Mostki by Platon Terentev

For about 3 months I tried to take pictures of the landscape in the village. Landscape with a pathway (in russian - mostki). Catch the necessary light that would show them from the side with which they are unknown.
Mostki | Platon Terentev

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For about 3 months I tried to take pictures of the landscape in the village. Landscape with a pathway (in russian – mostki).

Catch the necessary light that would show them from the side with which they are unknown. During this time, I do a several dozen attempts, leaving the house after dinner, I headed to the river with a camera in my hands.

Variable weather; winter, turning into autumn, then into spring, and back, wind, fog, gloomy and sunny days; choose (find, collect) from chaos – to harmony.

Mostki | Platon Terentev
Mostki | Platon Terentev

The village “Svetlana” is located in the Leningrad region, on the Syas River, near the town of Syasstroy. The village is home for about 40 people – many of them need a special approach. “Svetlana” is a Camphill-type settlement, in which people with physical and mental disabilities live together, in a community. In Russia there are two camphills – Svetlana and Chistye Kliuchi. There are about a hundred such villages in the world.

“This is not only the establishment of social assistance, not just farming. It is a living, breathing social organism. Some of us are called “invalids”, and some are considered normal. Community consists of representatives of different peoples and cultures. Among us are pensioners and very young children. Life in our village consists of all colors of the rainbow, from the brightest to the most gloomy”.

Mostki | Platon Terentev
Mostki | Platon Terentev

Approximately every tenth person in the world is disabled. Including in Russia and all its cities. Anyone without a disability can face this problem at any moment in his life, and even if he is “lucky,”; limitations of physical abilities will simply come along with old age. Only the systematic exclusion of disabled people from society has led to the fact that disability is perceived as something unusual, anomalous, something to which it is unclear how to relate.

Most people feel uncomfortable, if not an easy panic if for the first time in their life they communicate with a person in a wheelchair or with a blind person, do not know how to react if it turns out that a person has a mental illness. Because of ignorance and prejudice, many begin to behave inadequately. The reason is that all these people have been taught since childhood to treat disabled people as cardinally “other.”

There are many ways to make a person “different”, different from yourself. With regard to disability, the easiest way is to represent people as “victims”. Another way is the idea about disabled people as “heroes”. At the same time, heroism turns out to be everything: education, participation in sports competitions, career, family life and other things that are considered normal for “ordinary” people.

In fact, there is nothing heroic in the fact that a person makes great efforts to live as fully as possible – all people the same for this. Behind the myth of the “hero” is the notion that disability “must” be a tragedy. And if people with disabilities dare to live a normal life, then, probably, this is only an exception, the consequence of an incredible “heroism”.

However, the success of any movement against discrimination depends on the whole society changing attitudes toward a particular group of people. And the success of movements for the rights of disabled people is impossible if people do not start to think about the “uncomfortable” topic for them, over what stereotypes they have personally. Only if people give up prejudice, then they will have a chance to really see people with disabilities – not templates and stamps, but real, completely different people whose needs and aspirations are no different from their own.

Mostki | Platon Terentev
Mostki | Platon Terentev

About Platon Terentev

platon_terentev_portraitPlaton Terentev – photographer. Based in St. Petersburg, Russia. 

Was born in Bratsk (Siberia), 1989. Studied at the Faculty of History and later engaged in archeology works. 5 years worked in expeditions on the Angara river, in North Ossetia, Chukotka and other regions. 

The most important subjects – concept of the home; autonomous communities; relations of people, migrations, modern slavery, homelessness. 

In 2014 graduated from the St.-Petersburg Galperin Photofaculty, with diploma project “For whom the river flows”, dedicated to disappearance of traditional life in Siberia. Winter 2014-2015 worked as a volunteer in village Svetlana for people with disabilities and work on story “Mostki”.

Additional education: Fotografika Academy (St.-Petersburg) 2015-2017: workshops – Vlad Sokhin, Yuri Kozyrev, Stanley Greene.

Participated in many group exhibitions and photo festivals in Russia and the Baltic States.

Personal photoexhibitions:
2015 – “Mostki”, Timiryazev Library, St.- Petersburg.
2012 – “Ecology of consciousness”, Center of Harmony and spirit Development, St.- Petersburg.

Photoexpeditions:
2015-2016 – Homeless trip in India.
2013 – Flooding zone of the Boguchany reservoir. 
2012 – Grishino, Nevo-ecovil, Karelskoe Zalesie – ecovillages of the northwest of Russia [Official Website]

Mostki | Platon Terentev
Mostki | Platon Terentev

Mostki | Platon Terentev
Mostki | Platon Terentev

Mostki | Platon Terentev
Mostki | Platon Terentev

platon_terentev_mostki_08 platon_terentev_mostki_09 platon_terentev_mostki_010 platon_terentev_mostki_011 platon_terentev_mostki_012 platon_terentev_mostki_013

Mostki | Platon Terentev
Mostki | Platon Terentev

Mostki | Platon Terentev
Mostki | Platon Terentev

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Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
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