AmericaB&WStoryArt Work by Kip Harris

When people are in their own workplaces, they are most at ease with themselves. They do not need to "prepare a face to meet the faces that you meet."

When people are in their own workplaces, they are most at ease with themselves. They do not need to “prepare a face to meet the faces that you meet.”

I like to stand and watch a little before shooting to convey my appreciation for the worker’s skill and engagement. A man’s work is his life and should be respected. It also gives me a chance to have eye contact and that makes all the difference.

There is a Taoist phrase: wei wu wei, which has been translated a number of ways but the one I like best is “doing, not doing.” When one has become a complete master of an action, he no longer has to think about how to perform the act but has become the act himself. I try to photograph this.

Art Work | Kip Harris

Art Work | Kip Harris
Art Work | Kip Harris

My subjects are almost always cooperative. They take my interest as a compliment and like to talk about their work even if it is only through gestures. Other people who share the workspace or the adjacent one always like to see the digital thumbnail. They know when you’ve caught the person and the action correctly; they are the very best critics.

I’m a retired architect. For nearly 30 years, I was a principal of FFKR Architects in Salt Lake City focusing on university / K-12 school buildings and Native American gaming projects. The last of these was Talking Stick Resort / Casino in Scottsdale, Arizona.

My wife and I now live in a heavy timber cottage built in 1823 over looking St. Margaret’s Bay in a small fishing village in Nova Scotia, Canada. We have a cottage industry puppet dance theater company called Company X Puppets.

Art Work | Kip Harris
Art Work | Kip Harris

In 1989, I took a leave of absence from my firm and traveled through England and Ireland for a month with a camera. I hesitated taking a camera for I thought I would be missing the actuality of the experience. In fact, the camera made me see more deeply and compassionately. I shoot with small rangefinder or mirrorless cameras in natural light because it allows me to approach people without generating the fear of a huge camera, lens, and flash. The little camera lets me get close and makes me less of the threat. [Official Website]

Art Work | Kip Harris
Art Work | Kip Harris

Art Work | Kip Harris
Art Work | Kip Harris

At Work-6 At Work-7 At Work-8 At Work-9 At Work-10 At Work-11 At Work-12 At Work-13 At Work-14 At Work-15 At Work-16 At Work-17

Art Work | Kip Harris
Art Work | Kip Harris

Art Work | Kip Harris
Art Work | Kip Harris

Art Work | Kip Harris
Art Work | Kip Harris



Legal Note: The photographer attest that have full authorization to give consent to the publication of these photos or project and have the authorization and permissions of third parties. Guarantees that you have all the necessary communications of property and you have obtained all the necessary authorizations for any property, buildings, architecture, structures or sculptures appearing in your photographs.

https://www.dodho.com/wp-content/uploads/2020/12/BAnImage.jpg

ImageRights provides intelligent image search and copyright enforcement services to photo agencies and professional photographers worldwide.

https://www.dodho.com/wp-content/uploads/2021/02/view.jpg
Share your most best images in this photo contest in collaboration with ViewBug. A community that hosts over 40 photo contests and challenges.
300x250

With ON1 Photo RAW you get the professional photo editing tools every photographer needs to get professional results while keeping your workflow.

https://www.dodho.com/wp-content/uploads/2020/11/Z.jpg

Simply Stunning Landscapes – Would you like to capture stunning landscapes every time you shoot… without having to travel far from home?

RELATED STORIES
Nicolas Boulet ; Passers-by

CityEuropeNicolas Boulet ; Passers-by

The serie is built around the photograph of passers-by in the same place (Paris) following the technique of the light-dark. The images are taken over several months. The set consists of over a hundred images.
A neutral place by Franco Sortini

CityEuropeA neutral place by Franco Sortini

Franco Sortini's art is that of a landscape that is the result of a subtle alchemy that combines his vision of the natural environment with his culture, his emotions and his inner feelings.
Hearth by Lise Johansson

ConceptEuropeHearth by Lise Johansson

The series Hearth is exploration of the ephemeral quality that sets apart the architectural framework of a human dwelling from a place of comfort and love.
Conceptual photography : Ascension by Francisco Diaz

