Sharon Tenenbaum – Where creativity lies

I consider myself to be first and foremost an artist before I am a photographer. Since I can’t draw to save my life, I use the camera as my brush to express my vision of reality.

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Our printed editions, circulating throughout various galleries, festivals and agencies are dipped in creativity.

The spirit of DODHO’s printed edition is first and foremost an opportunity to connect with a photographic audience that values the beauty of print and those photographers exhibited within the pages of this magazine.

We invite professional and amateur photographers from all around the world to share their work in our printed edition.

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I consider myself to be first and foremost an artist before I am a photographer.  Since I can’t draw to save my life, I use the camera as my brush to express my vision of reality.  However, I try and stay true to my guiding principle, which is to create unique and original images.  To show something in a way that has not been shown before.

Bridges and Structures

Even though I do call myself an artist today, I started my adult career as a Civil Engineer and I guess that that part of me is reflected in the subject matter in which I choose to depict in my art – Bridges and Structures.  My path to this project was direct and purposeful as a means to depict engineering marvels that utilize nature’s wisdom. I am fascinated with how the beauty, efficiency and simplicity found in nature such of the spider web or conch shell inspires technological design and innovation. It is truly awe inspiring when humans cleverly adapt what is already there.  Combining the engineered structures with their architectural elegance to be expressed and celebrated through art is my true passion.

When I started out on my photography career I always aimed for the ‘one wow shot’.  Again, trying to remain true to my aim in having an original outlook on a subject. I thought that there was no use in taking more than one shot of the same subject, that would just be repetitive, so most of my early work consisted of a ‘one shot’ per subject, the Capilano Suspension Bridge, the Vasco de Gama Bridge and so on.

Capilano Suspension Bridge

Capilano Suspension Bridge

Vasco de Gama Bridge

Vasco de Gama Bridge

If I did manage to create a series, it was unintentional and never consisted of more than two images per subject.

Chase Building Chicago #1

Chase Building #1

Chase Building Chicago #2

Chase Building #2

It was only recently that I decided to challenge myself and create a series of images per subject as in the Sundial Bridge images.  This project was a growth process for me as I forced myself to step out of my comfort zone and create a consistent series rather than a one shot.  I still wanted to stay true to my belief that each image should stand strong and have its unique quality on its own, but at the same time I wanted to have them all tie together to be part of the same ‘family’.  I wanted to take the series concept and adapt it to my vision as what a series should be and not what I thought it was or resisted.

Design Museum #5A BW & Colour Combined Design Museum #8 BW Original Porto Bridge #1 Sundial 01 Sundial 02 Sundial 03

Stills plus Long Exposures

Photography typically eliminates the continuous dimension of time.  A frozen moment in time can only hope to be timeless.  Daytime long exposure photography however offers the two-dimensional image a greater chance of immortality as time is literally being stretched.

In my portfolio work of Stills plus Long Exposure I wanted to enlarge the spectrum of time in contrast with two dimensional moments by combining a long exposure with a still shot.  The long exposure emotes the flow of time, which provides the isolated still shot a timeless context beyond the mechanics of boats, cameras, and eyeballs.

Southern Straits Boat Race #2, Vancouver BC, Long Exposure

This image is a strong representation of the eternal, shown through the long exposure of the water, and the split second moment, represented by the still shot combined together to express the solitude of a single boat in the vastness of the infinite ocean

Southern Straits Boat Race #3, Vancouver BC, Long Exposure

So far I have depicted only two phases of time.  It was through this image of the kite surfer where I found a way to bridge between the two opposing time phases of the sky (eternal) and surfer (split second – moment) to expand the spectrum of time by shooting the water as a semi long exposure.

Kite Surfer 01

Kite Surfers 02

This ability to translate a subtle conception with limited visual tools is the true hallmark of an artist.  It compels me to dig deep into my soul and search for that ‘gut feeling’ a place, structure or situation gives me and ask myself, how can I convey this inner impression I have through the limited tools of photography.  By digging within myself to find a way to bridge between my vision and the tools I have to convey it, I find that is where creativity lies.

I enjoy searching and finding novel ways to communicate concepts, to open people’s eyes to seeing something differently.  Just like whenever someone points out to you something you have never considered or realized before it makes you slightly more aware. It makes you grow.  For me there is no better purpose in life than becoming and sharing constant growth and change.

Airplane 01

Sharon also provides a Video Tutorial about the Creative Process and How to Create Award Winning Fine Art Photography as well as eBooks.  To view more of Sharon Tenenbaum’s work: [Official Website]

Algarve Wind Farm #1 Long Exposure Black and White

3 comments

  • Richard Terpolilli

    Mar 26, 2014 at 21:35

    Sharon combines a unique blend of fine art and photography as a means to providing
    inspirational creations on the world stage. One of Sharon’s gifts is to reveal an image
    that will reach out and touch us. Her character is special, a willingness to share her
    techniques for others to create fine art photographs. Congratulations to Dodho Magazine
    for featuring Sharon Tenenbaum, one of today.s acclaimed photographic artists.

  • Sheila Sontz

    Mar 26, 2014 at 22:39

    This is extraordinary work – these photographs really moved me. I’ve never been interested in photography myself, it never evoked any real feelings for me. These images, particularly the Kitesurfer have completely changed my attitude – it seems to bend the space time continuum somehow and makes me feel like I’m there in a dream like state witnessing the image along with the photographer. Congratulations on your amazing work. So glad to have the opportunity to have seen this!

  • janssens serge

    May 8, 2014 at 23:41

    Ce genre de photographie demande un oeil habitué de voir différemment , et je croit que Sharon possède cette vision et la transcrit admirablement . Mes félicitations ! Serge

Comments are closed.

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Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
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