AmericaConceptKeep Going by Ana Leal

During 2017 and first semester of 2018 I went through a very difficult period of my life. I was living in the US and had to move back to Brazil due to family issues. 

During 2017 and first semester of 2018 I went through a very difficult period of my life. I was living in the US and had to move back to Brazil due to family issues.

Those moments when many times you think about giving up on your struggle, but in the end you learn that you must just keep going.

About Ana Leal

Ana Leal was born in the Northeast of Brazil in 1969. She holds a Bachelor’s degree in Economics from the Federal University of Pernambuco, Brazil  and a Masters degree in Marketing from the University of Pernambuco, Brazil. Photography has always been a passion. At age 15, she received a Nikon as a birthday present and from that moment on, her passion has grown. Self-educated, she decided to become a professional photographer in 2013 when she got a Bachelor degree in photography from the Pan American School of Arts in São Paulo and in 2016 she joined  an MFA program  in Visual Arts at Miami International University of Arts and Design. Abstract expressionism and constructivism are her main influences. [Official Website]

I use minimalism and some degree of abstraction to speak about perception.I present a new perception of our everyday living using a very minimalist and many times abstract point of view. Telling stories throughout this point of view allows me to create narratives that seems to exist in a whimsical place

Keep Going | Ana Leal

Keep Going | Ana Leal

Keep Going | Ana Leal

Keep Going | Ana Leal

Keep Going | Ana Leal

Keep Going | Ana Leal

Keep Going | Ana Leal

Keep Going | Ana Leal

Keep Going | Ana Leal

Keep Going | Ana Leal

Keep Going | Ana Leal

Keep Going | Ana Leal

Keep Going | Ana Leal

Keep Going | Ana Leal

Keep Going | Ana Leal

Keep Going | Ana Leal

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PHOTO: © JO LAUREN | UNITED KINGDOM | ISSUE 10
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PRINTED EDITION
Interview with Samuel Feron; Published in our printed edition #16

DnaEuropeInterview with Samuel Feron; Published in our printed edition #16

Samuel Feron has been photographing Nature for 2 decades, exploring remote and sparsely habited areas all over the world. He tries to go beyond what the eyes first see, assuming that Nature has secrets in itself.
Interview with Marco Cheli; Published in our printed edition #16

DnaEuropeInterview with Marco Cheli; Published in our printed edition #16

I think that Dodho provides a fantastic opportunity for those who want to be recognized by an informed public and by their peers. Seeing my work in the pages of Dodho, well, it is the most exciting thing that has ever happened to me, and I have photography to thank for it.
Interview with Lys Arango; Published in our printed edition #16

DnaEuropeInterview with Lys Arango; Published in our printed edition #16

Time, dedication, and the right rhythm combined with a human approach make the work of Lys Arango one of the most truthful and inspiring photo testimonies of indigenous people.
Interview with France Leclerc; Published in our printed edition #16

AmericaDnaInterview with France Leclerc; Published in our printed edition #16

Canadian Travel photographer France Leclerc tries to find this commonness with joy showing sweet observation through fresh eyes to portray ethnic group communities the world seems to ignore.
Interview with Nikolina Petolas; Published in our printed edition #16

DnaEuropeInterview with Nikolina Petolas; Published in our printed edition #16

I work in several techniques, but what you are reffering to in ’Tale of the Blue Pear’ series  are mostly digital collages combined with digital painting. I also paint in traditional techniques but that is done on canvas or hard board.
Interview with Michele Punturieri; published in our print edition #15

DnaInterview with Michele Punturieri; published in our print edition #15

This work is somewhat impromptu because it has been carried out, so to speak, on the spot and at the moment. Street photography pure, trying to capture the most interesting moments and faces in the places I visited. 
Interview with Dimitri Weber; published in our print edition #15

DnaEuropeInterview with Dimitri Weber; published in our print edition #15

I like the colours on my pictures to pop a bit. To be as natural as possible, while catching the eyes of the people looking at my pictures. So, I enhance some of those colours during my editing process, mostly to give them a homogeneous look that suits my style.
Interview with Ana Maria Robles; published in our print edition #15

