AmericaStoryCarny by William Bullard

For the past few years, I have been photographing the carneys and showmen who work the games or “joints” at the local county fairs in Upstate New York.

For the past few years, I have been photographing the carneys and showmen who work the games or “joints” at the local county fairs in Upstate New York.

I am drawn to the extraordinary care and pride they take in their trade: the artful, extravagant design of their booths, their endless patter and rich jargon, how they camouflage themselves to vanish into a background of oversized and overstuffed prizes, how they cooperate subtly amongst themselves totarget their “marks” or customers. Many of them have been working these fairs for forty or fifty years; a grueling summer and fall schedule of state and county fairs that takes them the length and breadth of country. If you catch them in the early morning as they are setting up their joints, they are a warm and garrulous lot, generous with their stories, and overflowing with colorful language and opinions. These carneys represent a facet of America that endures in every state and almost every county in the country. It is untouched by fashion, politics, and technology and remains pure in its appeal to the simple lure of the game and the garish prize that “every child wins.”

I have been an avid photographer since childhood, taking inspiration first from my great-grandfather who photographed ships and gold mines in northern California at the turn of the century.  A gift of an Edward Weston monograph sent me on a long journey hitchhiking throughout Europe with a view camera on my back.  Later encounters and workshops with Minor White, Harry Callahan, and, most recently, Peter Turnley brought me gradually but fervently into street photography – a form that I have devoted myself to in both urban and rural settings for the last six years.  Until my retirement last year, I served as a dean and teacher of English and photography for Montclair-Kimberley Academy (New Jersey), San Francisco University High School, and Collegiate School (New York).  I received my B.A. from Wesleyan University and Ph.D. in English from Boston College. Over the last several years, I have been fortunate to have had a steady showing of my work in New York, international, and regional galleries and to have published in a variety of print and online magazines, including a Spotlight article in the current issue (December 2018) of B&W Magazine. [Official Website]

Carny | William Bullard

Carny | William Bullard

Carny | William Bullard

Carny | William Bullard

Carny | William Bullard

Carny | William Bullard

Carny | William Bullard

Carny | William Bullard

Carny | William Bullard

Carny | William Bullard

Carny | William Bullard

Carny | William Bullard

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PHOTO: © JO LAUREN | UNITED KINGDOM | ISSUE 10
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PRINTED EDITION
Interview with Samuel Feron; Published in our printed edition #16

DnaEuropeInterview with Samuel Feron; Published in our printed edition #16

Samuel Feron has been photographing Nature for 2 decades, exploring remote and sparsely habited areas all over the world. He tries to go beyond what the eyes first see, assuming that Nature has secrets in itself.
Interview with Marco Cheli; Published in our printed edition #16

DnaEuropeInterview with Marco Cheli; Published in our printed edition #16

I think that Dodho provides a fantastic opportunity for those who want to be recognized by an informed public and by their peers. Seeing my work in the pages of Dodho, well, it is the most exciting thing that has ever happened to me, and I have photography to thank for it.
Interview with Lys Arango; Published in our printed edition #16

DnaEuropeInterview with Lys Arango; Published in our printed edition #16

Time, dedication, and the right rhythm combined with a human approach make the work of Lys Arango one of the most truthful and inspiring photo testimonies of indigenous people.
Interview with France Leclerc; Published in our printed edition #16

AmericaDnaInterview with France Leclerc; Published in our printed edition #16

Canadian Travel photographer France Leclerc tries to find this commonness with joy showing sweet observation through fresh eyes to portray ethnic group communities the world seems to ignore.
Interview with Nikolina Petolas; Published in our printed edition #16

DnaEuropeInterview with Nikolina Petolas; Published in our printed edition #16

I work in several techniques, but what you are reffering to in ’Tale of the Blue Pear’ series  are mostly digital collages combined with digital painting. I also paint in traditional techniques but that is done on canvas or hard board.
Interview with Michele Punturieri; published in our print edition #15

DnaInterview with Michele Punturieri; published in our print edition #15

This work is somewhat impromptu because it has been carried out, so to speak, on the spot and at the moment. Street photography pure, trying to capture the most interesting moments and faces in the places I visited. 
Interview with Dimitri Weber; published in our print edition #15

DnaEuropeInterview with Dimitri Weber; published in our print edition #15

I like the colours on my pictures to pop a bit. To be as natural as possible, while catching the eyes of the people looking at my pictures. So, I enhance some of those colours during my editing process, mostly to give them a homogeneous look that suits my style.
Interview with Ana Maria Robles; published in our print edition #15

AmericaDnaInterview with Ana Maria Robles; published in our print edition #15

There is no doubt that women play a leading role, but they are still a patriarchy and all decisions are made by men who meet in assemblies to discuss everyday issues. The pipes are carved and armed by them and generally match their ornaments in both the Toposa and the Didinga.
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FEATURED STORIES
Wildlife photography; Land of Giants by Will Burrard-Lucas

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These photographs are part of a larger series documenting the elephants of Tsavo and the work of Tsavo Trust. The full series is published in a new book titled “Land of Giants”.
Under the sign of the rat; Roger the Rat by Roger Ballen

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Surreal, refined, disturbing: Roger Ballen has made a name for himself with his special eye for what is usually considered minor or outside, yet is nevertheless profound and touching.
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Behind Glass is a collection of photographs made in monkey houses of small zoos throughout Europe. Anne Berry is recognized for her ability to create lyrical, intimate portraits of animals.
Fictional narrative photography; Birth Undisturbed by Natalie Lennard

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Birth Undisturbed is a fictional narrative photography series by Natalie Lennard, that brings scenes of natural childbirth into cinematic fine-art tableaux.
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Japanese Aquariums is a journey into some of my oldest, most treasured childhood memories. Whenever I visited my grandparents in the small, northern Japanese city of Otaru, my grandfather, a high school teacher and an enormous influence in my life, would take me to the aquarium.
Greenland; Stories from the Sea by Camille Michel

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Greenland became politically independent from Denmark in 1979 and is slowly getting on the path to economic independency. The ‘ice country’ is currently facing the consequences of climate change.
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Until the corn Grows Back; Lys Arango’s project was selected and published in our print edition 16. Criminal violence in Central America was something that happened very far away and that explained, according to the media, the gigantic caravans of migrants that from 2017 began to travel thousands of kilometres to reach the United States
Greatest jockeys; Fortza Paris by Marco Cheli

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Photo by ©Ryotaro Horiuchi | Japan | Issue#14
Dodho Magazine is pleased to announce the new call for the photographers selection from all over the world that will be presented in an exceptional edition.
Deadline: Monday, November 30, 2020
Photo by ©Ryotaro Horiuchi | Japan | Issue#14
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Thank You. We will contact you as soon as possible.
Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
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