AmericaConceptThe Photographer Palette by Jean-Mathieu Saponaro

Just like a painter gradually creates its own unique palette by mixing up colors like never before and never after, the photographer can steal the colors that are around him: on people, on bricks, on nature.

Just like a painter gradually creates its own unique palette by mixing up colors like never before and never after, the photographer can steal the colors that are around him: on people, on bricks, on nature.

These colors can be found in a discreet ray of light, tones coming from winter’s sun, a shadow, perfectly aligned moving objects… These fragments in space and in times will never be the same again after the moment captured by the photo. This series is about stealing those fragments that most people wouldn’t even notice, mix them to create a color palette and express the art in them.

About Jean-Mathieu Saponaro

From his childhood’s Provence, to Brooklyn where he lived and still roams the streets, Jean-Mathieu Saponaro first immersed himself in photography to escape the lines of codes of his daily work as software engineer. It’s a quest of transforming what surrounds us into art, a quest for aesthetics in the simplest fragments of life, yet often ignored. Between scenes frozen in time and mesmerizing colors, JM, as they all call him, takes you on a journey, on a US road trip, or simply under the sun.

The Photographer Palette | Jean-Mathieu Saponaro
The Photographer Palette | Jean-Mathieu Saponaro

The Photographer Palette | Jean-Mathieu Saponaro
The Photographer Palette | Jean-Mathieu Saponaro

The Photographer Palette | Jean-Mathieu Saponaro
The Photographer Palette | Jean-Mathieu Saponaro

The Photographer Palette | Jean-Mathieu Saponaro
The Photographer Palette | Jean-Mathieu Saponaro

The Photographer Palette | Jean-Mathieu Saponaro
The Photographer Palette | Jean-Mathieu Saponaro

The Photographer Palette | Jean-Mathieu Saponaro
The Photographer Palette | Jean-Mathieu Saponaro

The Photographer Palette | Jean-Mathieu Saponaro
The Photographer Palette | Jean-Mathieu Saponaro

The Photographer Palette | Jean-Mathieu Saponaro
The Photographer Palette | Jean-Mathieu Saponaro

The Photographer Palette | Jean-Mathieu Saponaro
The Photographer Palette | Jean-Mathieu Saponaro

The Photographer Palette | Jean-Mathieu Saponaro
The Photographer Palette | Jean-Mathieu Saponaro

The Photographer Palette | Jean-Mathieu Saponaro
The Photographer Palette | Jean-Mathieu Saponaro

The Photographer Palette | Jean-Mathieu Saponaro
The Photographer Palette | Jean-Mathieu Saponaro

The Photographer Palette | Jean-Mathieu Saponaro
The Photographer Palette | Jean-Mathieu Saponaro

The Photographer Palette | Jean-Mathieu Saponaro
The Photographer Palette | Jean-Mathieu Saponaro

The Photographer Palette | Jean-Mathieu Saponaro
The Photographer Palette | Jean-Mathieu Saponaro

The Photographer Palette | Jean-Mathieu Saponaro
The Photographer Palette | Jean-Mathieu Saponaro

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PHOTO: © JO LAUREN | UNITED KINGDOM | ISSUE 10
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Simply Stunning Landscapes – Would you like to capture stunning landscapes every time you shoot… without having to travel far from home?

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PRINTED EDITION
Interview with Samuel Feron; Published in our printed edition #16

DnaEuropeInterview with Samuel Feron; Published in our printed edition #16

Samuel Feron has been photographing Nature for 2 decades, exploring remote and sparsely habited areas all over the world. He tries to go beyond what the eyes first see, assuming that Nature has secrets in itself.
Interview with Marco Cheli; Published in our printed edition #16

DnaEuropeInterview with Marco Cheli; Published in our printed edition #16

I think that Dodho provides a fantastic opportunity for those who want to be recognized by an informed public and by their peers. Seeing my work in the pages of Dodho, well, it is the most exciting thing that has ever happened to me, and I have photography to thank for it.
Interview with Lys Arango; Published in our printed edition #16

DnaEuropeInterview with Lys Arango; Published in our printed edition #16

Time, dedication, and the right rhythm combined with a human approach make the work of Lys Arango one of the most truthful and inspiring photo testimonies of indigenous people.
Interview with France Leclerc; Published in our printed edition #16

