Paradise Now explores how urban fantasies and construction function as expressions of nationalistic ambition, blurring the line between the natural and artificial within the hypermodern city.
Paradise Now explores how urban fantasies and construction function as expressions of nationalistic ambition, blurring the line between the natural and artificial within the hypermodern city.
Paradise Now is driven by my ongoing curiosity into the human condition, and a desire to visually interpret socio-cultural phenomena within both natural and man-made landscapes. I am drawn, photographically, to the world’s rapidly-expanding and hyper-globalized cities, particularly those that have invested heavily in large-scale urban planning and modernist/futurist architecture. I find that the topographically surreal environments that are products of that planning and architecture set the stage for interesting photo opportunities, from close up and afar.
A rendering displayed in The People’s Square depicting a cross-section of new development in Shanghai, complete with underground railway and pedestrian pathways devoid of trucks and motorcycles.
Designed by famed British architect Sir Norman Foster, this $60 million, 250-foot-tall glass pyramid in the world’s youngest capital city, stands in isolation in the vast grasslands of the Kazakh steppe. Formerly the centre of the Soviet ‘Virgin Lands Campaign’ of the 1950’s, the town of Akmola has been transformed into the futuristic show city of Astana (“capital”).
At nightfall, large fantastical ceramic flowers illuminate the jungle slopes of Singapore’s man-made resort island, Sentosa, which draws five million visitors a year.
About Ryan Koopmans
Ryan Koopmans (BA, MFA) is a photographer driven by the interdisciplinary practices of geography, art history, and psychology. Born in Amsterdam (1986) Ryan Koopmans was raised on Vancouver Island, completed his undergraduate education in Vancouver, and in 2012 received a Masters of Fine Art Photography + Video at The School of Visual Arts in New York City.
Koopmans is primarily interested in photographing the points of intersection where the natural and manmade converge. Thus he is drawn to surreal structures in our megacities and manufactured landscapes. Formal aesthetic qualities such as geometry, repetition and saturation help him illustrate the poetry of form in these fantastical locations.
Currently based in Amsterdam, Ryan Koopmans works on assigned and independent photography projects around the world. In 2016 he was named as one of PDN’s 30 photographers to watch in their annual list of emerging talent. Koopmans has exhibited internationally, and regularly shoots with clients including Mercedes-Benz and Montblanc, as well as a range of artists, magazines, and editorial publications. [Official Website]
Arctic morning light on a snow-capped Siberian mountain range bordering the Chukchi and Bering Seas.
Gargantuan synthetic tree-like structures line Singapore’s manmade marina and serve as vertical gardens of exotic plant life. Connected by elevated walkways, the 25 to 40 metre-high Supertrees are fitted with environmental technologies that mimic the ecological functions of real trees, including solar cells that harness energy from sunlight and irrigation systems for collecting rainwater.
Pedestrians stroll through the gates of ‘Shangri-la Woods’ in Shenzhen Happy Valley theme park, which is notorious for accidents both on and around its 213-acres of attractions.
During a monsoon, a mythical Merlion head peaks over construction on Sentosa Island. Half lion and half fish, the Merlion is the national symbol of Singapore because its form resembles the shape of the country. This 37-metre structure has a gift shop in its head and a viewing deck at its mouth.
Built on reclaimed riverbed, a deflated life-size snow globe decorates the climate controlled courtyard of the worlds tallest Ferris wheel, the Singapore Flyer.
A neoclassical grand boulevard runs through Astana’s central business district. The decorative geometric patterns derive from traditional Kazakh motifs.
Paddleboats travel alongside the recently constructed banks of the Ishim River, whose water level is artificially maintained for recreational use in the landlocked country of Kazakhstan.
Standardized villas packed side-by-side form the two thousand-member socialist collective of Huaxi Village in rural Eastern China.
International cruise ships assemble in the berths of Keppel Harbour’s Cruise Centre.
Currently the world’s tallest twin buildings, the Petronas Tower skyscrapers also boast the world’s highest two-story bridge. architect: Cesar Pelli
A manicured tree sits atop a hill in the planned city of Putrajaya. The city, Malaysia’s administrative capital, was the brainchild of former Prime Minister Tun Dr Mahathir Mohammad.
