AsiaDnaInterview with Mohammad Rahman; Finalist in our Color Awards 2017

We bought our first DSLR in 2013. It was Canon 60D with the 18-55m Kit lens. I remember, that time the DSLR was a complicated piece of equipment to me with all the mysterious settings. I had an extremely shallow understanding of aperture, ISO, shutter speed etc.

Mohammad Rahman is a hobbyist Landscape photographer from Bangladesh, living in Australia. By profession, he is a software developer and a part-time Ph.D. student.

He loves to capture the variation of the light. The simple composition but in panoramic format is my passion. Through his photographs, the art seeker will explore the different dimension of the Bangladesh and its beauty of the riverscape.[Official Website] [Print Version] [Digital Version]

How did you get interested in photography?

We bought our first DSLR in 2013. It was Canon 60D with the 18-55m Kit lens. I remember, that time the DSLR was a complicated piece of equipment to me with all the mysterious settings. I had an extremely shallow understanding of aperture, ISO, shutter speed etc. I rarely take any photos, the camera was mostly unused. 

One of the lazy mornings, in late 2013 I took the camera and went out in some of the remote villages in my hometown Rajbari in Bangladesh to take random photographs. I started loving it and gradually it became one of my passions.

What inspired you take your The Beauty at the River Series?

Bangladesh is my motherland which is one of the beautiful countries in the world. You will find friendly people, pleasing weather with six seasons, green forest and beautiful rivers over there.

I grew up in a small town which is surrounded by the mighty river the Padma. The river and the riverscape is always in my mind. The riverscape of Bangladesh tells the story about the natural beauty of Bangladesh. The mood, artistic appeal, loneliness, solitude, and tranquillity of the riverscape of Bangladesh, attract many art seekers to dive into the beauty of the Mother Nature. Since the beauty of the river and riverscape is noticeable, it always inspired me to take the opportunity to share it with the world.

How would you define your general style photography?

Simple Composition but in Panoramic format.

Could you please tell us anything about your technique and creating process?

Everyone has their own ways to achieve this objective. To me, this is a simple, systematic and symmetric process. It starts from location scouting and ends with producing the final image. Generally, I follow some steps in this process:

  • Location Scouting
  • Weather Forecast
  • Capturing the Light: Light Balancing
  • Tripod: Manage the Steadiness
  • Exposure Selection
  • Post processing workflow

Let’s talk about what I do in these steps.

Location Scouting

I usually look for the location beforehand and take lots of test shot using my mobile phone or 60D which I called preparation shot. I like this concept of the preparation shot. It helps me to understand the location better. It also helps me to analysis and research with the composition beforehand.

Weather Forecast

Weather is a critical element in any landscape photography. The weather forecast helps to find out the weather condition for example whether it is going to be cloudy/ foggy/ sunny/ rainy etc. and also information about the sunrise and sunset.

Another important bit is understanding the weather pattern of the location. I have found there is a cyclic weather pattern in the place I usually take photographs. The weather in this location has a periodic behavior which changes in a cycle of a wk. Say in any week one, I have started with a clear Blue sky as Figure 1 demonstrated then the following week two there will be the partly cloudy sky and then week after cloudy sky. In the following week four, the blue sky will appear again as Figure 1 demonstrated.

This cycle will continue to be the partly cloudy sky as the time goes by. During November to December winter will come and it will bring fog. In the foggy weather, there will be a different strategy.

I think understanding the weather helps a lot in the landscape photography. Research and experiment with the weather gives a positive outcome in the landscape photography.

Capturing the Light: Light Balancing

The light is the key to capture the awesome landscape and to capture it well, understanding the light is the key. In addition to the concept of the golden/blue hour, it’s also important to experience with different types of the light and find out a way to capture, for example, play with the harsh light in sunny noon, play with the soft diffused light in the winter foggy morning with the bright sun and also play with the sunrise and sunset. All these add up to capture the scenery well. On the other hand, for the panoramic capture, balanced light is must have otherwise panorama will not stitch properly.

