Magazine

CALL

FOR ENTRIES

DEADLINE | SUNDAY, SEPTEMBER 7, 2025

A POWERFUL TOOL TO SHOWCASE
YOUR WORK TO THE WORLD.

PHOTO BY © JEFF SCHEWE | FINALIST PORTRAIT AWARDS 2024

IF YOUR PHOTOS SPEAK OUT LOUD, WHY LET THEM WHISPER ON INSTAGRAM?

Give them the stage they deserve. Put them in front of those who can change your career.

There are images and projects that weren’t made to disappear in the scroll or fight for scraps of attention between filters, dances, and obscure algorithms. Some works deserve to stop the world for a few seconds and claim a place where the gaze, the narrative, and the author’s voice still matter. If yours is one of them, don’t trap it in an ephemeral post. Send it where the people who decide what hangs on gallery walls, what gets printed in meaningful magazines, and what screens at festivals that set the pace of what’s to come are actually looking. This is your chance to move from digital exposure to real visibility. To stop speaking to the algorithm and start speaking to the photography world with ambition, with honesty, and without asking for permission.

DEADLINE: SUNDAY, SEPTEMBER 7, 2025YOU'RE NOT RUNNING OUT OF TIME. YOU'RE LETTING THE OPPORTUNITY SLIP AWAY.

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WITH THOUSANDS OF PRINTED COPIES AND MILLIONS OF DIGITAL DOWNLOADS, YOUR WORK STOPS BEING INVISIBLE.

For the past 10 years, we’ve published 34 uninterrupted print editions, showcasing the work of 204 photographers from 28 countries across five continents. Each artist goes through a blind jury system that strips away names and résumés, only the strength of the image determines the outcome. The result is a platform with thousands of printed copies and over 20 million digital downloads, placing every selected project in front of a truly global audience. It’s no coincidence that 80% of those who debut with us return for new collaborations.

JUDGING PANEL

They’re not here by chance. They are professionals with experience, judgment, and one thing in common: they know how to recognize an image or a project that’s worth it. They will evaluate technique, impact, composition, and style. Discover them and you’ll understand why your photos should go through their hands.
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JANINE BEAN GALLERYJanine Bean

Gallery Director
BERLIN- GERMANY

Born in 1974, Janine Bean entered the art world as a museologist before co-founding janinebeangallery in Berlin with her husband in 2004. Two decades on, she curates a program that balances emerging voices and established names, staging thematic exhibitions, international collaborations, and art-fair appearances. Her mission is to foster long-term partnerships with artists, encouraging experimentation while connecting their work to collectors, institutions, scholars, and the wider public.

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BLACK EYE GALLERYTom Evangelidis

Gallery Director
SYDNEY - AUSTRALIA
Australian photographer and curator Tom Evangelidis founded Sydney’s Black Eye Gallery to champion contemporary photography and all lens-based media. Since opening, the space has hosted more than 200 exhibitions and represents a roster of established and emerging artists from Australia and abroad. Evangelidis also produces photobook editions and lectures on visual storytelling, continually pushing the medium’s boundaries while nurturing a vibrant community of collectors, curators, and image-makers.
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FOTOFESTIVAL LENZBURG Margherita Guerra

Festival Director
LENZBURG – SWITZERLAND
Born in 1976 in Milan, Margherita Guerra is the director of Fotofestival Lenzburg and founder of Yourpictureditor, a Swiss-based agency for photo research and editorial support. With a background in theology, publishing, and photography, she spent 15 years in iconographic research before launching the festival in 2017. Each September, it brings together photographers and audiences to engage with contemporary visual culture through exhibitions, talks, and international collaboration.
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DODHO MAGAZINEMaxim Panés

Magazine Director
BARCELONA - SPAIN
Spanish editor and designer Maxim Panés founded Dodho Magazine to spotlight emerging and established photographers worldwide. Published online daily and in print twice a year, the platform reaches a broad general audience while providing industry professionals with curated portfolios, interviews, and reviews. Panés leverages his expertise in visual communication to connect artists with galleries, agencies, and collectors, offering practical tools and strategic visibility to accelerate photographic careers.

