Industry by Francis Meslet

Silent screams of OBLIVION They all went there very early each morning and we only saw them coming back late each night. The factory, this space and time where every day legions of fathers, brothers, neighbours, friends disappeared...
Industry | Francis Meslet

Silent screams of OBLIVION They all went there very early each morning and we only saw them coming back late each night.

The factory, this space and time where every day legions of fathers, brothers, neighbours, friends disappeared… and as children we listened out for their footsteps on the basement stairs. Right on time for supper. The factory, a totally abstract universe for a child who needed a great deal of imagination to get an idea of it. A dark silhouette outside the city, roaring, coughing up its grey smoke to which access was strictly forbidden. It was not until a few years later that many of these grown-up children went through the gates to the monster which had finally fallen silent. The irresistible need to know and understand where this black dirt under the nails of a father, brother, neighbour or friend actually came from. I particularly like these abandoned factories. Their smells, the colours, the light and the incredible machinery that can be discovered remind me that they remain one of the only places where reality still surpasses the rather fertile imagination of the child I have remained. [Official Website]

Industry | Francis Meslet
Industry | Francis Meslet

Industry | Francis Meslet
Industry | Francis Meslet

Industry | Francis Meslet
Industry | Francis Meslet

Industry | Francis Meslet
Industry | Francis Meslet

Industry | Francis Meslet
Industry | Francis Meslet

Industry | Francis Meslet
Industry | Francis Meslet

Industry | Francis Meslet
Industry | Francis Meslet

Industry | Francis Meslet
Industry | Francis Meslet

Industry | Francis Meslet
Industry | Francis Meslet

Industry | Francis Meslet
Industry | Francis Meslet

Industry | Francis Meslet
Industry | Francis Meslet

Industry | Francis Meslet
Industry | Francis Meslet

Industry | Francis Meslet
Industry | Francis Meslet

Industry | Francis Meslet
Industry | Francis Meslet

Industry | Francis Meslet
Industry | Francis Meslet

Industry | Francis Meslet
Industry | Francis Meslet

Industry | Francis Meslet
Industry | Francis Meslet

Industry | Francis Meslet
Industry | Francis Meslet

Industry | Francis Meslet
Industry | Francis Meslet

Industry | Francis Meslet
Industry | Francis Meslet

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Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
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