In the panoramic world frame to frame balanced light is pre-requirement for smooth stitching experience. I prefer to apply the concept of the Standard Deviation over the measured exposure captured in AV mode to get balanced average light through the frames while taking the final images for the panorama in Manual mode. There is a trick I follow, say I am capturing panorama shots in the morning from the direction of right to left and the sun is on the right-hand side, in this circumstance I average the measured exposure (in AV mode) and reduce few stops from the measured average exposure while taking final shots in Manual mode as demonstrated in the Figure 2.

On the other hand, if I started capturing in the afternoon from the direction of left to right and the sun is on the left-hand side, I usually add few stops extra exposure to the measured (in AV mode) exposure while taking final shots in Manual mode as demonstrated in the Figure 3. By following this trick,  I always get a well-exposed panorama.

Tripod: Manage the Steadiness

The balanced tripod is another challenge while taking multiple shots for a single panorama in the sandy bar. In the sandy bar the surface below the water is made with the soft sands that let the tripod leg easily go through which caused the instable tripod. But in panoramic capture balanced tripod is critical. To eliminate the stability issue I use 12×6 inch 3 wooden bar to put underneath the tripod leg to keep it balanced.

In the panoramic photography, Parallax Effect is one of the common issues. I use Nodal Ninja pano head to address this issue. In addition, on some occasions, I take more shots instead of using pano head when there is a steady light condition, for example, the cloudy sky with the sun behind and not strong wind around or in the deep foggy day.

Exposure Selection

I like long exposure panorama. My preferable exposure is in between 3 to 6 seconds which gives a balanced light, smooth water if there are any tide and beautiful surreal sky. I try to avoid any exposure above the 6 seconds because with this exposure it becomes difficult to stitch. Although the ideal exposure time varies depending on the situation, that needs to figure out based on the circumstance. 

Post processing workflow

I follow a standard workflow to do the pano post-processing as demonstrates by the below diagram:

From the above Figure we can see the workflow has following steps: 

  • Conversion
  • Stitching
  • Post-Processing

If you look in brief of these:

Conversion

I capture in RAW. I convert the raw file (in canon world CR2) into Tiff file format. I use Lightroom tool and prefer 16bit Pro-Photo color space for conversion.

Stitching

I use the converted Tiff files to stitch to generate the panorama. There are many tools to do so. I prefer PtGui to stitch. In the PtGui, I use Smart Blend plugin to blend and for the final stitched panorama, I use 16bit Pro-Photo color space and 16bit Tiff.

Post-Processing

This is another mystery world, many people have many views on it. I usually follow: in 

  • Step 1: Alignment, Crop
  • Step 2: Reduce noise, sharpening, and extra processing, if it requires and in 
  • Step 3: Generating the final processed panorama

As demonstrated in the Figure 5 below:

I use Adobe Photoshop to do the post-processing as demonstrated in Figure 5 and I love Google Nik’s collection.

In your opinion, what makes a good landscape photography?

Location, light and artistic mind with patience, enthusiasm, and love for the nature.

How much preparation do you put into taking a photograph?

A good preparation with dedication is key for the successful photography project. Last 4 years, I am doing this riverscape photography and each year with different ideas, planning, preparation and dedication with the simple but concrete process.

The process started every morning, we woke up early in the morning around 4.00AM. We finished our early morning breakfast and set off to the river. The boatman was waiting for us in the boat and as soon as we were in, he set off the boat to the Sandy Bar (Char). It took about 25minutes by boat to be there and by 5.30AM we were in the location. There were still dark but gave us enough time to setup: setup the tent, set up the tripod, find out the spot to shot, put the camera on, plug the remote release and put on the filter ring with necessary filters.

The sun raised around 6.30AM but by 6 AM we got fantastic light (depending on the weather) and start shotting.

What do you think makes a memorable project?

Make fun, make mistake, learn from mistake and enjoy the nature. Take notes, review it and apply your learnings in the field. If you see my scraps book it’s full of notes that roughly looks below:

  • Exposure selection was wrong
  • More careful about my gear
  • I should use long expo
  • The boat position wasn’t correct
  • Cloud formation wasn’t very good; wait for another day and so on

How do you know you got the shot you wanted?