IMPORTANT DATES AND WHAT TO EXPECT AT EACH STAGE

Submitting a project is not just about sending files and waiting. Behind it, there is a schedule, clearly defined stages, and a pace that leaves no room for improvisation. Some phases require your action, like the submission and delivery of materials. Others unfold without you, but every step matters. There is no fine print. This is what happens, when it happens, and what is expected at each point. From the deadline to the day the magazine reaches the right hands, this is the full path. Read it carefully. A good project can be left out over a small detail. And you’re not here for that.
+ Submissions: From July 1 to September 4

The call is open to photographers from around the world, both professional and amateur, over the age of 18.

Images submitted for the cover must be in JPG format, 1200 px on the longest side, and 72 dpi. Horizontal, vertical, or square formats are accepted, although images may be cropped to fit the final design.

Projects or portfolios intended for the magazine must include a maximum of 20 images, submitted in a single .ZIP or .RAR file. Optionally, you may include a short explanatory text about the project within the same file.

+ Selection: From 6 to 10 September

The selection process is completely impartial. All projects are presented to the jury anonymously, without names or references that could influence the decision.

Each submission will be evaluated based on four key criteria: Technical quality of the images, Emotional impact of the project, Overall composition and the author’s personal style.

+ Notification: From 12 to 14 September

Once the selection process is complete, we will contact the authors of the selected projects to request high-resolution files. We will also notify those who were not selected.

All participants will receive a digital copy of the magazine on the day of publication, so they can see the projects chosen by the jury.

+ Delivery: From 15 to 20 September

Selected photographers must send the requested high-resolution images along with a portrait, a text describing the project, and a short biography. They will also be required to sign a release authorizing the publication of their work, which will be sent by email.

Due to our editing and layout schedule, it is important that all materials are submitted on time in order to meet the publication deadline.

+ Publication: September 25

Once all materials have been received, the final layout and cover design will be completed. The publication will be distributed to agencies, galleries, festivals, and professionals around the world. It will also be available through our online store and partner platforms.

Do you have something worth showing? Then make sure it gets here before the countdown hits zero.

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A WELL-TOLD STORY DESERVES TO RETURN TO ITS ORIGIN

France Leclerc knew it when she photographed the dances of this tribe. She sent the project to Dodho, we accepted it, and gave it what it deserved: 20 printed pages in Issue #20.
The true publication happened later. France returned with the magazine under her arm and sat with the people who fill those pages. She didn’t show them a screen; she left them paper, ink, and a piece of prestige with weight. Look at them: on the left, the woman who dances so her culture will not fade; on the right, the photographer who turned that dance into a chapter you can leaf through, keep, and share.
When you wonder what changes with real publication, remember this image. A 20-page feature that traveled the world and came back to its origin. That is closing the circle. That is real impact.

REGISTER RIGHT NOW BEFORE YOUR COFFEE GETS COLD

You won’t find complications here. No endless instructions, no unnecessary steps, and no technical jargon pretending to sound professional. Just a simple, well-structured process that respects your time and your work. Four clear steps, explained without filler, so you know exactly what to do and when to do it. Because presenting your project should feel like a decision, not an obstacle course. If your work matters, it deserves to be submitted seriously, calmly, and without second guessing. This is how you do it.
+ Step 1: Choose your package

Before uploading anything, you need to decide how you want to present your work. Several packages are available, each with a set number of images and different benefits. Some offer more visibility, others give you more room to show your work. There’s no better or worse option,  just the one that fits your project and your goals.

Read them carefully and choose the one that truly aligns with what you want to achieve. This isn’t about paying more, it’s about choosing well.

+ Step 2: Make the payment

Once you’ve chosen your package, it’s time to confirm your participation. The payment process is simple and secure, with no confusing gateways or unnecessary steps. Just have your card or preferred method ready.

Once you complete this step, you’re officially part of the call. It’s not just a transaction,  it’s a decision. And it marks the moment you stop thinking and start moving.

+ Step 3: Get your upload link

Once you complete the payment, a unique upload link will appear on screen. You’ll also receive it by email so you can keep it on hand.

Check your inbox carefully and, just in case, take a look in your spam or promotions folder. This link gives you access to the upload system. If you can’t find it or run into any issues, feel free to contact us. We’re here to help.