This film is an abstract composite of my memories and experiences from a trip to Rwanda and Uganda a couple of years ago. It was nothing at all like what I expected.
The Surroundings series arose from the experience of my involvement with nature, I wanted to play being a tree, being a plant, I wanted to be part of it. I am part of the whole, I am not one thing and nature another.
A current project that I've been working on over the past few years is a series called American Deindustrialization. All along the American Rust Belt are rapidly disappearing relics of Americas Industrial past.
The Galerie du Canon, founded in 2017 by Jacques Mikaélian and Gilles Altieri, represents contemporary and confirmed artists and develops a policy of promotion and support for young creation.
We live in a technologically advanced but emotionally primitive world; a world in which we often keep the feeling and the living totally at a distance which, instead of mutually supporting and helping, they hinder each other.
Frederick van Heerden Lives in South Africa. He has a passion & love for nature & the wildlife in Africa. He captures the beauty of creation through his lens.
Red Illuminates, is a multimedia work comprising still and moving images that explores the concept of culture in socialist countries and how loyalty to the state is cultivated.
The city of joy is not my birthplace. I came here as a migrant from a small town to search for a better future, better education and a better life. From then to now the city has changed drastically. And so it has within my mind and soul.
Art portfolio : The Matter Matter photographic series presents waste, neglected traces of the common history that lives in us, crushed, swept, thrown, recovered after our passage.
From my beginnings in photography, I always felt especially attracted to capture images of people. However, I didn't want to make simple portraits with people posing or stolen photographs without practically no contact between them and me.
When we set up DDiArte in 1999, at that time it was a painting workshop where we brought together the best of both of us for the purposes of creation, painting on canvas.
The pictures began with religious objects from my grandparents funeral home. The group grew to include prayer cards given at funerals, postcards, and personal object
According to the Hindu religion, the human life is nothing but a cyclic journey of birth and death that is continuing from infinite times. Every living life is actually a smallest divine part of the supreme almighty i.e. “Bramha” or the sole creative power of the universe.
Surreal, refined, disturbing: Roger Ballen has made a name for himself with his special eye for what is usually considered minor or outside, yet is nevertheless profound and touching.
Behind Glass is a collection of photographs made in monkey houses of small zoos throughout Europe. Anne Berry is recognized for her ability to create lyrical, intimate portraits of animals.
Birth Undisturbed is a fictional narrative photography series by Natalie Lennard, that brings scenes of natural childbirth into cinematic fine-art tableaux.
Japanese Aquariums is a journey into some of my oldest, most treasured childhood memories. Whenever I visited my grandparents in the small, northern Japanese city of Otaru, my grandfather, a high school teacher and an enormous influence in my life, would take me to the aquarium.
Greenland became politically independent from Denmark in 1979 and is slowly getting on the path to economic independency. The ‘ice country’ is currently facing the consequences of climate change.
It is a declaration of love by Giuseppe Cardoni, but also by an Italian region, Umbria, which has always hosted the most important jazz festivals and where the author took most of his photographs.
Until the corn Grows Back; Lys Arango’s project was selected and published in our print edition 16. Criminal violence in Central America was something that happened very far away and that explained, according to the media, the gigantic caravans of migrants that from 2017 began to travel thousands of kilometres to reach the United States
Fortza Paris; Marco Cheli’s project was selected and published in our print edition 16. Over the years, until today there are many young Sardinians, specifically from Barbagia, who leave their island with the dream of becoming a jockey of the Palio di Siena.
The project River blindness focuses on a neglected tropical disease, which is the second most common cause of infectious blindness worldwide.
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Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted.
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To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
Dodho Magazine is pleased to announce the new call for the photographers selection from all over the world that will be presented in an exceptional edition.
Dodho Magazine is pleased to announce the new call for the photographers selection from all over the world that will be presented in an exceptional edition.
Dodho Magazine is pleased to announce the new call for the photographers selection from all over the world that will be presented in an exceptional edition.
Thank You. We will contact you as soon as possible.
Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
