B&WConceptOceaniaBy the River by Ian Flanders

Ian Flandres first visited Phnom Penh, Cambodia in 2011 where he stumbled across a young street-prostitute prospecting along the Mekong River. After a brief discussion he became struck and ultimately haunted by the look of despair and desolation in her eyes.

Ian Flandres first visited Phnom Penh, Cambodia in 2011 where he stumbled across a young street-prostitute prospecting along the Mekong River. After a brief discussion he became struck and ultimately haunted by the look of despair and desolation in her eyes.

These young betrayed eyes drew Ian’s inquiry and finally his entire creative focus.

-®Ian-Flanders_bytheriver_1

Back in Sydney, Ian emailed two of the largest NGO’s in the region for some advice, but frustratingly received no reply, so further down the rabbit hole he dived. He secretively built up relationships with many of the women surviving in small shacks and shelters where they never strayed. In particular, a desperate woman named Anh and her ‘dangerously’ coming-of-age daughter assisted him in discovering and documenting a shocking system of debt slavery where young women had to work off never ending payments to their controlling pimps.

Something would happened to me, and I would be beaten up and not allowed to abandon here. If paid up, there should be no trouble. Over here is very powerful, can't fight them.
Something would happened to me, and I would be beaten up and not allowed to abandon here. If paid up, there should be no trouble. Over here is very powerful, can’t fight them. [Official website]

Five self-funded trips to Phnom Penh later and Ian was slowly realising there were more chains on these women than he could ever have imagined. Ian grappled with the likes of the women’s cultural beliefs, local realities and a sense of filial duty that further inhibited the women from    leaving.

However, he simply could not cast aside his own morality after witnessing first hand the young women feeding their drug addiction, bruises from beatings, self-harm and submitting to their work duty no matter the condition of their health. In one instance, Ian went to find a pharmacy after seeing one young girl vomiting and holding her stomach in terrible pain – upon returning to the shack only moments later, she had already been chosen by a visiting client. As detailed in his  diary:

-®Ian-Flanders_bytheriver_3
What is your idea of misery? The worst pain in my life is when my husband left me and my child, but I am alright just sorry for my child because she lost a father at a young age but because I am poor so that my husband left me and my child. but this poverty was God’s arrangement for me so I have to accept it without resignation, I only hope that I have a sum money so I can repay all their debt then I will go back to live by my child and mother’s side.

Upon exiting the room, the entrance to the room had been opened by Anh. I hadn’t noticed, but Pham was crouched down in the hallway looking in at me. Only when she stood up did I see her. She looked in great pain, hunched over with her arms looking like they were locked together holding her stomach in, dry retching, with her hair pulled back and white as a ghost. It startled me. She came and sat beside me on the mattress. I point to my head, then my stomach asking her where does she feel sick. She made hand gestures to indicate she is throwing  up.

I left the shack determined to find a pharmacist. Even in this very poor area there had to be something. There was – incredibly down and across the road. I walked back to the shack after purchasing medicine and I got the feeling the girls had watched me from across the road. As I approached, the girls all smiled – one girl yelled “Give me” while reaching out. I approached Anh who was at the entrance, she spoke Vietnamese, I turned to my left and noticed it was the Madame she was speaking to. I raised the small plastic bag. “Medicine” I said. The Madame smiled and nodded – another first. I asked Anh if I can give it to Pham directly. She shook her head in denial – pointed over her   shoulder.

“Boom-Boom”  She said.

I couldn’t believe it. Within the space of five minutes, someone had chosen Pham to fuck – albeit in her terrible, vomiting condition. Maybe I should had believed it – she had no choice.

– Notes By the River, Day   23.

Anh and I are two sisters and were born by the same mother, do you understand?
Anh and I are two sisters and were born by the same mother, do you understand?

After three long years, Ian had something a lot more valuable than a gritty photographic expose of the sex- slave industry in Cambodia. He nervously handed over all recorded photos and evidence to the NGO’s and hounded them for action. On November 12th 2014, the shacks were raided and eight women and three  children were rescued, while two traffickers were charged and prosecuted. The Director of Investigations commented “This case and the positive result for the women and girls involved would not have been possible without the valuable assistance of Ian. His unwavering determination to help these trafficking victims over a long period of time despite the personal risk and cost to himself enabled us to gain the necessary information to build the case with the Police resulting in the rescue of the victims and the arrest and prosecution of the traffickers.”