AmericaDnaInterview with Ana Maria Robles; published in our print edition #15

There is no doubt that women play a leading role, but they are still a patriarchy and all decisions are made by men who meet in assemblies to discuss everyday issues. The pipes are carved and armed by them and generally match their ornaments in both the Toposa and the Didinga.
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Nude and erotic photography by Kristian Liebrand

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Liminal Space or the delicate balance between despair and magic by Titika Røtkjær

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In this project I explore the complexity and sense of self, focusing on being in liminal space. Liminal space understood as an inner state of unease where identity, dreams, affiliations and memories are being transformed.
Incognito by Hakim Boulouiz

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I'm actually shopping around for a new bag now, with the amount of travel I do they really don't have a long life. I would say a essential feature is be able to hold my computer comfortably and something that sits well on my back for long days.
Portraits : No happiness without children by Jeannette Gregori

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In the backgroud of these portraits, one can also glimpse social and economic issues that this commuity must contend with : outright discrimiation, the precarious social position of women and difficulties relating to housing.
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Whatever the version, he has given us the English word Tantalise - the embodiment of promise, flirtation or eroticism - just out of reach?I am drawn to the way B&W Photography conveys these tantalising glimpses. Glimpses that take on their own life in ways that enable each individual the freedom of their own unique interpretation.
Amazon by Olivier Valsecchi

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Olivier Valsecchi's new series "Amazon" is a gallery of post-apocalyptic portraits where half-prehistoric half-Disney characters are photographed in front of an ancient wall carpet depicting an eerie jungle.
FEATURED STORIES
Wildlife photography; Land of Giants by Will Burrard-Lucas

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These photographs are part of a larger series documenting the elephants of Tsavo and the work of Tsavo Trust. The full series is published in a new book titled “Land of Giants”.
Under the sign of the rat; Roger the Rat by Roger Ballen

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Intimate portraits of animals; Behind Glass by Anne Berry

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Behind Glass is a collection of photographs made in monkey houses of small zoos throughout Europe. Anne Berry is recognized for her ability to create lyrical, intimate portraits of animals.
Fictional narrative photography; Birth Undisturbed by Natalie Lennard

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Birth Undisturbed is a fictional narrative photography series by Natalie Lennard, that brings scenes of natural childbirth into cinematic fine-art tableaux.
Japanese Aquariums by George Nobechi

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Japanese Aquariums is a journey into some of my oldest, most treasured childhood memories. Whenever I visited my grandparents in the small, northern Japanese city of Otaru, my grandfather, a high school teacher and an enormous influence in my life, would take me to the aquarium.
Greenland; Stories from the Sea by Camille Michel

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Greenland became politically independent from Denmark in 1979 and is slowly getting on the path to economic independency. The ‘ice country’ is currently facing the consequences of climate change.
Intimate diary; Jazz Notes by Giuseppe Cardoni

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It is a declaration of love by Giuseppe Cardoni, but also by an Italian region, Umbria, which has always hosted the most important jazz festivals and where the author took most of his photographs.
Guatemala; Until the corn Grows Back by Lys Arango

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Until the corn Grows Back; Lys Arango’s project was selected and published in our print edition 16. Criminal violence in Central America was something that happened very far away and that explained, according to the media, the gigantic caravans of migrants that from 2017 began to travel thousands of kilometres to reach the United States
Greatest jockeys; Fortza Paris by Marco Cheli

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Fortza Paris; Marco Cheli’s project was selected and published in our print edition 16. Over the years, until today there are many young Sardinians, specifically from Barbagia, who leave their island with the dream of becoming a jockey of the Palio di Siena.
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Issue #14 | September 2020
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Dodho Magazine is pleased to announce the new call for the photographers selection from all over the world that will be presented in an exceptional edition.
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Photo by ©Ryotaro Horiuchi | Japan | Issue#14
Dodho Magazine is pleased to announce the new call for the photographers selection from all over the world that will be presented in an exceptional edition.
Deadline: Monday, November 30, 2020
Photo by ©Ryotaro Horiuchi | Japan | Issue#14
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Dodho Magazine is pleased to announce the new call for the photographers selection from all over the world that will be presented in an exceptional edition.
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Deadline: Monday, November 30, 2020
Contact
How can we help? Got an idea or something you'd like share? Please use the adjacent form, or contact contact@dodho.com
Thank You. We will contact you as soon as possible.
Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
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