AmericaB&WCityStreet Portraits or Portrait of a Town by Judith Rodriguez
Why to portrait a person, a place? We live a time when singularity, otherness tend to disappear under a global order, the "other" as mystery tends to fade under the proliferation of the same.
Why to portrait a person, a place?
We live a time when singularity, otherness tend to disappear under a global order, the “other” as mystery tends to fade under the proliferation of the same.
Individuals appear with a feeling of emptiness if they only relate to an undifferentiated mass. In April 2017 I spent some weeks in Wilson, North Carolina (US) exhibiting my work in a Festival of Photography held there. ( Eyes on Main Street) where I developed this project. I could walk the streets with my camera, talk to the people living there, and was amazed at seeing many of their traditions, beliefs and ways of living remained taken care of as well as the place had a clear identity that allowed singularity to arise.Perhaps photography, or even portraits give the possibility to rescue that counterpoint between the particular and the universality.
Street Portraits or Portrait of a Town | Judith Rodriguez
Street Portraits or Portrait of a Town | Judith Rodriguez
Street Portraits or Portrait of a Town | Judith Rodriguez
Street Portraits or Portrait of a Town | Judith Rodriguez
Street Portraits or Portrait of a Town | Judith Rodriguez
Street Portraits or Portrait of a Town | Judith Rodriguez
Street Portraits or Portrait of a Town | Judith Rodriguez
Street Portraits or Portrait of a Town | Judith Rodriguez
Street Portraits or Portrait of a Town | Judith Rodriguez
Street Portraits or Portrait of a Town | Judith Rodriguez
Street Portraits or Portrait of a Town | Judith Rodriguez
Street Portraits or Portrait of a Town | Judith Rodriguez
Street Portraits or Portrait of a Town | Judith Rodriguez
Street Portraits or Portrait of a Town | Judith Rodriguez
Street Portraits or Portrait of a Town | Judith Rodriguez
Street Portraits or Portrait of a Town | Judith Rodriguez
Street Portraits or Portrait of a Town | Judith Rodriguez
Street Portraits or Portrait of a Town | Judith Rodriguez
Street Portraits or Portrait of a Town | Judith Rodriguez
My photographs present the human body, with an emphasis on functional body cavities (holes), and their changes as far as significance, functionality and appearance over time.
Moving Ghosts is an ongoing project that I started at the beginning of 2019 where I am collaborating with people to create portraits of them in locations important to them while wearing their favorite outfit.
Flora Borsi is a young fine art photographer from Hungary. She uses exquisite photo manipulation to create surreal images that are thematically focused on identity, relationships, emotions and dreams.
Question about home, dream and everything between, Photography is my emotional escape, I use it as something to express what I feel in my life instantly. In 2014, I moved from my hometown and started to live in another city for a master study
According to Theories of Dr. Freud ; Unconscious, place of Suppressed desires like that sexual desire and other desire that registered and entry to unconscious of childhood.
Catherine Edelman Gallery opened in 1987 quickly establishing itself as one of the leading galleries in the Midwest devoted exclusively to the art of photography.
The Mayan People constitute about half of the population of Guatemala. The majority live in remote mountainous areas where they are left to live or die.
For the past 11 years I have lived in Stepanakert, the capital of the unrecognized Nagorno-Karabakh Republic, with my wife and two children. On April 2nd, 2016, the military conflict that brought the republic to life started again.
There are 850,000 people in the UK with dementia. Nearly a quarter of a million people will develop the condition in the next year. It's one of the main causes of disability in later life, yet still there is no cure for what many people consider an 'unfashionable disease.
MiRelLa is the story of a woman, a mother, a wife, a grandmother. Mirella is 71 years old, she spent 43 years of her life with the only person loved. 43 years of sharing, difficulties, laughs and beautiful moments
"Copypaste" is an observation of the ways in which the human living in a technocratic world continues recreating nature inside and outside the home. The imitation of the environment in artificial materials embodies the striving for immortality.