Few things I check:

  • Whether it is well exposed via Histogram.
  • Enough shots to stitch

Your idea of the perfect composition

It is a variable. The artist always seeks for something different, something new. But what I think about the perfect composition is the composition which gives relaxation to your eyes, peace in your mind and something to tickle your brain to make you think.

What would I find in your camera bag or Studio?

All the below in the Lowepro Flipside 500 AW II

  • Canon 6d
  • Canon 60d
  • Canon EF 16-35mm f4 L IS USM
  • Canon EF-S 10-18mm f/4.5-5.6 IS STM Lens
  • Sigma 70-300mm f4-5.6 DG Macro Lenses (Canon)
  • LEE 6 Stop ND Filter
  • LEE 10 Stop ND Filter
  • LEE 3 Stop GND Filter
  • LEE Adapter Rings
  • NN4 w/RD16-II Advanced Rotator (F4503)
  • Manfrotto 190XDB + 804RC2 Tripod
  • Remote Shutter Release
  • Rocket Blower
  • SanDisk Extreme 16GB SDHC Card 45mb/s
  • Cleaning Kit
  • Camera Rain Coat
  • Energizer 2A/3A Batteries

How important is an awesome website for your business and how has social media played a role in your photography?

It is really important.

What future plans do you have? What projects would you like to accomplish?

I love rivers, so I think I will keep doing this but off course with different ideas. I have a plan to do aerial riverscape photography.

Finally, one las question. What opinion do you have of Dodho Magazine and Life in Color 2017?

I really like the way Dodho collaborate with the world wide photographer, it is fantastic.

https://www.dodho.com/wp-content/uploads/2020/12/BAnImage.jpg

ImageRights provides intelligent image search and copyright enforcement services to photo agencies and professional photographers worldwide.

https://www.dodho.com/wp-content/uploads/2021/02/view.jpg
Share your most best images in this photo contest in collaboration with ViewBug. A community that hosts over 40 photo contests and challenges.
https://www.dodho.com/wp-content/uploads/2020/11/Z.jpg

Simply Stunning Landscapes – Would you like to capture stunning landscapes every time you shoot… without having to travel far from home?

https://www.dodho.com/wp-content/uploads/2021/03/BB-Gallery-2.jpg
Share your most best images in this photo contest in collaboration with ViewBug. A community that hosts over 40 photo contests and challenges.
RELATED STORIES
Escape by Roman Sokolov

B&WConceptEuropeEscape by Roman Sokolov

"Escape" is devoted to several years of my life when I did not want to deal with my feelings, being not ready to be sincere with myself. I've been working as a photographer for a magazine and a real estate company, riding my black Vespa through the city, videotaping a psychedelic metal band, and I was in love.
Counterweight, traffic light and palm tree by Angela Sequeira

B&WConceptEuropeCounterweight, traffic light and palm tree by Angela Sequeira

Counterweight, traffic light and palm tree is the result of a conceptual approach to the environment that surrounds us as an extension of the inner issues of existence.
Ice of Iceland Romain Tornay

BioEuropeIce of Iceland Romain Tornay

Knowing Europe's northern regions well, I have always been amused by the nominative difference between Greenland and Iceland. The first called green is largely represented by its icecap, pack ice, gigantic glaciers and huge drifting icebergs.
Someone’s Rubbish by Chloe Juno

ConceptEuropeSomeone’s Rubbish by Chloe Juno

Someone’s Rubbish is a documentary study with photographs taken daily since 2014.  It feels like an archaeology project, a study of human activity and an analysis of material culture, the things we buy and consume, a field study of a city.
https://www.dodho.com/wp-content/uploads/2020/11/insta.jpg
Carla van de Puttelaar : The sensitivity and the sensuality of skin

EuropeNudeCarla van de Puttelaar : The sensitivity and the sensuality of skin

The female body has long been her main subject, but in recent years she has also successfully begun to examine the skin and texture of flowers, particularly those on the brink of fading, and the bark of and shapes of trees.
The Rolls of Dice by Kazunori Nagashima

