in our printed edition #16

I work in several techniques, but what you are reffering to in ’Tale of the Blue Pear’ series  are mostly digital collages combined with digital painting. I also paint in traditional techniques but that is done on canvas or hard board.
Interview with Michele Punturieri; published in our print edition #15

DnaInterview with Michele Punturieri; published in our print edition #15

This work is somewhat impromptu because it has been carried out, so to speak, on the spot and at the moment. Street photography pure, trying to capture the most interesting moments and faces in the places I visited. 
Interview with Dimitri Weber; published in our print edition #15

DnaEuropeInterview with Dimitri Weber; published in our print edition #15

I like the colours on my pictures to pop a bit. To be as natural as possible, while catching the eyes of the people looking at my pictures. So, I enhance some of those colours during my editing process, mostly to give them a homogeneous look that suits my style.
Interview with Ana Maria Robles; published in our print edition #15

AmericaDnaInterview with Ana Maria Robles; published in our print edition #15

There is no doubt that women play a leading role, but they are still a patriarchy and all decisions are made by men who meet in assemblies to discuss everyday issues. The pipes are carved and armed by them and generally match their ornaments in both the Toposa and the Didinga.
TRENDING STORIES
Landscapes photography by Wilfred Wessel Berthelsen

BioEuropeLandscapes photography by Wilfred Wessel Berthelsen

My main photographic inspiration is Michael Kenna, Ansel Adams and Sebastiao Salgado. Back home here in Norway, Morten Krogvold is my mentor and inspirator. He is one of the best photographers in Norway, no question.
Yonder, A poetic visual narrative by Jenny Papalexandris

B&WConceptOceaniaYonder, A poetic visual narrative by Jenny Papalexandris

The Yonder Series traces a poetic visual narrative along the Amtrak Crescent line from Penn Station in NYC to New Orleans in Louisiana. The thirty-hour train journey induces deep reverie and contemplation.
Helmut Newton: Portraits of voyeurism and sensuality

DodhersHelmut Newton: Portraits of voyeurism and sensuality

Helmut Newton, always a worshiper and lover of beauty, knew how to capture it better than anyone with his camera. His works crossed boundaries over and over again, demonstrating the diverse facets of women who were seeking their new identity during the sexual revolution of the moment.
New York; Red Hook by Lisa Cutler

AmericaCityNew York; Red Hook by Lisa Cutler

I discovered Red Hook by chance, making a wrong turn getting off the Smith Street Train Station in Brooklyn. Over the course of the next two years, I returned to photograph this urban, gritty wonderland.
Surrealism and the Mannequins by Suzette Dushi

B&WConceptEuropeSurrealism and the Mannequins by Suzette Dushi

Time wears upon everything. I photograph discarded, broken and decaying store mannequins. The signs of aging on these once beautiful objects are significant, yet their realistic faces and their peculiar dilapidation trigger my empathy.
Coney Offseason by Daniel Skwarna

AmericaStoryConey Offseason by Daniel Skwarna

Coney Island was shuttered and deserted. The Atlantic was frothing angrily, beating the shoreline and throwing walls of stinging spray at the beach and boardwalk, as if trying to topple the old Parachute Drop, standing watch over the Riegellman Boardwalk.
Counterweight, traffic light and palm tree by Angela Sequeira

B&WConceptEuropeCounterweight, traffic light and palm tree by Angela Sequeira

Counterweight, traffic light and palm tree is the result of a conceptual approach to the environment that surrounds us as an extension of the inner issues of existence.
Childhood Lost by Justyna Neryng

ConceptEuropeChildhood Lost by Justyna Neryng

Childhood Lost is an ongoing autobiographycal project (self portrait in a different body) exploring the nature of portraiture and memory.
Wardrobe by Yulia Artemyeva