+ Step 4: Upload your images properly

This step is simple but essential. Prepare a folder with your images, named with your first and last name. Don’t include abstract titles or confusing labels. We want everything to arrive clear, organized, and easy to identify. That way we avoid mistakes, mix-ups, or missing files.

The quality of what you send is up to you. The order, too. Do it right from the start, and we’ll take care of the rest.

PACKAGES FOR COVER & MAGAZINE

Open to photographers worldwide, amateur or professional, aged 18 and over. You’re free to apply once, twice, or twenty times — each submission is a new shot at being selected. Whether you’re building a full narrative or showcasing a single, powerful image, this call has space for both. Choose Magazine Mode for an in-depth portfolio feature or Cover Mode to aim straight for the front page. You can go with one or submit to both. What matters is not how many times you enter, but that your work has the strength to stand out.

COVER PACKAGES

Reserved for the image that says it all at first glance. We are looking for a photograph strong enough to carry the cover on its own. If selected, it will open the edition and be accompanied by 2 inside pages that enhance its impact.
3 Images
45
Your first step into the cover spotlight.
  • 1200 PX
  • 72DPI
  • .JPG file
6 Images
75
Double the visibility, without paying double.
  • 1200 PX
  • 72 DPI
  • .JPG file
10 Images
90
High impact, low cost per image
  • 1200 PX
  • 72 DPI
  • .JPG file

MAGAZINE PACKAGES

It’s designed for those who want to showcase a complete project or portfolio. Each selected work gets 20 full pages, offering enough space to build visual rhythm, include a curatorial text, and let the images breathe. If you have a solid collection with a clear narrative, this is your format.
1 Portfolio
45
A powerful story can open the door for you.
  • 1200 PX
  • 72 DPI
  • .JPG File
2 Portfolios
75
Two proposals, twice the potential impact.
  • 1200 PX
  • 72 DPI
  • .JPG File
3 Portfolios
90
More entries, more chances.
  • 1200 PX
  • 72 DPI
  • .JPG File

CONDITIONS YOU CAN ACTUALLY UNDERSTAND

We don’t hide behind fine print or endless paragraphs. Here, we clearly explain what rights you keep, what license you grant us, and how we use your work. No surprises, no tricks, no ambiguity. If it’s yours, it stays yours — even when published.
+ Conditions: What to know before sending

By participating in the call, you confirm that the images you submit are your own. In other words, the project has been created through your personal work, and you are in a position to present it publicly.

Everything we receive will be evaluated for its content, quality, and vision, always assuming that there is clear and conscious authorship behind it. That’s all we ask: creative honesty and respect for the process. It’s a simple step, but an essential one. If what you’re submitting truly represents you, then you’re already on the right track.

+ Licenses: We just need your OK

Participating doesn’t mean giving up your rights. No one here is claiming your work. But in order to display it, evaluate it, communicate it, and publish it, we need your permission. That’s why, by submitting your project, you authorize Dodho to use your images solely and exclusively within the context of this call for entries. This includes the selection process, potential publication in the magazine (both print and digital), promotion on social media, press releases, or any action directly related to showcasing your work and the contest itself. And nothing beyond that.

Outside this context, your photos won’t be used without your prior consent. If a third party is interested, we’ll contact you, and the decision will be entirely yours.This license is free, non-exclusive, and limited to the scope of the contest. The authorship remains entirely yours at all times. Things here are done clearly, or not done at all.

+ Copyrights: Your work, your name

Your work is yours. It was before you submitted it, it is while we evaluate it, and it will still be afterwards. Dodho does not acquire any rights to your work by virtue of your participation. We don’t ask for exclusivity, we don’t claim ownership, and we don’t use your images commercially beyond what’s agreed.

Every time your image appears, on the website, in the magazine, on social platforms, it will always include your name. Because we respect your work, and more importantly, we understand what it means to put a piece of yourself out into the world. We don’t publish to fill pages. We publish to give visibility. And that visibility has a name: yours. The credit is yours. The ownership too.