AsiaConceptThe Rolls of Dice by Kazunori Nagashima

Despair is the end of boundless longing.When hope becomes an escape from reality and you seek fulfillment with a low probability, the signs along your journey's path do not make sense.
TRENDING STORIES
City Square by David Niddrie

AmericaB&WCityCity Square by David Niddrie

City Square is a photography series with it’s genesis in the fleeting moments of street photography. In the early spring of 2010 I found myself city centre in Vancouver, BC as the hard winter light began to soften towards spring.
We are here by Caroline Gavazzi

B&WEuropeShotWe are here by Caroline Gavazzi

"We are here" is a series of three-dimensional photographs by Caroline Gavazzi about the immigrants living in Riace (Italy) and their identities.
Wild Things by Wiebke Haas

BioEuropeWild Things by Wiebke Haas

This year one of my biggest dreams came true – I met wild horses. I mean I literally stood in between large herds surrounded by prying, gentle animals. Contrary to my expectation to meet animals which are wild and untamed, I found trust, love and pure curiosity.
Wild violets by Judith Rodriguez

AmericaB&WShotWild violets by Judith Rodriguez

There is a murmur of images in the cities. There are people. Stories walking down the streets. You can see them in faces, in gestures. Those stories are being written again and again.
Interview with Mustafa Hassona

AsiaDnaInterview with Mustafa Hassona

My passion of photography comes after I worked as an outlet of a local newspaper where I was working in choosing the photos that will be printed in the newspaper, then I decided to work as photographer,
Light and landscape by Trevor Cole

B&WBioEuropeLight and landscape by Trevor Cole

These black and white images are from a diversity of global locations. Ireland, Canada, Iceland, The Faroe Islands and Namibia. They endeavour to convey a sense of space, atmosphere and the way in which light exacerbates tonal contrasts.
Far North by Irene Tondelli

CityEuropeFar North by Irene Tondelli

“Old, wild, north. Kiruna is the northernmost town in Sweden, situated in the province of Lapland. More than a decade ago, the mining city of Kiruna made a big decision: to move itself brick by brick 3 km to the east.
Marco Musillo – Ascending Lights, Traversing Altitudes: Mountains

B&WBioEuropeMarco Musillo – Ascending Lights, Traversing Altitudes: Mountains

Mountains explores natural elevations not as a conquest of extreme sites, but as a silent trajectory taking the viewer to discover textures and slow movements, but also pauses, illusory moments in which clouds, trees, and rocks do not move.
Chatting with Adrián Domínguez

DnaEuropeChatting with Adrián Domínguez

I met Photography when teenager which it was not so well-known and accessible technique, I think that the photographers of that time are marked by a latent introspection and solitary labor ... as well, I bought an enlarger to work in my bathroom.
FEATURED STORIES
Homeless people; On the street by Zoltán Molnár

B&WEuropeFeaturedStoryHomeless people; On the street by Zoltán Molnár

In the EU, the number of homeless people has grown by seventy percent in one decade. Nowadays more than 700 thousand people have to face the fact daily that they have no roof above their heads.
Religious devotion; Viernes Santo by Oliver Weber

B&WEuropeFeaturedStoryReligious devotion; Viernes Santo by Oliver Weber

Ceremony of the funeral of god’s son Jesus. With the arrival of spring comes Easter week. It has centuries of history behind it and is one of Spain’s most authentic and emotive celebrations.
Losing our minds by Eddy Verloes

B&WConceptEuropeFeaturedLosing our minds by Eddy Verloes

I want this poetic-philosophical reflection to speak through my images in these corona times. In my series “Losing our minds” I consciously show only young people who are looking for themselves, for the meaning of life and the relationship between man and nature.
Ethiopia; The art of disappearing by Harry Fisch

EuropeFeaturedShotEthiopia; The art of disappearing by Harry Fisch

The trucks continually roll past the roads that lead to their villages, spitting out so much dust that people living in the villages can no longer breathe. 
Wet-plate collodion process; My America by Rashod Taylor