Unfortunately, many of the women returned to the only thing they knew, to their addictions and to where the pressure to change disappeared and things made sense… it broke his heart. However, the intergenerational chain has been broken with children receiving education and support that will hopefully lead to a life of self- determination and options.

There were times during this journey when Ian felt like a man on a meaningful mission, a champion of humanity! But the rejection of freedom from enslaved prostitution by most of these young women also left Ian feeling naïve and privileged.

I also want to leave here but it will be impossible. Because I have owed them here much money there's no way to pay off. For 5 years I haven’t been able to go back home to see my family, I miss them very much. I wish someday someone would take compassion on me and pay off the debt for me, how happy it was then. In here by making small mistakes will be beaten terribly, I am very afraid of being beaten.
I also want to leave here but it will be impossible. Because I have owed them here much money there’s no way to pay off. For 5 years I haven’t been able to go back home to see my family, I miss them very much. I wish someday someone would take compassion on me and pay off the debt for me, how happy it was then. In here by making small mistakes will be beaten terribly, I am very afraid of being beaten.

I have been here a long time, and would also like to go home. Through your helps to my friend Anh, I know you are a good person. You have given Anh money so she could go home and did not have to continue to do this kind of work. Anh and I live close to each other in Vietnam. Anh’s current life is very good and she often asks about you. Anh asks me when you come around, can you go back to Vietnam to visit her. If possible, can you stay here with me tomorrow, I can guarantee nothing will happen and more time to talk. I also have a lot to tell you. As for the other girls, they don’t look at things the way as Anh and myself therefore I am worry that will cause you trouble. I hope you understand.
I have been here a long time, and would also like to go home. Through your helps to my friend Anh, I know you are a good person. You have given Anh money so she could go home and did not have to continue to do this kind of work. Anh and I live close to each other in Vietnam. Anh’s current life is very good and she often asks about you. Anh asks me when you come around, can you go back to Vietnam to visit her. If possible, can you stay here with me tomorrow, I can guarantee nothing will happen and more time to talk. I also have a lot to tell you. As for the other girls, they don’t look at things the way as Anh and myself therefore I am worry that will cause you trouble. I hope you understand.

I am sorry that I did not work yesterday because I slept want but I have no money to pay them can you please help me I say I will never lie to you I won't tell you lie like Pham (sic) lied to you like Pham lied to you.........(sic) I want to go home but I can't do you believe me I am not telling you lie ....yes if I live next door with Anh (sic) and Pham - is there anything that make you ask so many people - but could you please let me know if you would help me - I am not telling you a lie please take me back to my home ...(sic) I really miss my dad and mum.
I am sorry that I did not work yesterday because I slept want but I have no money to pay them can you please help me I say I will never lie to you I won’t tell you lie like Pham (sic) lied to you like Pham lied to you………(sic) I want to go home but I can’t do you believe me I am not telling you lie ….yes if I live next door with Anh (sic) and Pham – is there anything that make you ask so many people – but could you please let me know if you would help me – I am not telling you a lie please take me back to my home …(sic) I really miss my dad and mum.

The Posters – Contradicting the stench, heat and damp mattress on the filthy concrete floor, the shack walls are coated with vibrant yet torn and tarnished posters of Thai, Korean pop and movie stars, flowers, babies and glorified serene landscapes. The posters created a sense of fantasy, an escapism – so far removed from the silent misery contained in the enslaved women.
The Posters – Contradicting the stench, heat and damp mattress on the filthy concrete floor, the shack walls are coated with vibrant yet torn and tarnished posters of Thai, Korean pop and movie stars, flowers, babies and glorified serene landscapes. The posters created a sense of fantasy, an escapism – so far removed from the silent misery contained in the enslaved women.

I have been here because I did borrowed money in advance to send to my family. Therefore, I have not been allowed to go anywhere, just working until paying off the debt and go. Yet about the beating up story, only a little thing done wrong to clients those who come here for relaxing will be beaten up, I sometimes feel very sad and also want to abandon here for seeking another good job to do and quit this one but don't know how to make my wish come true. It's sincere words from my heart.
I have been here because I did borrowed money in advance to send to my family. Therefore, I have not been allowed to go anywhere, just working until paying off the debt and go. Yet about the beating up story, only a little thing done wrong to clients those who come here for relaxing will be beaten up, I sometimes feel very sad and also want to abandon here for seeking another good job to do and quit this one but don’t know how to make my wish come true. It’s sincere words from my heart.