AmericaDnaInterview with France Leclerc; Published in our printed edition #16

Canadian Travel photographer France Leclerc tries to find this commonness with joy showing sweet observation through fresh eyes to portray ethnic group communities the world seems to ignore.
Interview with Nikolina Petolas; Published in our printed edition #16

DnaEuropeInterview with Nikolina Petolas; Published in our printed edition #16

I work in several techniques, but what you are reffering to in ’Tale of the Blue Pear’ series  are mostly digital collages combined with digital painting. I also paint in traditional techniques but that is done on canvas or hard board.
Interview with Michele Punturieri; published in our print edition #15

DnaInterview with Michele Punturieri; published in our print edition #15

This work is somewhat impromptu because it has been carried out, so to speak, on the spot and at the moment. Street photography pure, trying to capture the most interesting moments and faces in the places I visited. 
Interview with Dimitri Weber; published in our print edition #15

DnaEuropeInterview with Dimitri Weber; published in our print edition #15

I like the colours on my pictures to pop a bit. To be as natural as possible, while catching the eyes of the people looking at my pictures. So, I enhance some of those colours during my editing process, mostly to give them a homogeneous look that suits my style.
Interview with Ana Maria Robles; published in our print edition #15

AmericaDnaInterview with Ana Maria Robles; published in our print edition #15

There is no doubt that women play a leading role, but they are still a patriarchy and all decisions are made by men who meet in assemblies to discuss everyday issues. The pipes are carved and armed by them and generally match their ornaments in both the Toposa and the Didinga.
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Narrative ; Archive of the Ego by Frances Jakubek

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Interview with Nick Gandano ; Second place in our Black & White 2018

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As for my opinion of Dodho Magazine, I only have words of thanks for the award and for the exquisite attention I have always received.On the other hand I think they do a great job in the sense of serving as a platform for dissemination for new photographers as is my case.
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Another pandemic Easter by Thomas H.P. Jerusalem

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I called this set “Another pandemic Easter (2021)”. Something that came into my mind while editing, and not really during the shoot. So besides the Easter theme, the photos may not have a lot of drama, narrative one may think.
FEATURED STORIES
Wildlife photography; Land of Giants by Will Burrard-Lucas

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Under the sign of the rat; Roger the Rat by Roger Ballen

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Surreal, refined, disturbing: Roger Ballen has made a name for himself with his special eye for what is usually considered minor or outside, yet is nevertheless profound and touching.
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Behind Glass is a collection of photographs made in monkey houses of small zoos throughout Europe. Anne Berry is recognized for her ability to create lyrical, intimate portraits of animals.
Fictional narrative photography; Birth Undisturbed by Natalie Lennard

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Birth Undisturbed is a fictional narrative photography series by Natalie Lennard, that brings scenes of natural childbirth into cinematic fine-art tableaux.
Japanese Aquariums by George Nobechi

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Japanese Aquariums is a journey into some of my oldest, most treasured childhood memories. Whenever I visited my grandparents in the small, northern Japanese city of Otaru, my grandfather, a high school teacher and an enormous influence in my life, would take me to the aquarium.
Greenland; Stories from the Sea by Camille Michel

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Greenland became politically independent from Denmark in 1979 and is slowly getting on the path to economic independency. The ‘ice country’ is currently facing the consequences of climate change.
Intimate diary; Jazz Notes by Giuseppe Cardoni

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Until the corn Grows Back; Lys Arango’s project was selected and published in our print edition 16. Criminal violence in Central America was something that happened very far away and that explained, according to the media, the gigantic caravans of migrants that from 2017 began to travel thousands of kilometres to reach the United States
Greatest jockeys; Fortza Paris by Marco Cheli

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Photo by ©Ryotaro Horiuchi | Japan | Issue#14
Dodho Magazine is pleased to announce the new call for the photographers selection from all over the world that will be presented in an exceptional edition.
Deadline: Monday, November 30, 2020
Photo by ©Ryotaro Horiuchi | Japan | Issue#14
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Thank You. We will contact you as soon as possible.
Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
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