EuropeStoryAfrican Samburu Women by Marja Schwartz

The Samburu people live just north of the equator in the Rift Valley province of Northern Kenya, where the foothills of Mount Kenya merge into the northern desert. They are one of the most fascinating Kenya tribes

The Samburu people live just north of the equator in the Rift Valley province of Northern Kenya,  where the foothills of  Mount Kenya merge into the northern desert. They are one of the most  fascinating Kenya tribes, semi-nomadic pastoralists that are related to but distinct from the Maasai.

Samburu is reputed to mean “butterfly”. There is something very butterfly-like about them, the young  warriors appear strikingly effeminate, almost fragile in their slenderness.The Samburu are independent  and egalitarian people, much more traditional then the Masaai. The Rift Valley province in Kenya is a dry, somewhat barren land, and the Samburu have to relocate to  ensure their cattle can feed. Every five to six weeks the group will move to find fresh grazing grounds.  Their huts are built from mud, hide and grass mats strung over poles. A thorny fence is built around the  huts for protection from wild animals.

Samburu people usually live in groups of five to ten families. Traditionally men look after the cattle and they  are also responsible for the safety of the tribe. As warriors they defend the tribe from attack by both man and  animals. Samburu boys learn to tend cattle from a young age and are also taught to hunt. An initiation ceremony  to mark their entry into manhood is accompanied by circumcision.

Samburu women are in charge of gathering roots and vegetables, tending to children and collecting water. They  are also in charge  of maintaining their homes. Samburu girls generally help their mothers with their domestic chores.  Entry into woman hood is also  marked with a circumcision ceremony. The Samburu women have a remarkable sense of style and sophisticated dressing. They wear colorful cotton sheets called khangas and complete their look with earrings, bungles, armlets and some pretty elaborate beadwork around the neck.

Marja_Schwartz_12

Marja_Schwartz_15

Samburu beading is essentially similar in design and style to Maasai beadwork. It is produced by the women, to be worn by both sexes.  Samburu, women, however, do not wear the distinctive large flat necklaces of the Maasai. Instead, they are from a young age given single loop bead necklaces by admirers, chiefly young Morans. These gifts are given frequently and generously by young Samburu men, and the necklaces soon merge to form a thick collar. Samburu people believe that by the age of 15 or 16, a girl should have enough beads to support her chin. This is considered a sign of having reached marriageable age.

Dancing is very important in the Samburu culture. The chants and dances of the Samburu are similar to those of the Maasai. As in Maasai communities, the blessing of cattle, preparation for war and victory in a hunt are causes for celebration. The Samburu have traditionally not used any instruments to accompany their singing and dancing. The central musical motif of these dances is a deep resounding male vocal, a rhythmic chanting not unlike the territorial call of a lion. Warriors dance with a series of spectacular vertical leaps, encouraged by the cries of other warriors. Men and women do not dance in the same circles, but they do coordinate their dances.

As with many traditional tribes, today the Samburu are under pressure from their government to settle into permanent villages. They have been extremely reluctant to do so since obviously permanent settlement would disrupt their entire way of life. The area they live in is very arid and it’s difficult to grow crops to sustain a permanent site. This basically means the Samburu will become dependent on others for their survival. Since status and wealth in Samburu culture is synonymous with the amount of cattle one owns, a sedentary agricultural lifestyle is not in the least attractive. Samburu families who have been forced to settle will often send their adult men to the cities to work as guards. This is a form of employment that has evolved naturally because of their strong reputation as warriors. The purpose of these photographs is to share my love of Africa, its people, landscape and wildlife. [Official Website]

Marja_Schwartz_01 Marja_Schwartz_02 Marja_Schwartz_03 Marja_Schwartz_04 Marja_Schwartz_05 Marja_Schwartz_06 Marja_Schwartz_07 Marja_Schwartz_09 Marja_Schwartz_10 Marja_Schwartz_11 Marja_Schwartz_13 Marja_Schwartz_14

Marja_Schwartz_08

Magazine

CALL FOR ENTRIES

AN AMAZING PROMOTIONAL TOOL DESIGNED TO EXPOSE YOUR WORK WORLDWIDE

DEADLINE: TUESDAY, NOVEMBER 31, 2021

PHOTO: © JO LAUREN | UNITED KINGDOM | ISSUE 10
https://www.dodho.com/wp-content/uploads/2020/11/Z.jpg