+ Use Rights: Only to show you off

Selected images may be used by Dodho to promote the call for entries and to showcase the work of their authors, always within the boundaries outlined in this call. That includes publication in the online edition of the magazine, on our social media platforms, in press communications, and through partner channels. Always with proper credit.

We do not sell images, we do not transfer them to third parties without the express consent of the author, and we do not use them for any commercial purposes outside the scope of this contest. If someone outside Dodho wishes to use your image, we’ll let you know directly. You’ll receive the request, and you decide what to do.

In short: images are only used to give the author visibility within the framework of this call. That’s it. Anything beyond that is up to you. Because what you share is yours, and it always will be.

YOUR WORK DOESN’T NEED PERMISSION TO EXIST, BUT IT DOES NEED CONTEXT TO GROW.

DODHO MAGAZINE IS WHERE YOUR WORK STOPS BEING STORED AND STARTS MAKING AN IMPACT.

WE COVER 95% OF THE QUESTIONS THAT MAKE PEOPLE HESITATE, POSTPONE, OR GIVE UP ON THEIR SUBMISSION

Deadlines, formats, rights, payments… everything is clearly explained just below. If your question falls within the remaining 5%, write to us. We’ll reply quickly and add it here so no one else gets stuck.
+ Submission

How do I submit my work?
Pick the package that suits you best (Cover or Portfolio), fill out the online form (it won’t take more than three minutes), pay with your card or PayPal, and as soon as it’s done, you’ll get your personal WeTransfer link and a receipt. That’s it.

How many submissions can I send?
As many as you want. Just remember: one form and one payment per submission. Simple.

Can collectives or duos apply?
Of course. Just have one person fill out the form as the contact. The credit goes to the whole team.

+ Files

What are the image requirements?
JPG format, RGB mode, and at least 1200 px on the longest side. Rename your files like this: Lastname_Firstname_01.jpg — no secrets, no weird formats.

Can I include an explanatory text or statement?
If you’re submitting to the Magazine category, you can. It’s not mandatory, but including a PDF or DOC inside your upload folder can help put your work in context. Up to you.

+ Work eligibility

Do the images need to be unpublished?
Nope. If they’ve already been published or even won an award, that’s fine, as long as the rights are yours, they’re welcome.

Is there a time restriction for when the images were taken?
None. We’re not here to check dates, the jury cares about what the image says, not when it was shot.

+ Rights & Licensing

Do I retain the copyright?
Yes. Your work is yours, before, during, and after. You just give us permission to show it (magazine, website, social media), always with your name on it and only to promote you. That’s all.

Can I revoke the license?
Of course. Just send us a written notice with 30 days in advance, unless your work is already printed or about to be. No drama.

+ Jury Process

What does the jury look for?
Something that doesn’t look like everything else. Something that says something. Well executed. And aligned with the kind of photography we stand for. If your work ticks those boxes, it gets on the table. If not, it doesn’t.

When will I know if I’ve been selected?
One week after the deadline. You’ll get an email. If you don’t see it, check your spam before writing. We won’t ghost you, relax.

Will I hear anything if I’m not selected?
Yes. You’ll get a “not this time” and, a couple of weeks later, the digital magazine. Go through it slowly. The answers you’re looking for are in there.

+ Benefits & Extras

What do I get if I’m published?
More than a pat on the back,  real visibility. Your work is sent to galleries, festivals, and agencies worldwide. This isn’t about showing off, it’s about positioning.

Can I use the publication in my portfolio or website?
Of course. And you should. It adds weight where it matters, contests, grants, exhibitions, and more.

Is there promotion after publication?
Yes. We don’t let go after printing. We keep sharing your work, mentioning you, and connecting you with the right people.

Will I get interviews or features?
If your work calls for it, yes. We select certain photographers for interviews and in-depth articles.

Does the magazine reach the right people?
The ones that matter. Galleries, curators, festival directors, and industry media. We don’t shoot in the dark.

Is there promotion after publication?
Yes. We don’t let go after printing. We keep sharing your work, mentioning you, and connecting you with the right people.

+ Payment & Invoicing

How do I pay?
However you prefer. We accept PayPal, credit or debit cards, and even bank transfers if you’re more old-school. We keep it simple. All methods are fast and secure, so you can focus on what really matters. The only tricky part here should be choosing your best shots.

