New York; Gowanus Wild by Miska Draskoczy

I live near the Gowanus Canal, a notoriously polluted waterway in Brooklyn, New York. The surrounding neighborhood is a great place to park my car at night since not many people live there.

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I live near the Gowanus Canal, a notoriously polluted waterway in Brooklyn, New York. The surrounding neighborhood is a great place to park my car at night since not many people live there. Walking home through the deserted streets I was always struck by how odd and atmospheric the place felt.

At first I photographed the area because it inspired interesting images.Later I started to ask myself more consciously what it was that drew me to it. I grew up in rural parts of America and have always loved exploring and adventuring in wild environments. I realized I felt similarly about these urban hikes so to speak, traversing Gowanus in the dead of night, left alone to think and wander. I took this concept of wilderness and began to let it guide me towards what to photograph and how to photograph it.  Sometimes it’s literal, as in trees or flowers sprouting out of a mound of junk, or the canal as a body of water. Other times I think of it more metaphorically, like the parking lot of Home Depot being this barren urban desert. Each image is like a little discovery to me along the trail.

I’m an avid rock and ice climber so I spend a lot of time outdoors in beautiful wilderness settings. On the one hand it would seem natural to do a project on these places, however I feel like this subject can be tough to bring something new to. Besides that, I think what attracts me to these environments is the sense of adventure and discovery not just the pristine beauty of nature. I think a more interesting approach is to explore that sense of adventure and nature locally in the most unlikely of urban settings. There is something great about exploring the ‘wilderness’ of my immediate environment, rather than making it about traveling great distances to hard to reach places. I believe adventure can be had wherever you choose to look for it and that ‘hard to reach place’ is as much internal as external. As for the environmental issues raised by the series, I feel somewhat apolitical. While it certainly is a tragedy to have so severely compromised the environment of Gowanus, I don’t feel like this project is meant to be an exposé or a call to arms in a battle of polluted vs pristine.

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What interests me more is how the area functions as one big holistic ecosystem as is, albeit one that follows a rather unusual and perverted logic. Gowanus is very much alive, perhaps surprisingly so. To find beauty in such circumstances questions whether beauty is less a quality of things, a latent property, or instead a function of perception and perspective.

About Miska Draskoczy 

Miska Draskoczy fell in love with cameras at age 14 and has been behind them ever since. His photography has been widely exhibited in the US and abroad and is the recipient of numerous awards. His urban wilderness series,Gowanus Wild, was shown on THE FENCE at PHOTOVILLE 2013, featured onThe New Yorker’s Photo Booth blog, and exhibited as a solo show at the Vermont Center for Photography. He was recently named a Critical Mass finalist and his second solo show will open at Ground Floor Gallery in Brooklyn, NY in October 2014.

Miska’s career has also included diverse projects such as co-founding a conceptual arts organization, directing surreal sci-fi shorts, writing and developing a Slamdance shortlisted horror feature, and creating a documentary web series about objects in people’s homes. In addition to his personal projects Miska works as a director, editor, and animator through his production company snow23, and is an avid rock and ice climber. [Official Website]

Show in New York City

Miska Draskoczy Gowanus Wild

Ground Floor Gallery

Opens Oct 10th 2014

Closes Nov 9th 2014

Reception: Oct 10th 2014  6-8:30pm

Ground Floor Gallery | 343 5th Street | Brooklyn, New York 11215

www.groundfloorbk.com

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Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
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