In Plain Sight by Bruce Haswell

I have been involved in this project over the past three years after deciding to devote my creative self to the pursuit of my life in pictures, so to speak, as that is how I view my work, in the most simple terms.
In Plain Sight | Bruce Haswell

I have been involved in this project over the past three years after deciding to devote my creative self to the pursuit of my life in pictures, so to speak, as that is how I view my work, in the most simple terms.

The project follows no strict definition of subject matter, story line or time frame and could be loosely defined as an exercise in social documentation. 

I travel extensively by myself with the single aim of just making photographs and not much else. My subject matter varies in its obvious  diversity; but, the thread always remains the same within a set project. My aim is to capture what I personally find appealing with what’s going on around me at any given time; and be it always emotive, whether it’s a chance encounter with people at their best or worse, a play of light in the golden hours, or perhaps the beginning of a decisive moment that’s getting ready to fall into place. It’s really just all about the everyday situations we all find ourselves in, which we so often tend not to see or prefer just to ignore.

He wanted to capture moments

that people didn’t notice and

just walked by without thinking….

Elli Boch’s wonderful quote regarding the photographs of Andre Kertesz. (1894 – 1985)

In Plain Sight by Bruce Haswell
In Plain Sight | Bruce Haswell

In Plain Sight | Bruce Haswell
In Plain Sight | Bruce Haswell

In Plain Sight | Bruce Haswell
In Plain Sight | Bruce Haswell

In Plain Sight | Bruce Haswell
In Plain Sight | Bruce Haswell

In Plain Sight | Bruce Haswell
In Plain Sight | Bruce Haswell

In Plain Sight | Bruce Haswell
In Plain Sight | Bruce Haswell

In Plain Sight | Bruce Haswell
In Plain Sight | Bruce Haswell

In Plain Sight | Bruce Haswell
In Plain Sight | Bruce Haswell

In Plain Sight | Bruce Haswell
In Plain Sight | Bruce Haswell

In Plain Sight | Bruce Haswell
In Plain Sight | Bruce Haswell

In Plain Sight | Bruce Haswell
In Plain Sight | Bruce Haswell

In Plain Sight | Bruce Haswell
In Plain Sight | Bruce Haswell

In Plain Sight | Bruce Haswell
In Plain Sight | Bruce Haswell

In Plain Sight | Bruce Haswell
In Plain Sight | Bruce Haswell

In Plain Sight | Bruce Haswell
In Plain Sight | Bruce Haswell

In Plain Sight | Bruce Haswell
In Plain Sight | Bruce Haswell

In Plain Sight | Bruce Haswell
In Plain Sight | Bruce Haswell

In Plain Sight | Bruce Haswell
In Plain Sight | Bruce Haswell

In Plain Sight | Bruce Haswell
In Plain Sight | Bruce Haswell

In Plain Sight | Bruce Haswell
In Plain Sight | Bruce Haswell

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Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
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