Simply Stunning Landscapes – Would you like to capture stunning landscapes every time you shoot… without having to travel far from home?

https://www.dodho.com/wp-content/uploads/2020/03/Landscape-and-Nature-dPS-Photography-Course-300x250-1.jpg

Landscape & nature photography is one of the most challenging genres and disciplines to learn, and the costs of getting it wrong can be disappointing

300x250

With ON1 Photo RAW you get the professional photo editing tools every photographer needs to get professional results while keeping your workflow.

https://www.dodho.com/wp-content/uploads/2020/12/BAnImage.jpg

ImageRights provides intelligent image search and copyright enforcement services to photo agencies and professional photographers worldwide.

PRINTED EDITION
Interview with Samuel Feron; Published in our printed edition #16

DnaEuropeInterview with Samuel Feron; Published in our printed edition #16

Samuel Feron has been photographing Nature for 2 decades, exploring remote and sparsely habited areas all over the world. He tries to go beyond what the eyes first see, assuming that Nature has secrets in itself.
Interview with Marco Cheli; Published in our printed edition #16

DnaEuropeInterview with Marco Cheli; Published in our printed edition #16

I think that Dodho provides a fantastic opportunity for those who want to be recognized by an informed public and by their peers. Seeing my work in the pages of Dodho, well, it is the most exciting thing that has ever happened to me, and I have photography to thank for it.
Interview with Lys Arango; Published in our printed edition #16

DnaEuropeInterview with Lys Arango; Published in our printed edition #16

Time, dedication, and the right rhythm combined with a human approach make the work of Lys Arango one of the most truthful and inspiring photo testimonies of indigenous people.
Interview with France Leclerc; Published in our printed edition #16

AmericaDnaInterview with France Leclerc; Published in our printed edition #16

Canadian Travel photographer France Leclerc tries to find this commonness with joy showing sweet observation through fresh eyes to portray ethnic group communities the world seems to ignore.
Interview with Nikolina Petolas; Published in our printed edition #16

DnaEuropeInterview with Nikolina Petolas; Published in our printed edition #16

I work in several techniques, but what you are reffering to in ’Tale of the Blue Pear’ series  are mostly digital collages combined with digital painting. I also paint in traditional techniques but that is done on canvas or hard board.
Interview with Michele Punturieri; published in our print edition #15

DnaInterview with Michele Punturieri; published in our print edition #15

This work is somewhat impromptu because it has been carried out, so to speak, on the spot and at the moment. Street photography pure, trying to capture the most interesting moments and faces in the places I visited. 
Interview with Dimitri Weber; published in our print edition #15

DnaEuropeInterview with Dimitri Weber; published in our print edition #15

I like the colours on my pictures to pop a bit. To be as natural as possible, while catching the eyes of the people looking at my pictures. So, I enhance some of those colours during my editing process, mostly to give them a homogeneous look that suits my style.
Interview with Ana Maria Robles; published in our print edition #15

AmericaDnaInterview with Ana Maria Robles; published in our print edition #15

There is no doubt that women play a leading role, but they are still a patriarchy and all decisions are made by men who meet in assemblies to discuss everyday issues. The pipes are carved and armed by them and generally match their ornaments in both the Toposa and the Didinga.
TRENDING STORIES
Life story; You are My Father by Angelika Kollin

B&WEuropeShotLife story; You are My Father by Angelika Kollin

You are my Father series was a natural evolution and expansion of the preceding You are my Mother series and started unfolding in the second half of 2020.
Window by Fang Tong

AmericaConceptFeaturedWindow by Fang Tong

It is often said that eyes are windows to the soul. When we think of windows, we usually look through the window at the scenery and the world.This time I want to change the perspective by looking from outside the window to inside to see different emotions and situations.
The fisherman by Sonia Fattori

EuropeStoryThe fisherman by Sonia Fattori

A gaze into the soul To know, to make myself known and to know myself ... The fisherman welcomed me in his life, in his family and in “his” lagoon: a transitional environment, land and water that is not yet sea.
Still life by Stefania Piccioni

ConceptEuropeStill life by Stefania Piccioni

Inspired by the Golden Age of Dutch painting, Stefania Piccioni tries to recreate the feel of classic still lifes in his photography. His work is painstakingly assembled from shots of Fruits taken with the same lighting,
Ten Thousand Fish-eye Lens! By Raju Peddada

