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AmericaBioUrban vegetation by Anne-Claire Vimal du Monteil

Plastic experimentation pictures of Anne-Claire Vimal du Monteil explore the transformation of reality, its reinvention. Feeling and emotion take precedence over the precise representation of the subject.

Plastic experimentation pictures of Anne-Claire Vimal du Monteil explore the transformation of reality, its reinvention. Feeling and emotion take precedence over the precise representation of the subject.

Reality is distorted or blurred through all kind of real-life filters. Poetic images emerge, telling a different story than just plain captured reality. It can also lead to reveal a hidden meaning through the creative process.

In Urban Vegetation series, Anne-Claire Vimal du Monteil captures various manifestations of plants during her strolls in Montreal. Man made structures and vegetal matter create poetic images through her lens. Her initial goal is to extract beauty from plain day to day life.

There are two distinct parts in this series. The first one focuses on all forms of vegetal life in the city: sidewalks, urban gardens and lawns.

The second one showcases indoor plants seen from the outside : the ones we can see through private windows or stores displays. We present here a selection of pictures from this second part.  These pictures relate to both plastic and aesthetic research of the artist. The physical separation between the plant and the photographer creates pictorial compositions with glass reflection and dirt, mosquito nets, see-through curtains.

In addition, the artist questions modern western human’s domination over nature in order to understand how the plants can feel this confinement. Green empathy. We call them indoor plants, indeed they don’t have any contacts with the outer world. They don’t feel the wind nor the weather. Their roots are disconnected from their natural ecosystem and their fellow creatures. They live in a sanitized environment, owned by their master who controls their survival and breeding. We created this artificial relation of dependency between those plants and ourselves, just like with our pets.

What can they feel without a nervous system? How can we learn from their behaviors to make our anthropocentrism evolve into a balanced and respectful relationship?

About Anne-Claire Vimal du Monteil

Anne-Claire Vimal du Monteil has been living in Montreal for the past 11 years. She worked in culture and cinema in Paris and then chose to become a high end retoucher and commercial photographer 13 years ago. In 2016, she transitioned to fine art photography and developed her research with different techniques and expressions within the medium. [Official Website]

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Photo by ©Ryotaro Horiuchi | Japan | Issue#14
Dodho Magazine is pleased to announce the new call for the photographers selection from all over the world that will be presented in an exceptional edition.
Deadline: Monday, November 30, 2020
Photo by ©Ryotaro Horiuchi | Japan | Issue#14
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How can we help? Got an idea or something you'd like share? Please use the adjacent form, or contact contact@dodho.com
Thank You. We will contact you as soon as possible.
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Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
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