Collodion Portraiture by James Walker

James hopes simply to change the viewers mind in some way than what it was before they saw the work in a positive meaningful experience. Either to learn, or question something about themselves
Collodion Portraiture | James Walker

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James hopes simply to change the viewers mind in some way than what it was before they saw the work in a positive meaningful experience.

Either to learn, or question something about themselves, in the work or see something to life and the subject that’s new in a way they had not before.

To have impact on some ones life in some way is an honor you can’t get from cheap imagery. It takes time to create the work. A critical mindful process not only in it’s analog creation but in the narrative or subconscious serendipity. Of course this is only a dream for him.

Collodion Portraiture | James Walker
James Breathe | Collodion Portraiture | James Walker

This is where I kind of wanted to be when I first started this process and the I am allowed to be myself at my fullest. Growing up in the theater with Mom and both my Parents being Opera Singers I was saturated with the drama of the stage and music. James grew up in New York City and has been in various creative worlds in his life such as Advertising, Illustration and graphic Arts. James believes we are, in part mostly a product of our own environment. Some things we can change, some things are just going to happen no matter how hard you plan against it. James avoided a singing career like his parents, yet stayed close to creativity and harnessing other forms of expression. One thing he never stopped doing for long, ever since his first polaroid camera when we was only ten, was stop taking photos. There were years in between but he always returned to taking photos. However, it was only until his mid thirties that he decided to go back to college and study photography and art as a profession.

Collodion Portraiture | James Walker
Contemplation | Collodion Portraiture | James Walker

Much of the concept comes from the days before digital blue screens where scenes in early cinema where staged with painted backdrops and unsophisticated wardrobe. Keeping a “feel” from a time long ago but making imagery with a current subject matter in mind. These projects take many months of coordination with other artists and are a thing of love, patients and persistence. James is a man caught in two worlds. One where his commercial photo training tells him he must be perfect. The other his the rebel artist inside that kicks dirt on the clean image and says wow that looks cool!

Collodion Tintypes: Handmade photographs. Just a smudge of Alchemy.  Improving my technique and understanding over time.  However always making the effort to bring a contemporary narrative to this antiquated process.

James also suffers from dyslexia. A rare form that includes numbers. It is in fact that at times he struggles to do simple math problems because he cannot form the right numbers in his mind to to the calculations. This made photography and the chemistry and process he does now very difficult. So after many hours and seat and tears James was able to build a workflow and start to bring his imagination to the images he’s made. James hangs on the edge the subconscious at work. Knowing there is only so much control one can have in this old, chemistry based process. That some things, even the mistakes, are meant to be there. There is always a story to tell, always a surprise in the end. Everyone else, once you know it all, well to him is boring. The mystery of life, his subjects, light and process make his life worth while. He says he never stops learning. [Official Website]

Collodion Portraiture | James Walker
Lust | Collodion Portraiture | James Walker

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Collodion Portraiture | James Walker
Dileep Rao Scene |Collodion Portraiture | James Walker

Collodion Portraiture | James Walker
Youths | Collodion Portraiture | James Walker

Collodion Portraiture | James Walker
Yogi | Collodion Portraiture | James Walker

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Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
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Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
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How can we help? Do you have an idea or something you'd like to share? Please use the form provided, or contact us at contact@dodho.com
Thank You. We will contact you as soon as possible.