AmericaB&WConceptTen Thousand Fish-eye Lens! By Raju Peddada

Water! The cytoplasm inside of our cells is water. Life took shape in water, and is dependent on it. One oxygen atom and two hydrogen atoms constitute what we refer to as “H2O.” Oxygen is very electronegative.
Inside Myanmar Monasteries by Irene Barlian

AsiaFeaturedStoryInside Myanmar Monasteries by Irene Barlian

Traditions still hold out in the Myanmar’s countryside which has so far been relatively untouched. Myanmar was often seen as among the world’s most isolated nations. Although they had eased it’s 15 years restrictions on tourism, the country remains to be ancient and pure.
Slavic Bestiary by Magda Kuca

ConceptEuropeSlavic Bestiary by Magda Kuca

Slavic Bestiary project deals with decoding specific polish folk traditions using original folk garments and technique of wet plate collodion.
Freelance photographer; Estranged in Iceland by RS Nisio

B&WConceptEuropeFreelance photographer; Estranged in Iceland by RS Nisio

I am trying to visualize the ominous, the bizarre and the cinematic around me through my own lens and following my own rules.
Namikake by Arito Nishiki

AsiaConceptNamikake by Arito Nishiki

By southern coastline of Niigata City is located in northern part of the Sea of Japan. A village sank into the sea by a coastal erosion called "Namikake" in their region.
FEATURED STORIES
Wildlife photography; Land of Giants by Will Burrard-Lucas

B&WBioEuropeFeaturedWildlife photography; Land of Giants by Will Burrard-Lucas

These photographs are part of a larger series documenting the elephants of Tsavo and the work of Tsavo Trust. The full series is published in a new book titled “Land of Giants”.
Under the sign of the rat; Roger the Rat by Roger Ballen

AmericaB&WConceptFeaturedUnder the sign of the rat; Roger the Rat by Roger Ballen

Surreal, refined, disturbing: Roger Ballen has made a name for himself with his special eye for what is usually considered minor or outside, yet is nevertheless profound and touching.
Intimate portraits of animals; Behind Glass by Anne Berry

B&WBioEuropeFeaturedIntimate portraits of animals; Behind Glass by Anne Berry

Behind Glass is a collection of photographs made in monkey houses of small zoos throughout Europe. Anne Berry is recognized for her ability to create lyrical, intimate portraits of animals.
Fictional narrative photography; Birth Undisturbed by Natalie Lennard

ConceptEuropeFeaturedFictional narrative photography; Birth Undisturbed by Natalie Lennard

Birth Undisturbed is a fictional narrative photography series by Natalie Lennard, that brings scenes of natural childbirth into cinematic fine-art tableaux.
Japanese Aquariums by George Nobechi

AsiaFeaturedStoryJapanese Aquariums by George Nobechi

Japanese Aquariums is a journey into some of my oldest, most treasured childhood memories. Whenever I visited my grandparents in the small, northern Japanese city of Otaru, my grandfather, a high school teacher and an enormous influence in my life, would take me to the aquarium.
Greenland; Stories from the Sea by Camille Michel

EuropeFeaturedStoryGreenland; Stories from the Sea by Camille Michel

Greenland became politically independent from Denmark in 1979 and is slowly getting on the path to economic independency. The ‘ice country’ is currently facing the consequences of climate change.
Intimate diary; Jazz Notes by Giuseppe Cardoni

B&WEuropeFeaturedShotIntimate diary; Jazz Notes by Giuseppe Cardoni

It is a declaration of love by Giuseppe Cardoni, but also by an Italian region, Umbria, which has always hosted the most important jazz festivals and where the author took most of his photographs.
Guatemala; Until the corn Grows Back by Lys Arango

EuropeFeaturedStoryGuatemala; Until the corn Grows Back by Lys Arango

Until the corn Grows Back; Lys Arango’s project was selected and published in our print edition 16. Criminal violence in Central America was something that happened very far away and that explained, according to the media, the gigantic caravans of migrants that from 2017 began to travel thousands of kilometres to reach the United States
Greatest jockeys; Fortza Paris by Marco Cheli

