EuropeNewsNow you see me! Muhammad Ali

Zürich (24 May – 7 July, 2018) Photographs by Thomas Hoepker, Gordon Parks, Marvin Newman, Flip Schulke, Steve Schapiro, Carl Fischer and Eric Bachmann
19786 min



Photographs by Thomas Hoepker, Gordon Parks, Marvin Newman, Flip Schulke, Steve Schapiro, Carl Fischer and Eric Bachmann

The group exhibition “Now You See Me” at Bildhalle, curated by Mirjam Cavegn and Daniel Blochwitz, marks the second anniversary of Muhammad Ali’s death and—in a homage to him and his life—brings together works by a number of exceptional photographers: Thomas Hoepker (*1936, Germany), Gordon Parks (1912-2006, United States), Steve Shapiro (*1934, American), Marvin Newman (*1927, United States), Flip Schulke (1930-2008, United States), Carl Fischer (*1924, United States) and Eric Bachmann (*1940, Switzerland).

It’s a boxer’s life seen through multiple lenses, which in turn made this great athlete most human. There are photographs that show a fighting, loving, agitating, laughing, praying, caring, posing and playing Muhammad Ali. Some of these images have become icons of pop culture while others depict Ali in a rather unexpected light.

Before his 1974 World Heavyweight Championship match against George Foreman in Kinshasa (Congo), Muhammad Ali famously rhymed, “Float like a butterfly, sting like a bee. His hands can’t hit what his eyes can’t see. Now you see me, now you don’t. George thinks he will, but I know he won’t.” Ali challenged and teased his opponent Foreman with these words, but he also backed them up with a tremendous and smart fight – which, some people claim, was the greatest boxing match ever.

However, given the historic situation of African Americans in the United States, the excerpted line “Now you see me”, which lends the exhibition its title, also marks Ali’s courageous stand against a discriminatory reality. For a people and their plight often rendered invisible, a Muhammad Ali in the spotlight echoed the Civil Rights call “I Am a Man!”. His athletic ability, charisma and perseverance earned him fame, which he used to shine a light on social and political wrongs. He assumed it as his responsibility to fight prejudice, bigotry and war. Ali clearly understood, in an attention economy, pointed cameras mean power. So, he began performing outside the boxing ring as well. He performed for the cameras. Now you see me!

A good number of photographers, many of them united in this exhibition, recognized and utilized Ali’s awareness of the camera. Some of them sympathized with their chosen subject while others, like Gordon Parks, were as close to the cause of racial justice and equality as Muhammad Ali himself. Whether staged or in a snatched moment, Ali seems always comfortable in front of the camera. Even Flip Schulke’s famous underwater image shows the non-swimmer Ali at ease, assuming a boxing pose on the bottom of the pool.

Thomas Hoepker, who will join us for the opening of the exhibition, produced one of the largest selections of images on display here and thus most closely narrates through the exhibition. While accompanying Ali on many trips across the globe, the two men eventually became close friends. Hoepker’s often intimate photographs of Muhammad Ali show what George Foreman later describes in an interview (2003): “He’s the greatest man I’ve ever known. Not greatest boxer – that’s too small for him. He had a gift. He’s not ‘pretty’, he’s beautiful. Everything America should be, Muhammad Ali is.” But please visit the exhibition and see for yourself.


24 May – 7 July, 2018

Stauffacherquai 56
8004 Zürich

Legal Note: The photographer attest that have full authorization to give consent to the publication of these photos or project and have the authorization and permissions of third parties. Guarantees that you have all the necessary communications of property and you have obtained all the necessary authorizations for any property, buildings, architecture, structures or sculptures appearing in your photographs.

The Essential Guide has been created specifically to help you bring the timeless art of black and white photography to the modern science within your camera.


With ON1 Photo RAW you get the professional photo editing tools every photographer needs to get professional results while keeping your workflow efficient, powerful, and simple.

Get instant access to over 120 in-depth tutorials for all skill levels, the ability to stream anywhere from any mobile device, and access to our exclusive library.

Landscape photography is one of the most challenging genres and disciplines to learn, and the costs of getting it wrong can be disappointing.

Latest Stories

* We hate spam and never share your details.
Thank You. We will contact you as soon as possible.