AmericaConceptConceptual photography : Ascension by Francisco Diaz

The “Ascension” works are what I’ve termed a cinematic narrative photomontage series that references the moment of enlightenment or that sense of rising to "full comprehension of a situation.”
https://www.dodho.com/wp-content/uploads/2020/11/insta.jpg
Between photographer and subject; Telling Tales by Lilyan Aloma

AmericaB&WShotBetween photographer and subject; Telling Tales by Lilyan Aloma

A portrait is a crystallization of human relationship, a privileged connection between photographer and subject.
Aerial photos ; Collectives by Cássio Vasconcellos

AmericaConceptAerial photos ; Collectives by Cássio Vasconcellos

The observer is faced with large panels of aerial photos if seen from afar appear to be textures or geometric forms that if inspected closely, surprise the viewer with a richness of details that compose a daily urban lifestyle in consumption patterns.
TRENDING STORIES
Lo Kee ; Through my lens

B&WCityEuropeLo Kee ; Through my lens

There are photographers who take pictures to meet others and there are photographers who do it to meet themselves. I am part of these. 
Architecture photography by James Teo

B&WCityArchitecture photography by James Teo

I was immersing myself in black and white fine art photography: landscape, waterscape and architecture. My most current works revolve around the areas of architecture.
The Salton Sea by Jim Riche

AmericaStoryThe Salton Sea by Jim Riche

The Salton Sea was created back in 1905 when Colorado River breached an irrigation diversion structure and water ran into the then-dry Salton Sink for the next two years.
This is Spain, Street photography by Seigar

CityEuropeThis is Spain, Street photography by Seigar

This series is a collection of pop urban photographs taken in Madrid (Aranjuez) and Segovia during short trips in the summer of 2017. It plays with the concepts of identity and nation.
The Last Avatar -Head Hunters by Aman Chotani

AsiaStoryThe Last Avatar -Head Hunters by Aman Chotani

When we think of tribes, the first thing that comes to our mind is, “what did those tribesmen and women believe in?” “What were their customs and beliefs?” That’s what I asked about the Konyak tribe that was nestled in Nagaland, India, in regard to the famous headhunters. 
Sweet dreams by Tripod City

EuropeStorySweet dreams by Tripod City

Photo collective “Tripod City”,  aka Charlie Kwai, Chris Lee & Paul Storrie travel abroad to challenge stereotypes and reveal a fresh, modern perspective on developing countries with their photography.
Tytia Habing – Fine Art photography

AmericaConceptTytia Habing – Fine Art photography

rowing up on a farm at the edge of a woods gave me a great appreciation for the world around me. I roamed wherever I pleased, built forts in the woods, picked wildflowers in the pasture and caught craw-daddies in the crick.
Travel Photography; Asia Project by Karina Flores

StoryTravel Photography; Asia Project by Karina Flores

Her photography seeks to build a connection between the people who observe at them with the places and shaped objects, in order to generate a pause, a breath.
Moi–Peau by Runeda

ConceptEuropeMoi–Peau by Runeda

What’s hidden behind appearances, behind clothes or even behind that skin? It’s the skin as an envelope, an interface that made me wonder and naturally brought me to the psychoanalytic concept of «Moi--Peau».
FEATURED STORIES
Wet-plate collodion process; My America by Rashod Taylor

AmericaB&WConceptFeaturedWet-plate collodion process; My America by Rashod Taylor

With this work I want the viewer to get a good look at what it is like living in America as a Black man. I use the wet-plate collodion process to connect the past to the present and explore the atrocities of slavery and Jim Crow
Documentary photography; Can’t Smile Without You by Martin Andersen

B&WEuropeFeaturedStoryDocumentary photography; Can’t Smile Without You by Martin Andersen

Photographer and life-long Tottenham Hotspur fan, Martin Andersen has turned his camera on his fellow fans to create ‘Can’t Smile Without You’, an intimate and often visceral collection of photographs taken at home, away, and across Europe from 2013 until 2017 with the last game played at the White Hart Lane stadium.
Anže Godec; Austro-Hungarian army complex abandoned by Yugoslav forces finds a new artistic life

EuropeFeaturedStoryAnže Godec; Austro-Hungarian army complex abandoned by Yugoslav forces finds a new artistic life

