Vistas is composed of multiple exposures shots and high resolution scans of colors & solvents compositions; dealing respectively with the perception of Time and the perception of Space. Starting from my previous works on landscapes I aimed to create images presenting an altered Time dimension, through the use of multiple and/or very long exposures.
Vistas is composed of multiple exposures shots and high resolution scans of colors & solvents compositions; dealing respectively with the perception of Time and the perception of Space.
Starting from my previous works on landscapes I aimed to create images presenting an altered Time dimension, through the use of multiple and/or very long exposures. That is to suggest that the nature of what we feel as the flowing of Time is more likely to be a different entity which doesn’t share the same qualities that we naturally perceive, and of which we cannot get to understanding at the moment. Similarly, the high resolution scans brings to our sight a scale of dimension, the very small Space, our eyes didn’t evolve to see. Yet I’ve tried to find in that micro space the same aesthetic qualities I normally seek in a landscape.
Vistas Paradossales | Luca tombolini
About Luca tombolini
Luca was born 1979 in Milan. He completed humanistic studies and after that a degree in Sciences of Communication, with a major on rhetoric patterns in Cinema. While studying at university he met with large format photography and started experimenting. He’s self taught about large format photography. [Official Website]
I started photographing landscapes following a desire I couldn’t put into words, like a subliminal fascination I felt. I then followed my need for that kind of natural environment, which is the closest evidence I found to a-temporality and participation with the Universe. I see them as a possibility of connecting to a greater entity, from which we generated but that in nowadays society we live oblivious of being part of it. Being alone in those remote areas it’s a very humbling experience, it helps my mind to create a meditative suspension over the reality I perceive; cultural occurrences fade away leaving an apparent void which I try to fill with shapes and colors of my photographic play
Mathare valley is a large settlement which has about 500,000 inhabitants crammed into tiny wattle, tin and cupboard shacks in a hilly area that looks to be less than a square mile.
Beauty is a relative concept that means something different to all of us. From my point of view, beauty means grace, modesty, sincerity and spirituality. Nothing to do with our appearance. Beauty does not need anything.
The word “Occlude” is a transitive verb, which means to obstruct, block, or prevent, but in photography, it's transmogrifies to an intriguing concept. Obstruction or prevention.
Night after night, I take my compact camera, I hold it at arm's length and I sink in the dark bars, in the infamous perfumes of the street, I seek the fragments of the bodies, the frailties, the hopes, the sounds of the glasses that we drink.
Night Photography: Finding your way in the dark documents a Full Moon Night Photography Workshop in the Big Bend region of West Texas led by photographers Scott Martin and Lance Keimig.
The individual human memory is an episodic memory. It reflects our experiences, impressions, feelings, as well as specific times and places, all combined together. A smell, a song, a gesture, a dress. Humans rely on memories. They can provide a temporal experience, towards the future or the past.
I have always liked photographing. It came with my desire to travel and explore the world. When I came back from my first backpacking trip around Asia in 1985 my bag was full of exposed film rolls. I have always photographed when I travelled around.
Tatiana Saavedra is a a moon enthusiast and photographer based in Portugal who tries to create visual poetry because there is something very special in colors and dreams. From a young age she has been interested in photography and cinematography later on.
Being the second generation locally born Malaysian Chinese whose grandfather immigrated from China, I was brought up in Chinese educational background when small, with an inexplicable liking for Chinese literature, paintings and philosophy.
What stories do we tell with what we reveal and what we hide? What do we choose to show the world? Can the human body ever truly be “shown” in its entirety ?
My work is rooted in the serenity I find in the sinuous elegance of organic forms. I’m transfixed and transformed in the art of capturing the stillness of the suspended movement of light and compelled to preserve the visual poetry of these fleeting moments of vanishing beauty in our vulnerable environment.
During a walk on Normandy in the direction of the coast, I saw on a hill a small camp of Roma who had a rest there with their horse-drawn caravans. My desire to photograph a Rome family began to happen.
Surprisingly close to tourist heavy Red Fort in Old Delhi India, lies Moti Talkies, the oldest and only remaining Bhojpuri movie single-screen theatre in the nation’s capital. The theatre is extremely easy to pass by, with the only way to it being through a dully lit narrow lane marked only by small film posters.
Ceremony of the funeral of god’s son Jesus. With the arrival of spring comes Easter week. It has centuries of history behind it and is one of Spain’s most authentic and emotive celebrations.
I want this poetic-philosophical reflection to speak through my images in these corona times. In my series “Losing our minds” I consciously show only young people who are looking for themselves, for the meaning of life and the relationship between man and nature.
The trucks continually roll past the roads that lead to their villages, spitting out so much dust that people living in the villages can no longer breathe.
With this work I want the viewer to get a good look at what it is like living in America as a Black man. I use the wet-plate collodion process to connect the past to the present and explore the atrocities of slavery and Jim Crow
Photographer and life-long Tottenham Hotspur fan, Martin Andersen has turned his camera on his fellow fans to create ‘Can’t Smile Without You’, an intimate and often visceral collection of photographs taken at home, away, and across Europe from 2013 until 2017 with the last game played at the White Hart Lane stadium.
Army complex from the time of the Austro-Hungarian Empire. It lies by Metelkova Street in the center of Ljubljana, Slovenia. It was abandoned in the early 1990s, when Yugoslavia collapsed.
It’s another beautiful day in paradise. Dark, and rainy. It’s one of those days that suggest the beauty of film. F-stop wide open, the darkness and grain, the feeling of an impressionist painting.
These images are part of what I’ve called an “alternative family album.” With one exception, I constructed each work using vernacular photographs from archives discovered after my parents’ deaths.
In my photography, my personal experiences often motivate me to start creating works. Eventually, it leads me to the fundamental theme of our life and I want to express what I think and get from there.
OTHERSTORIES
This website uses cookies to improve your experience. We'll assume you're ok with this, but you can opt-out if you wish. AcceptRead More
Privacy & Cookies Policy
Privacy Overview
This website uses cookies to improve your experience while you navigate through the website. Out of these, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. We also use third-party cookies that help us analyze and understand how you use this website. These cookies will be stored in your browser only with your consent. You also have the option to opt-out of these cookies. But opting out of some of these cookies may affect your browsing experience.
Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information.
Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. It is mandatory to procure user consent prior to running these cookies on your website.
We use Sendinblue as our marketing platform. By Clicking below to submit this form, you acknowledge that the information you provided will be transferred to Sendinblue for processing in accordance with their terms of use
We’d love to
Thank you for subscribing!
Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted.
- Between 10/30 images of your best images, in case your project contains a greater number of images which are part of the same indivisible body of work will also be accepted. You must send the images in jpg format to 1200px and 72dpi and quality 9. (No borders or watermarks)
- A short biography along with your photograph. (It must be written in the third person)
- Title and full text of the project with a minimum length of 300 words. (Texts with lesser number of words will not be accepted)
This is the information you need to start preparing your project for its presentation
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
Dodho Magazine is pleased to announce the new call for the photographers selection from all over the world that will be presented in an exceptional edition.
Dodho Magazine is pleased to announce the new call for the photographers selection from all over the world that will be presented in an exceptional edition.
Dodho Magazine is pleased to announce the new call for the photographers selection from all over the world that will be presented in an exceptional edition.
Thank You. We will contact you as soon as possible.
Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