AmericaB&WConceptFeaturedWet-plate collodion process; My America by Rashod Taylor

With this work I want the viewer to get a good look at what it is like living in America as a Black man. I use the wet-plate collodion process to connect the past to the present and explore the atrocities of slavery and Jim Crow
Documentary photography; Can’t Smile Without You by Martin Andersen

B&WEuropeFeaturedStoryDocumentary photography; Can’t Smile Without You by Martin Andersen

Photographer and life-long Tottenham Hotspur fan, Martin Andersen has turned his camera on his fellow fans to create ‘Can’t Smile Without You’, an intimate and often visceral collection of photographs taken at home, away, and across Europe from 2013 until 2017 with the last game played at the White Hart Lane stadium.
Anže Godec; Austro-Hungarian army complex abandoned by Yugoslav forces finds a new artistic life

EuropeFeaturedStoryAnže Godec; Austro-Hungarian army complex abandoned by Yugoslav forces finds a new artistic life

Army complex from the time of the Austro-Hungarian Empire. It lies by Metelkova Street in the center of Ljubljana, Slovenia. It was abandoned in the early 1990s, when Yugoslavia collapsed.
Women hold up half the sky by Gerard Exupery

AmericaB&WFeaturedStoryWomen hold up half the sky by Gerard Exupery

It’s another beautiful day in paradise. Dark, and rainy. It’s one of those days that suggest the beauty of film. F-stop wide open, the darkness and grain, the feeling of an impressionist painting.
Alternative family album by Frank Rodick

AmericaConceptFeaturedAlternative family album by Frank Rodick

These images are part of what I’ve called an “alternative family album.” With one exception, I constructed each work using vernacular photographs from archives discovered after my parents’ deaths.
OTHER STORIES
X
stay in touch
Join our mailing list and we'll keep you up to date with all the latest stories, opportunities, calls and more.
We use Sendinblue as our marketing platform. By Clicking below to submit this form, you acknowledge that the information you provided will be transferred to Sendinblue for processing in accordance with their terms of use
We’d love to
Thank you for subscribing!
Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted.
- Between 10/30 images of your best images, in case your project contains a greater number of images which are part of the same indivisible body of work will also be accepted. You must send the images in jpg format to 1200px and 72dpi and quality 9. (No borders or watermarks)
- A short biography along with your photograph. (It must be written in the third person)
- Title and full text of the project with a minimum length of 300 words. (Texts with lesser number of words will not be accepted)
This is the information you need to start preparing your project for its presentation
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
Issue #14 | September 2020
Current Issue
Vicky Martin
Ryotaro Horiuchi
Susanne Mildeelberg
Diego Bardone
Nicky Hamilton
Alain Schroeder
Printed on 80# matte paper 22x28cm | 100 Pages
Showroom
September 7 to October 31, 2020
Julia Fullerton-Batten
LOOKING OUT FROM WITHIN
Get in touch
How can we help? Got an idea or something you'd like share? Please use the adjacent form, or contact contact@dodho.com
Thank You. We will contact you as soon as possible.
Dodho Magazine is pleased to announce the new call for the photographers selection from all over the world that will be presented in an exceptional edition.
Deadline: Monday, November 30, 2020
Photo by ©Ryotaro Horiuchi | Japan | Issue#14
Dodho Magazine is pleased to announce the new call for the photographers selection from all over the world that will be presented in an exceptional edition.
Deadline: Monday, November 30, 2020
Photo by ©Ryotaro Horiuchi | Japan | Issue#14
CALL
FOR ENTRIES
Dodho Magazine is pleased to announce the new call for the photographers selection from all over the world that will be presented in an exceptional edition.
Are you ready?
Deadline: Monday, November 30, 2020
Contact
How can we help? Got an idea or something you'd like share? Please use the adjacent form, or contact contact@dodho.com
Thank You. We will contact you as soon as possible.
Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
NEW!
FOLLOW US.
Subscribe now and get a free access to a curated list of resources.
Feel free to contact.
2017 (C) All rights reserved.
ghfd