I borrowed money in advance for my family, I have owed them a lot of money, up to seven hundred dollars. Have to work until the end of the month to get pay. If I want to get out of here, I have to pay all of my debt; do you understand? You promise me that my picture here would not be published in newspaper otherwise death is on the way, if you have compassion on me you take me back to Australia, then that's no problem. I am really worried about this.
I borrowed money in advance for my family, I have owed them a lot of money, up to seven hundred dollars. Have to work until the end of the month to get pay. If I want to get out of here, I have to pay all of my debt; do you understand? You promise me that my picture here would not be published in newspaper otherwise death is on the way, if you have compassion on me you take me back to Australia, then that’s no problem. I am really worried about this.

When I came here I was told to work as a sale assistant in the bar. Because the person who took me here had told me that I could earn a lot of money, so I agreed to go in order to make money for supporting my parents and younger siblings. When being here then I’ve just knew such a job I have no choice but to accept it, because my family does not have money to take care of my younger siblings schooling.
When I came here I was told to work as a sale assistant in the bar. Because the person who took me here had told me that I could earn a lot of money, so I agreed to go in order to make money for supporting my parents and younger siblings. When being here then I’ve just knew such a job I have no choice but to accept it, because my family does not have money to take care of my younger siblings schooling.

Because I don't have the money to take care for my parents & kid's schooling {sic} I don't know how to tell you because I am sincere in telling you the truth and not lying to you I only know you are the person who helped Anh & Pham. I really want to go home but don't have the money to settle {sic} Let me tell you, I am sincere in telling & never lie to you. I just know you because I don't tell you lie but I am sincerely telling you that I want to go home because I miss my parents It has been 3 years I can't go home. Anh & Pham could go home whereas no one pay for me help me if you pity me.
Because I don’t have the money to take care for my parents & kid’s schooling {sic} I don’t know how to tell you because I am sincere in telling you the truth and not lying to you I only know you are the person who helped Anh & Pham. I really want to go home but don’t have the money to settle {sic} Let me tell you, I am sincere in telling & never lie to you. I just know you because I don’t tell you lie but I am sincerely telling you that I want to go home because I miss my parents It has been 3 years I can’t go home. Anh & Pham could go home whereas no one pay for me help me if you pity me. I am telling you but please don’t tell Anh… Pham… sorry (sic) as you are sincere & because I don’t tell you lie if you would listen I will tell you the truth that my mother was arrested by the police so I don’t get to see (sic)…(sic) I really want to go home please help me I beg you. Once you pay I will not stay here. If you think I am not sincere then it’s alright because I want to go home.

How do you want to be remembered? For me, I want to be considered as a friend; because I no longer have a heart in loving with anybody again.
How do you want to be remembered?
For me, I want to be considered as a friend; because I no longer have a heart in loving with anybody again.

I am sorry that I can’t meet up with you because my mother came and take me back urgently so I am unable to see you. Let me go home then I will contact you later, my family are really grateful of you I love you.
I am sorry that I can’t meet up with you because my mother came and take me back urgently so I am unable to see you. Let me go home then I will contact you later, my family are really grateful of you
I love you.

If I go home my sister will stay behind, please don't do anything that would cause her to be hurt and her life to be in danger. After I have gone home and if you visit this place, please don’t take photo, they will notice then my sister would be beaten up. Please don’t take photo anymore.
If I go home my sister will stay behind, please don’t do anything that would cause her to be hurt and her life to be in danger. After I have gone home and if you visit this place, please don’t take photo, they will notice then my sister would be beaten up.
Please don’t take photo anymore.

I don’t need anything at all in terms of happiness, what I only need is some day I could live with my mother and my child. That's enough happiness for me.
I don’t need anything at all in terms of happiness, what I only need is some day I could live with my mother and my child. That’s enough happiness for me.

How do you want to be remembered? I really don’t know that; however I wish people would always consider me as a lovely and noteworthy person.
How do you want to be remembered?
I really don’t know that; however I wish people would always consider me as a lovely and noteworthy person.