Army complex from the time of the Austro-Hungarian Empire. It lies by Metelkova Street in the center of Ljubljana, Slovenia. It was abandoned in the early 1990s, when Yugoslavia collapsed.
Women hold up half the sky by Gerard Exupery

AmericaB&WFeaturedStoryWomen hold up half the sky by Gerard Exupery

It’s another beautiful day in paradise. Dark, and rainy. It’s one of those days that suggest the beauty of film. F-stop wide open, the darkness and grain, the feeling of an impressionist painting.
Alternative family album by Frank Rodick

AmericaConceptFeaturedAlternative family album by Frank Rodick

These images are part of what I’ve called an “alternative family album.” With one exception, I constructed each work using vernacular photographs from archives discovered after my parents’ deaths.
Intimate photography ; I am ready to dream a dream with her by Michiko Chiyoda

AsiaB&WConceptFeaturedIntimate photography ; I am ready to dream a dream with her by Michiko Chiyoda

In my photography, my personal experiences often motivate me to start creating works. Eventually, it leads me to the fundamental theme of our life and I want to express what I think and get from there.
The Land Where the Roots Grow Deep by Rebecca Moseman

AmericaB&WFeaturedStoryThe Land Where the Roots Grow Deep by Rebecca Moseman

This series of photographs is part of an ongoing project about the African American people living in the deep south.
The Cattle Camps of South Sudan by Trevor Cole

EuropeFeaturedStoryThe Cattle Camps of South Sudan by Trevor Cole

The Mundari cattle camp, seldom visited by outsiders, is quite simply incredible. I saw Sebastiao Salgado’s photos of these camps years ago and there was little change that I could see.
Haenyeo; Grandma divers by Alain Schroeder

B&WEuropeFeaturedShotHaenyeo; Grandma divers by Alain Schroeder

South Korea, Jeju island, known for its characteristic basalt volcanic rock, sits off South Korea. It is the home of the renowned Haenyeo or women of the sea who free dive off the black shores of Jeju harvesting delicacies from the sea.
OTHER STORIES
X
stay in touch
Join our mailing list and we'll keep you up to date with all the latest stories, opportunities, calls and more.
We use Sendinblue as our marketing platform. By Clicking below to submit this form, you acknowledge that the information you provided will be transferred to Sendinblue for processing in accordance with their terms of use
We’d love to
Thank you for subscribing!
Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted.
- Between 10/30 images of your best images, in case your project contains a greater number of images which are part of the same indivisible body of work will also be accepted. You must send the images in jpg format to 1200px and 72dpi and quality 9. (No borders or watermarks)
- A short biography along with your photograph. (It must be written in the third person)
- Title and full text of the project with a minimum length of 300 words. (Texts with lesser number of words will not be accepted)
This is the information you need to start preparing your project for its presentation
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
Issue #14 | September 2020
Current Issue
Vicky Martin
Ryotaro Horiuchi
Susanne Mildeelberg
Diego Bardone
Nicky Hamilton
Alain Schroeder
Printed on 80# matte paper 22x28cm | 100 Pages
Showroom
September 7 to October 31, 2020
Julia Fullerton-Batten
LOOKING OUT FROM WITHIN
Get in touch
How can we help? Got an idea or something you'd like share? Please use the adjacent form, or contact contact@dodho.com
Thank You. We will contact you as soon as possible.
Dodho Magazine is pleased to announce the new call for the photographers selection from all over the world that will be presented in an exceptional edition.
Deadline: Monday, November 30, 2020
Photo by ©Ryotaro Horiuchi | Japan | Issue#14
Dodho Magazine is pleased to announce the new call for the photographers selection from all over the world that will be presented in an exceptional edition.
Deadline: Monday, November 30, 2020
Photo by ©Ryotaro Horiuchi | Japan | Issue#14
CALL
FOR ENTRIES
Dodho Magazine is pleased to announce the new call for the photographers selection from all over the world that will be presented in an exceptional edition.
Are you ready?
Deadline: Monday, November 30, 2020
Contact
How can we help? Got an idea or something you'd like share? Please use the adjacent form, or contact contact@dodho.com
Thank You. We will contact you as soon as possible.
Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
NEW!
FOLLOW US.
Subscribe now and get a free access to a curated list of resources.
Feel free to contact.
2017 (C) All rights reserved.
ghfd