The pictures explore the themes of relationship between the people and Neva River. On the one hand the attitude of people to the Neva River with each year becomes more and more aggressive and consuming.
At OAK we execute each project with the utmost informative rigor and the highest audiovisual quality. Depending on the subject and the goals we have set for ourselves, we choose the best combination of platforms and means to optimize the dissemination of the resulting work.
This is my grandmother, a divided soul between two worlds, between her two sons gone to find a purpose in their lives. My uncle was the first to leave the family nest, back then he had a rebel nature and couldn’t bare the communist regime
In this time I have come across some characters, sometimes peculiar, who lived in some of those homes to which I came. At first, their presence made me uncomfortable as they used to interrupt my work.
Ceremony of the funeral of god’s son Jesus. With the arrival of spring comes Easter week. It has centuries of history behind it and is one of Spain’s most authentic and emotive celebrations.
I want this poetic-philosophical reflection to speak through my images in these corona times. In my series “Losing our minds” I consciously show only young people who are looking for themselves, for the meaning of life and the relationship between man and nature.
The trucks continually roll past the roads that lead to their villages, spitting out so much dust that people living in the villages can no longer breathe.
With this work I want the viewer to get a good look at what it is like living in America as a Black man. I use the wet-plate collodion process to connect the past to the present and explore the atrocities of slavery and Jim Crow
Photographer and life-long Tottenham Hotspur fan, Martin Andersen has turned his camera on his fellow fans to create ‘Can’t Smile Without You’, an intimate and often visceral collection of photographs taken at home, away, and across Europe from 2013 until 2017 with the last game played at the White Hart Lane stadium.
Army complex from the time of the Austro-Hungarian Empire. It lies by Metelkova Street in the center of Ljubljana, Slovenia. It was abandoned in the early 1990s, when Yugoslavia collapsed.
It’s another beautiful day in paradise. Dark, and rainy. It’s one of those days that suggest the beauty of film. F-stop wide open, the darkness and grain, the feeling of an impressionist painting.
These images are part of what I’ve called an “alternative family album.” With one exception, I constructed each work using vernacular photographs from archives discovered after my parents’ deaths.
In my photography, my personal experiences often motivate me to start creating works. Eventually, it leads me to the fundamental theme of our life and I want to express what I think and get from there.
OTHERSTORIES
This website uses cookies to improve your experience. We'll assume you're ok with this, but you can opt-out if you wish. AcceptRead More
Privacy & Cookies Policy
Privacy Overview
This website uses cookies to improve your experience while you navigate through the website. Out of these, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. We also use third-party cookies that help us analyze and understand how you use this website. These cookies will be stored in your browser only with your consent. You also have the option to opt-out of these cookies. But opting out of some of these cookies may affect your browsing experience.
Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information.
Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. It is mandatory to procure user consent prior to running these cookies on your website.
We use Sendinblue as our marketing platform. By Clicking below to submit this form, you acknowledge that the information you provided will be transferred to Sendinblue for processing in accordance with their terms of use
We’d love to
Thank you for subscribing!
Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted.
- Between 10/30 images of your best images, in case your project contains a greater number of images which are part of the same indivisible body of work will also be accepted. You must send the images in jpg format to 1200px and 72dpi and quality 9. (No borders or watermarks)
- A short biography along with your photograph. (It must be written in the third person)
- Title and full text of the project with a minimum length of 300 words. (Texts with lesser number of words will not be accepted)
This is the information you need to start preparing your project for its presentation
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
Dodho Magazine is pleased to announce the new call for the photographers selection from all over the world that will be presented in an exceptional edition.
Dodho Magazine is pleased to announce the new call for the photographers selection from all over the world that will be presented in an exceptional edition.
Dodho Magazine is pleased to announce the new call for the photographers selection from all over the world that will be presented in an exceptional edition.
Thank You. We will contact you as soon as possible.
Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