Magazine

CALL FOR ENTRIES

AN AMAZING PROMOTIONAL TOOL DESIGNED TO EXPOSE YOUR WORK WORLDWIDE

DEADLINE: TUESDAY, NOVEMBER 31, 2021

PHOTO: © JO LAUREN | UNITED KINGDOM | ISSUE 10
https://www.dodho.com/wp-content/uploads/2020/11/Z.jpg

Simply Stunning Landscapes – Would you like to capture stunning landscapes every time you shoot… without having to travel far from home?

https://www.dodho.com/wp-content/uploads/2020/03/Landscape-and-Nature-dPS-Photography-Course-300x250-1.jpg

Landscape & nature photography is one of the most challenging genres and disciplines to learn, and the costs of getting it wrong can be disappointing

300x250

With ON1 Photo RAW you get the professional photo editing tools every photographer needs to get professional results while keeping your workflow.

https://www.dodho.com/wp-content/uploads/2020/12/BAnImage.jpg

ImageRights provides intelligent image search and copyright enforcement services to photo agencies and professional photographers worldwide.

PRINTED EDITION
Interview with Samuel Feron; Published in our printed edition #16

DnaEuropeInterview with Samuel Feron; Published in our printed edition #16

Samuel Feron has been photographing Nature for 2 decades, exploring remote and sparsely habited areas all over the world. He tries to go beyond what the eyes first see, assuming that Nature has secrets in itself.
Interview with Marco Cheli; Published in our printed edition #16

DnaEuropeInterview with Marco Cheli; Published in our printed edition #16

I think that Dodho provides a fantastic opportunity for those who want to be recognized by an informed public and by their peers. Seeing my work in the pages of Dodho, well, it is the most exciting thing that has ever happened to me, and I have photography to thank for it.
Interview with Lys Arango; Published in our printed edition #16

DnaEuropeInterview with Lys Arango; Published in our printed edition #16

Time, dedication, and the right rhythm combined with a human approach make the work of Lys Arango one of the most truthful and inspiring photo testimonies of indigenous people.
Interview with France Leclerc; Published in our printed edition #16

AmericaDnaInterview with France Leclerc; Published in our printed edition #16

Canadian Travel photographer France Leclerc tries to find this commonness with joy showing sweet observation through fresh eyes to portray ethnic group communities the world seems to ignore.
Interview with Nikolina Petolas; Published in our printed edition #16

DnaEuropeInterview with Nikolina Petolas; Published in our printed edition #16

I work in several techniques, but what you are reffering to in ’Tale of the Blue Pear’ series  are mostly digital collages combined with digital painting. I also paint in traditional techniques but that is done on canvas or hard board.
Interview with Michele Punturieri; published in our print edition #15

DnaInterview with Michele Punturieri; published in our print edition #15

This work is somewhat impromptu because it has been carried out, so to speak, on the spot and at the moment. Street photography pure, trying to capture the most interesting moments and faces in the places I visited. 
Interview with Dimitri Weber; published in our print edition #15

DnaEuropeInterview with Dimitri Weber; published in our print edition #15

I like the colours on my pictures to pop a bit. To be as natural as possible, while catching the eyes of the people looking at my pictures. So, I enhance some of those colours during my editing process, mostly to give them a homogeneous look that suits my style.
Interview with Ana Maria Robles; published in our print edition #15

AmericaDnaInterview with Ana Maria Robles; published in our print edition #15

There is no doubt that women play a leading role, but they are still a patriarchy and all decisions are made by men who meet in assemblies to discuss everyday issues. The pipes are carved and armed by them and generally match their ornaments in both the Toposa and the Didinga.
TRENDING STORIES
Elements by Katherine Young

B&WCityEuropeElements by Katherine Young

‘Elements’ is a special project for me bringing together my passion for contemporary architecture and black-and-white photography. The idea behind it was to showcase the ingenuity and multiplicity of contemporary façades.
Japanese Aquariums by George Nobechi

AsiaFeaturedStoryJapanese Aquariums by George Nobechi

Japanese Aquariums is a journey into some of my oldest, most treasured childhood memories. Whenever I visited my grandparents in the small, northern Japanese city of Otaru, my grandfather, a high school teacher and an enormous influence in my life, would take me to the aquarium.
Fairy Shines by Patrizia Burra

B&WEuropeNudeFairy Shines by Patrizia Burra

You will find in these visions the woman who flies and like a fairy shines with her own light, the opulent woman who looks you straight in the eyes,
After his morning swimming by David Scouri

AsiaB&WShotAfter his morning swimming by David Scouri

Most people are looking for a quiet place, an island of sanity, in our existential space,and some of them find their sanity and balance closest to the sea. Some of them arrive early in the morning for a swim, a daily habit they apply every day of the year.
Interview with Ted Chin; Digital Artist.