EuropeFeaturedStoryGreatest jockeys; Fortza Paris by Marco Cheli

Fortza Paris; Marco Cheli’s project was selected and published in our print edition 16. Over the years, until today there are many young Sardinians, specifically from Barbagia, who leave their island with the dream of becoming a jockey of the Palio di Siena.
https://www.dodho.com/wp-content/uploads/2021/06/getty-images.png
https://www.dodho.com/wp-content/uploads/2021/06/black-eye.png
https://www.dodho.com/wp-content/uploads/2021/06/Edelman-Gallery.png
https://www.dodho.com/wp-content/uploads/2021/06/Medium.png
https://www.dodho.com/wp-content/uploads/2021/06/Opiom.png
https://www.dodho.com/wp-content/uploads/2021/06/Filter-Photo.png
https://www.dodho.com/wp-content/uploads/2021/06/head-on.png
https://www.dodho.com/wp-content/uploads/2021/06/Photo-independent.png
https://www.dodho.com/wp-content/uploads/2021/06/lagos-photo.png
https://www.dodho.com/wp-content/uploads/2021/06/gtb.png
https://www.dodho.com/wp-content/uploads/2021/06/IPA.png
https://www.dodho.com/wp-content/uploads/2021/06/in-focus.png
https://www.dodho.com/wp-content/uploads/2021/06/image-rights.png
https://www.dodho.com/wp-content/uploads/2021/06/riga.png
https://www.dodho.com/wp-content/uploads/2021/06/BGD.png
https://www.dodho.com/wp-content/uploads/2021/06/ICP.png
https://www.dodho.com/wp-content/uploads/2021/06/Mifa.png
https://www.dodho.com/wp-content/uploads/2021/06/miami.png
https://www.dodho.com/wp-content/uploads/2021/06/viewbug.png
https://www.dodho.com/wp-content/uploads/2021/06/OFF.png
https://www.dodho.com/wp-content/uploads/2021/06/KLPA.png
https://www.dodho.com/wp-content/uploads/2021/06/rotterdam.png
https://www.dodho.com/wp-content/uploads/2021/06/Photo-Nola.png
https://www.dodho.com/wp-content/uploads/2021/06/clampart.png
https://www.dodho.com/wp-content/uploads/2021/06/dripbook.png
OTHER STORIES
X
stay in touch
Join our mailing list and we'll keep you up to date with all the latest stories, opportunities, calls and more.
We use Sendinblue as our marketing platform. By Clicking below to submit this form, you acknowledge that the information you provided will be transferred to Sendinblue for processing in accordance with their terms of use
We’d love to
Thank you for subscribing!
Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted.
- Between 10/30 images of your best images, in case your project contains a greater number of images which are part of the same indivisible body of work will also be accepted. You must send the images in jpg format to 1200px and 72dpi and quality 9. (No borders or watermarks)
- A short biography along with your photograph. (It must be written in the third person)
- Title and full text of the project with a minimum length of 300 words. (Texts with lesser number of words will not be accepted)
This is the information you need to start preparing your project for its presentation
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
Issue #14 | September 2020
Current Issue
Vicky Martin
Ryotaro Horiuchi
Susanne Mildeelberg
Diego Bardone
Nicky Hamilton
Alain Schroeder
Printed on 80# matte paper 22x28cm | 100 Pages
Showroom
September 7 to October 31, 2020
Julia Fullerton-Batten
LOOKING OUT FROM WITHIN
Get in touch
How can we help? Got an idea or something you'd like share? Please use the form, or contact hello@dodho.com
Thank You. We will contact you as soon as possible.
Dodho Magazine is pleased to announce the new call for the photographers selection from all over the world that will be presented in an exceptional edition.
Deadline: Monday, November 30, 2020
Photo by ©Ryotaro Horiuchi | Japan | Issue#14
Dodho Magazine is pleased to announce the new call for the photographers selection from all over the world that will be presented in an exceptional edition.
Deadline: Monday, November 30, 2020
Photo by ©Ryotaro Horiuchi | Japan | Issue#14
CALL
FOR ENTRIES
Dodho Magazine is pleased to announce the new call for the photographers selection from all over the world that will be presented in an exceptional edition.
Are you ready?
Deadline: Monday, November 30, 2020
Contact
How can we help? Got an idea or something you'd like share? Please use the adjacent form, or contact contact@dodho.com
Thank You. We will contact you as soon as possible.
Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
NEW!
FOLLOW US.
Subscribe now and get a free access to a curated list of resources.
Feel free to contact.
2017 (C) All rights reserved.
ghfd