Winter in Swiss Photography

Zürich (2 Feb – 21 Feb 2019) Once again the gallery Bildhalle is hosted at the Forum Paracelsus in St. Moritz this year and presents a group exhibition of important positions in classic and contemporary Swiss photography on the topic of "Winter".
SWITZERLAND. St Moritz. Girls. 1948.

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Once again the gallery Bildhalle is hosted at the Forum Paracelsus in St. Moritz this year and presents a group exhibition of important positions in classic and contemporary Swiss photography on the topic of “Winter”.

Winter as a photographic subject has a long tradition in Switzerland. Snow and cold almost completely transform a landscape, concealing many of its characteristics and often reducing them to contrasts, planes and textures. Winter thus invites us to look at a place in a new and different way, to surrender ourselves to the play of light on this blank canvas and to trace the fresh traces. Many artists and photographers feel inspired by this side of winter.

Werner Bischof, Girls, St. Moritz, Schweiz, 1948, Baryta Print, 40 x 40 cm, Open Edition (©Werner Bischof Estate/Magnum Photos)

A highlight of the exhibition are the vintage prints by Albert Steiner (1877-1965) from the Kaspar Fleischmann Collection, never shown publicly before and unmatched in their quality and uniqueness. Steiner is followed chronologically by winter pictures of important exponents of Swiss photography: Werner Bischof (1916-1954), René Burri (1933-2014), Arnold Odermatt (*1925), René Groebli (*1927) and Philipp Giegel (1927-1997) and the Swiss-French photographer Sabine Weiss (*1924), who lives in Paris.

These icons of Swiss photography are juxtaposed with more recent positions: for example, Douglas Mandry’s unique photographic specimens (photographic lithographs on a glacier cloth) or Sandro Diener’s landscapes (*1975).

The exhibition is rounded off with photographs by established Swiss photographers: Robert Bösch (*1954), Guido Baselgia (*1953), Daniel Schwartz (*1955) and Bernd Nicolaisen (*1959). They all know how to translate the breathtaking beauty and existential boundaries of alpine regions into exceptional photographs.

Philipp Giegel, Training vor dem Schlittenhunderennen im Engadin, Celerina, 1978
Silver Gelatin Print, 30 x 30 cm, Only one print available
© Philipp Giegel, Esther Woerdehoff Paris

BILDHALLE

2 Feb – 21 Feb 2019

Stauffacherquai 56
8004 Zürich

www.bildhalle.ch

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Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
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