AmericaDnaInterview with Ted Chin; Digital Artist.

Dali is definitely one of my inspirations when I was learning about surreal art. However, jellyfish has nothing to do with his artwork. The gentle floating of clouds and jellyfish creates a sense of calm.
Maren Klemp ; The darker sides of the human mind

B&WConceptEuropeMaren Klemp ; The darker sides of the human mind

My current interests in photography encompasses self portraiture, black and white photography in general and the use of vintage photographic equipment that infuses my images with a timeless dimension.
Projection, Urban landscape by Akis Detsis

CityEuropeProjection, Urban landscape by Akis Detsis

The photographs depict the urban landscape as a metaphor of stagnation or of a correlated psychological state. Architectural structures are strict, the third dimension almost disappears
Post-industrial city; Paterson by Tema Stauffer

AmericaStoryPost-industrial city; Paterson by Tema Stauffer

Tema Stauffer is a photographer whose work examines the social, economic, and psychological landscape of American spaces.
Search and Rescue by Alessandro Barteletti

B&WEuropeStorySearch and Rescue by Alessandro Barteletti

Air rescuers of the 15th Stormo are a special and exclusive Italian Air Force unit: just a little over 200 have been trained in the last 50 years. The department is operative 24/7, with intervention times ranging between 30 and 120 minutes.
FEATURED STORIES
Wildlife photography; Land of Giants by Will Burrard-Lucas

B&WBioEuropeFeaturedWildlife photography; Land of Giants by Will Burrard-Lucas

These photographs are part of a larger series documenting the elephants of Tsavo and the work of Tsavo Trust. The full series is published in a new book titled “Land of Giants”.
Under the sign of the rat; Roger the Rat by Roger Ballen

AmericaB&WConceptFeaturedUnder the sign of the rat; Roger the Rat by Roger Ballen

Surreal, refined, disturbing: Roger Ballen has made a name for himself with his special eye for what is usually considered minor or outside, yet is nevertheless profound and touching.
Intimate portraits of animals; Behind Glass by Anne Berry

B&WBioEuropeFeaturedIntimate portraits of animals; Behind Glass by Anne Berry

Behind Glass is a collection of photographs made in monkey houses of small zoos throughout Europe. Anne Berry is recognized for her ability to create lyrical, intimate portraits of animals.
Fictional narrative photography; Birth Undisturbed by Natalie Lennard

ConceptEuropeFeaturedFictional narrative photography; Birth Undisturbed by Natalie Lennard

Birth Undisturbed is a fictional narrative photography series by Natalie Lennard, that brings scenes of natural childbirth into cinematic fine-art tableaux.
Japanese Aquariums by George Nobechi

AsiaFeaturedStoryJapanese Aquariums by George Nobechi

Japanese Aquariums is a journey into some of my oldest, most treasured childhood memories. Whenever I visited my grandparents in the small, northern Japanese city of Otaru, my grandfather, a high school teacher and an enormous influence in my life, would take me to the aquarium.
Greenland; Stories from the Sea by Camille Michel

EuropeFeaturedStoryGreenland; Stories from the Sea by Camille Michel

Greenland became politically independent from Denmark in 1979 and is slowly getting on the path to economic independency. The ‘ice country’ is currently facing the consequences of climate change.
Intimate diary; Jazz Notes by Giuseppe Cardoni

B&WEuropeFeaturedShotIntimate diary; Jazz Notes by Giuseppe Cardoni

It is a declaration of love by Giuseppe Cardoni, but also by an Italian region, Umbria, which has always hosted the most important jazz festivals and where the author took most of his photographs.
Guatemala; Until the corn Grows Back by Lys Arango

EuropeFeaturedStoryGuatemala; Until the corn Grows Back by Lys Arango

Until the corn Grows Back; Lys Arango’s project was selected and published in our print edition 16. Criminal violence in Central America was something that happened very far away and that explained, according to the media, the gigantic caravans of migrants that from 2017 began to travel thousands of kilometres to reach the United States
Greatest jockeys; Fortza Paris by Marco Cheli