EuropeShotWardrobe by Yulia Artemyeva

Food, home, clothes, taken in their broad anthropological sense, serve as a continuation of human corporeality and the closest zone of our self projection.
FEATURED STORIES
Wildlife photography; Land of Giants by Will Burrard-Lucas

B&WBioEuropeFeaturedWildlife photography; Land of Giants by Will Burrard-Lucas

These photographs are part of a larger series documenting the elephants of Tsavo and the work of Tsavo Trust. The full series is published in a new book titled “Land of Giants”.
Under the sign of the rat; Roger the Rat by Roger Ballen

AmericaB&WConceptFeaturedUnder the sign of the rat; Roger the Rat by Roger Ballen

Surreal, refined, disturbing: Roger Ballen has made a name for himself with his special eye for what is usually considered minor or outside, yet is nevertheless profound and touching.
Intimate portraits of animals; Behind Glass by Anne Berry

B&WBioEuropeFeaturedIntimate portraits of animals; Behind Glass by Anne Berry

Behind Glass is a collection of photographs made in monkey houses of small zoos throughout Europe. Anne Berry is recognized for her ability to create lyrical, intimate portraits of animals.
Fictional narrative photography; Birth Undisturbed by Natalie Lennard

ConceptEuropeFeaturedFictional narrative photography; Birth Undisturbed by Natalie Lennard

Birth Undisturbed is a fictional narrative photography series by Natalie Lennard, that brings scenes of natural childbirth into cinematic fine-art tableaux.
Japanese Aquariums by George Nobechi

AsiaFeaturedStoryJapanese Aquariums by George Nobechi

Japanese Aquariums is a journey into some of my oldest, most treasured childhood memories. Whenever I visited my grandparents in the small, northern Japanese city of Otaru, my grandfather, a high school teacher and an enormous influence in my life, would take me to the aquarium.
Greenland; Stories from the Sea by Camille Michel

EuropeFeaturedStoryGreenland; Stories from the Sea by Camille Michel

Greenland became politically independent from Denmark in 1979 and is slowly getting on the path to economic independency. The ‘ice country’ is currently facing the consequences of climate change.
Intimate diary; Jazz Notes by Giuseppe Cardoni

B&WEuropeFeaturedShotIntimate diary; Jazz Notes by Giuseppe Cardoni

It is a declaration of love by Giuseppe Cardoni, but also by an Italian region, Umbria, which has always hosted the most important jazz festivals and where the author took most of his photographs.
Guatemala; Until the corn Grows Back by Lys Arango

EuropeFeaturedStoryGuatemala; Until the corn Grows Back by Lys Arango

Until the corn Grows Back; Lys Arango’s project was selected and published in our print edition 16. Criminal violence in Central America was something that happened very far away and that explained, according to the media, the gigantic caravans of migrants that from 2017 began to travel thousands of kilometres to reach the United States
Greatest jockeys; Fortza Paris by Marco Cheli

EuropeFeaturedStoryGreatest jockeys; Fortza Paris by Marco Cheli

Fortza Paris; Marco Cheli’s project was selected and published in our print edition 16. Over the years, until today there are many young Sardinians, specifically from Barbagia, who leave their island with the dream of becoming a jockey of the Palio di Siena.
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Issue #14 | September 2020
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Dodho Magazine is pleased to announce the new call for the photographers selection from all over the world that will be presented in an exceptional edition.
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Photo by ©Ryotaro Horiuchi | Japan | Issue#14
Dodho Magazine is pleased to announce the new call for the photographers selection from all over the world that will be presented in an exceptional edition.
Deadline: Monday, November 30, 2020
Photo by ©Ryotaro Horiuchi | Japan | Issue#14
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Dodho Magazine is pleased to announce the new call for the photographers selection from all over the world that will be presented in an exceptional edition.
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Deadline: Monday, November 30, 2020
Contact
How can we help? Got an idea or something you'd like share? Please use the adjacent form, or contact contact@dodho.com
Thank You. We will contact you as soon as possible.
Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
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