Five minutes with Marco Tenaglia

I guess I’m interested in photography since I was a kid when I got my first camera, a polaroid sx70. I always loved to take photos.

Magazine

Our printed editions, circulating throughout various galleries, festivals and agencies are dipped in creativity.

The spirit of DODHO’s printed edition is first and foremost an opportunity to connect with a photographic audience that values the beauty of print and those photographers exhibited within the pages of this magazine.

We invite professional and amateur photographers from all around the world to share their work in our printed edition.

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Italian photographer Marco Tenaglia is known for his daring and provocative fashion portraiture.

His bold and intriguing photographic vision is the result of a mixture of both contemporary and classic styles. Tenaglia’s women aren’t classical expression of beauty. Often photographed in recurring poses, placed in luxury or decadent settings, they show a strong personality and a sort of cold sensuality.

His photographs are balancing on this fine and sometimes tricky line between fashion-beauty-glamour and erotic-sexy-trashy, resulting in elegant and sophisticated black and white photography with a timeless quality and the perfection of imperfection. Renowned for being easy to work with, Marco ensures a comfortable, friendly but always professional atmosphere for every production.  [Official Website]

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Can you tell us a little about yourself?

I think what people need to know about myself is in my photographs.

How did you get interested in photography?

I guess I’m interested in photography since I was a kid when I got my first camera, a polaroid sx70. I always loved to take photos. Later my interest evolved, I was very interested in shooting beautiful women. I remember when I was 16, the pages of my school-diary were full with pics of top models, I was used to tear pages from fashion magazines. Actually there was no much room left to write down the homeworks.

Have any artist/photographer inspired your art?

Helmut Newton for sure, even though I like many different photographers.

Could you please tell us anything about your technique and creating process?

My technique is very easy. When I seriously started as photographer I had no money to buy expensive equipment, so I was used to shoot with a 35mm camera and one speedlight. Now I could change it, but I don’t. I still use a camera with one speedlight, sometimes 2 or 3 but no more. This equipment is perfect for my style. Also, I do not retouch my photos, I don’t even crop. Film or digital make no difference to me. I use photoshop at the same of a real dark-room.

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Describe your ideal photographic situation

My situations are usually ideal. Everything is set perfectly. Even in the case something apparently goes wrong I take it to my advantage. Negative can always turn positive.

How much preparation do you put into taking a photography?

I spend a lot of time preparing. I supervise of every aspect of the preparation. Pre-production is the key. I perfectly know what I want and how to achieve it, and when it comes the day of the shoot I just have everything in my mind. Of course I always work with great professionals supporting me, it’s a team work.

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What’s your useable-to-unusable ratio when you review images from a shoot?

I never counted the ratio but I guess it’s between 1 to 5 and 1 to 10. I never take thousands of photos, it’s a wasting of time. I see the photo before I press the shutter.

What quick advice do you have for someone who wants to improve his or her photography skills?

To study. Knowledge is power. Photography has some rules, they should at least know how to apply these rules even if they want to break them. Learning from the best photographers is the key. Be humble, too many people get a camera and think to be great photographers only because they have plenty of “like” on facebook. That’s a foolish thing.

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From time to time many photographers find themselves in a creative rut or uninspired to shoot. Does this ever happen to you and if so how do you overcome these phases?

I’m not sure if I had a creative rut, I would call it more a black hole! It was few years ago and after years of shooting stupid editorials and commercials, I wanted to completely change and I decided to shoot only what I liked. I felt like I was going through my new photography era. It was a kind of reset. There is all myself in what I do now.

What future plans do you have? What projects would you like to accomplish?

I guess I’m a bit superstitious, I never talk about my projects until I’ve accomplished them.

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3 comments

  • Deborah Laudo

    Jun 1, 2014 at 19:08

    Marco Tenaglia’s images are bold, sensual, timeless and masterfully executed…utter magic.

  • Veronica Lounge

    Jun 2, 2014 at 18:16

    Loved the interview!:) Marco is truly talented photographer and one of the greatest people I know. I wish there were more professionals like him in the industry. Looking forward to see his new works! – VL

  • Eva Giorgi

    Jun 3, 2014 at 17:23

    I’m always looking for good photography, and that’s why I enjoy reading dodho. It was a beautiful surprise to see Marco Tenaglia on your mag, he is one of my favorite photographers ever. A Master. His work is very inspiring. Thanks for this interview, and keep up the great work.

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Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
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