EuropeFeaturedStoryGreatest jockeys; Fortza Paris by Marco Cheli

Fortza Paris; Marco Cheli’s project was selected and published in our print edition 16. Over the years, until today there are many young Sardinians, specifically from Barbagia, who leave their island with the dream of becoming a jockey of the Palio di Siena.
https://www.dodho.com/wp-content/uploads/2021/06/getty-images.png
https://www.dodho.com/wp-content/uploads/2021/06/black-eye.png
https://www.dodho.com/wp-content/uploads/2021/06/Edelman-Gallery.png
https://www.dodho.com/wp-content/uploads/2021/06/Medium.png
https://www.dodho.com/wp-content/uploads/2021/06/Opiom.png
https://www.dodho.com/wp-content/uploads/2021/06/Filter-Photo.png
https://www.dodho.com/wp-content/uploads/2021/06/head-on.png
https://www.dodho.com/wp-content/uploads/2021/06/Photo-independent.png
https://www.dodho.com/wp-content/uploads/2021/06/lagos-photo.png
https://www.dodho.com/wp-content/uploads/2021/06/gtb.png
https://www.dodho.com/wp-content/uploads/2021/06/IPA.png
https://www.dodho.com/wp-content/uploads/2021/06/in-focus.png
https://www.dodho.com/wp-content/uploads/2021/06/image-rights.png
https://www.dodho.com/wp-content/uploads/2021/06/riga.png
https://www.dodho.com/wp-content/uploads/2021/06/BGD.png
https://www.dodho.com/wp-content/uploads/2021/06/ICP.png
https://www.dodho.com/wp-content/uploads/2021/06/Mifa.png
https://www.dodho.com/wp-content/uploads/2021/06/miami.png
https://www.dodho.com/wp-content/uploads/2021/06/viewbug.png
https://www.dodho.com/wp-content/uploads/2021/06/OFF.png
https://www.dodho.com/wp-content/uploads/2021/06/KLPA.png
https://www.dodho.com/wp-content/uploads/2021/06/rotterdam.png
https://www.dodho.com/wp-content/uploads/2021/06/Photo-Nola.png
https://www.dodho.com/wp-content/uploads/2021/06/clampart.png
https://www.dodho.com/wp-content/uploads/2021/06/dripbook.png
OTHER STORIES
X
stay in touch
Join our mailing list and we'll keep you up to date with all the latest stories, opportunities, calls and more.
We use Sendinblue as our marketing platform. By Clicking below to submit this form, you acknowledge that the information you provided will be transferred to Sendinblue for processing in accordance with their terms of use
We’d love to
Thank you for subscribing!
Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted.
- Between 10/30 images of your best images, in case your project contains a greater number of images which are part of the same indivisible body of work will also be accepted. You must send the images in jpg format to 1200px and 72dpi and quality 9. (No borders or watermarks)
- A short biography along with your photograph. (It must be written in the third person)
- Title and full text of the project with a minimum length of 300 words. (Texts with lesser number of words will not be accepted)
This is the information you need to start preparing your project for its presentation
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
Issue #14 | September 2020
Current Issue
Vicky Martin
Ryotaro Horiuchi
Susanne Mildeelberg
Diego Bardone
Nicky Hamilton
Alain Schroeder
Printed on 80# matte paper 22x28cm | 100 Pages
Showroom
September 7 to October 31, 2020
Julia Fullerton-Batten
LOOKING OUT FROM WITHIN
Get in touch
How can we help? Got an idea or something you'd like share? Please use the form, or contact hello@dodho.com
Thank You. We will contact you as soon as possible.
Dodho Magazine is pleased to announce the new call for the photographers selection from all over the world that will be presented in an exceptional edition.
Deadline: Monday, November 30, 2020
Photo by ©Ryotaro Horiuchi | Japan | Issue#14
Dodho Magazine is pleased to announce the new call for the photographers selection from all over the world that will be presented in an exceptional edition.
Deadline: Monday, November 30, 2020
Photo by ©Ryotaro Horiuchi | Japan | Issue#14
CALL
FOR ENTRIES
Dodho Magazine is pleased to announce the new call for the photographers selection from all over the world that will be presented in an exceptional edition.
Are you ready?
Deadline: Monday, November 30, 2020
Contact
How can we help? Got an idea or something you'd like share? Please use the adjacent form, or contact contact@dodho.com
Thank You. We will contact you as soon as possible.
Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
NEW!
FOLLOW US.
Subscribe now and get a free access to a curated list of resources.
Feel free to contact.
2017 (C) All rights reserved.
ghfd