Do you issue invoices?
Yes. As soon as you pay, you’ll get a receipt. Need an invoice with your billing details? Send them over and you’ll have it in your inbox within 48 hours.

Are taxes included in the price?
Yes. What you see is what you pay. If you’re in Europe and VAT applies, it’ll be added automatically based on your country. No surprises.

Can I get a refund?
Only if you paid twice or there was a technical error and you let us know within 48 hours. Once we’ve opened your file, there’s no turning back.

+ Delivery Confirmation

How do I know if you received my files?
First, you’ll get an automatic email confirming the form was submitted. Then, one from WeTransfer when you upload (and we download) your images. And once we’ve reviewed everything, you’ll hear from us directly. If there’s any issue, we’ll let you know within 48 hours. No one gets left on read here.

+ Data & Privacy

What do you do with my data? Is it going to be floating around forever?
Not at all. It’s stored on secure servers in the EU, with encryption and restricted access. It’s never shared, never sold, and it’s automatically deleted 24 months after the call ends. We only keep it longer if legally required. That’s it.

+ Support

Got a question? Just ask.
Write to us at [email protected] (Monday to Friday, 10:00–18:00 CET). We reply within 24 business hours. No question is too small — if it’s on your mind, it deserves an answer.

EVERYONE WANTS TO BOOST THEIR VISIBILITY, BUT ALMOST EVERYONE DOES EXACTLY WHAT EVERYONE ELSE IS DOING. IT’S WEIRD.

DODHO MAGAZINE IS WHERE YOUR WORK STOPS BEING STORED AND STARTS MAKING AN IMPACT.

IT’S NOT FOR EVERYONE.

Before you rush to submit your work, pause for a moment and think.

We are not here to hand out consolation prizes or feed fleeting egos. This call is not for those looking for quick cash or fleeting recognition. We are here to make a mark, to build prestige that lasts.

If your priority is a cash prize, remember money gets spent fast and forgotten. What lasts is print, publication, exposure. If a simple like or emoji fills you up, better stay on social media. Here you will get real, tough critiques that you need to grow. If you trust that the algorithm will discover your talent, here is news: the algorithm does not have time for portfolios full of promises. What matters here is what you deliver, not what you hope others will find. If you think your work speaks for itself without context, you are wrong. Without a story or explanation, even the strongest photo can be ignored and become just another screensaver. And lastly, do not assume there will always be a next chance. Maybe yes, maybe no. While you hesitate, another artist is submitting, taking your spot, and gaining the attention you could have had.
If you are not ready to give it your all, to take the risk, and to show your best, this call is not for you. Do not say we did not warn you.

BELIEVING IN YOUR WORK IS GOOD. LETTING THE RIGHT PEOPLE SEE IT IS EVEN BETTER.

DODHO MAGAZINE IS WHERE YOUR WORK STOPS BEING STORED AND STARTS MAKING AN IMPACT.

SOME AWARDS PORTALS ARE ALREADY FEATURING THIS CALL

Many more are sharing it, but these have explicitly asked to be visible. If they’re here, it’s because they also believe this opportunity deserves to be seen.

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Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted.
- Between 10/30 images of your best images, in case your project contains a greater number of images which are part of the same indivisible body of work will also be accepted. You must send the images in jpg format to 1200px and 72dpi and quality 9. (No borders or watermarks)
- A short biography along with your photograph. (It must be written in the third person)
- Title and full text of the project with a minimum length of 300 words. (Texts with lesser number of words will not be accepted)
This is the information you need to start preparing your project for its presentation
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
Contact
How can we help? Got an idea or something you'd like share? Please use the adjacent form, or contact [email protected]
Thank You. We will contact you as soon as possible.
Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
Get in Touch
How can we help? Do you have an idea or something you'd like to share? Please use the form provided, or contact us at [email protected]
Thank You. We will contact you as soon as possible.
WE WANT YOU TO SHOW US YOUR PHOTOGRAPHS SO WE CAN SHOW IT TO THE WORLD
AN AMAZING PROMOTIONAL TOOL DESIGNED TO EXPOSE YOUR WORK WORLDWIDE
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