Acid attacks in Bangladesh are usually the result of land disputes, rejected marriage proposals, refusal or inability to pay dowry, resistance of being trafficked as sex worker or simply the desire for revenge.
Acid attacks in Bangladesh are usually the result of land disputes, rejected marriage proposals, refusal or inability to pay dowry, resistance of being trafficked as sex worker or simply the desire for revenge.
The overwhelming majority of victims are young women and children, but men are also increasingly among the victims. Permanently disfigured and psychologically scarred, survivors are often shunned from their local communities, making it impossible for them to find work or get married. It is estimated that from 1999 and until 2013 app. 3000-4000 women, children and men in Bangladesh fell victim to acid attacks. Though the rate of acid violence is in decline, the number of attacks remains alarmingly high. Statistics are never fully reliable.The photographer was living in Dhaka from 2007 to 2012, and these photographs of acid survivors were made during 2011 and 2012. During that period new victims were admitted every week to the Acid Survivors’ Foundation (ASF) in Dhaka.
About Jan Møller Hansen
Jan Møller Hansen (b. 1964) is a self-taught and international award-winning photographer, who works with visual story telling and social documentary. He has attended a few trainings by VII Photo Agency, Magnum Photos, British Journal of Photography, Grundtvig High School in Denmark and is presently enrolled in a documentary photography course organised by World Press Photo, Noor and DMJX.
Jan has photographed slum dwellers, indigenous and aborigine people, brick kiln workers, sexual minorities, sex workers, conflict affected people, refugees, acid survivors and other marginalised people while living in Nepal, Bangladesh and South Sudan. He works with international development and humanitarian assistance and is a former senior diplomat.[Official Website]
Shamsul praying to Allah. Shamsul Hoque is 30 years old and from Thakurgaon in North-eastern Bangladesh. Shamsul had a shop where he repaired TVs and electronics. He was doing business together with a friend, who had a tailor shop next door. Business went okay for Shamsul, and he started lending a bit of money to his friend who was in trouble. After some time Shamsul realised that his friend was not willing to repay the loan. The shop that his friend occupied also belonged to Shamsul, and the friend did not want to pay for electricity and water either. Shamsul was not happy with the situation. In the beginning, the two were best friends, but then Shamsuls friend got married and things started to change. The relation between Shamsul and his friend became more and more problematic. One night Shamsul was sleeping in his shop. It was dark, and suddenly his friend came into the room during night and threw a bucket of acid over him. The acid came all over Shamsuls body and went deep into his eyes. The incidence happened one night in April 2007. Shamsul cannot remember which date it was. Shamsul was rushed to the hospital in Dineshpur – the Medical College. His condition was very severe, and the hospital was not able to treat him properly and to keep him alive. More that 60 per cent of his body had been seared by the strong acid. Some people from the non-governmental organisation BRAC had heard about the case, and they came to the hospital and got Shamsul transported to the City Hospital in Dhaka city. Shamsul was kept alive at the City Hospital, and after some time he was transferred to the Acid Survivors Foundation in Dhaka. Here they were able to save his life and get him through the critical time. Shamsuls friend, who threw acid at him, had in the meantime gone to India. But after some time his friend came back to Thakurgaon so that he could continue with his business. After one week of the incidence, a police case was filed against Shamsuls friend, but police did not want to take the case further. The police told Shamsul and his family that it was too late to file such a case. So after some time they gave up. Long time ago, BRAC had also filed a case against his friend. Apparently it had gone to the High Court, but Shamsul was not quite sure. Shamsul did not think that anything would happen. Now it was five years ago, and his friend was still living with his family and doing business in Thakurgaon – so why should anything happen to him now? There were hundred thousands of unsolved court cases in Bangladesh so he was convinced that nothing would ever happen to his friend. He was just praying to Allah.
Selina is 17 years old and from Matipur in Noakhali district in Southern Bangladesh. Selina testified in a case where a group of young men had attacked her younger sister, Farhana, with acid. Farhana was 15 years old when the attack happened. A group of young men harassed her on her way to and from school. On 15th June 2010, they attacked her with acid. The other week it was her elder sister Selina’s turn. The acid attackers wanted revenge against Selina, and one week ago broke into her house during the early hours and throw acid at her. She was punished by Selina was admitted to the Noakhali Medical College Hospital after an acid attack and later to the Acid Survivors’ Foundation Hospital in Dhaka as her condition deteriorated. Selina and Farhana’s family has filed a case against six known criminals, who are from the local area. Selina had testified against them before the district court recently, and all the accused obtained bail. After they were released they attacked Selina. The father of Selina and Farhana died last year. Their mother, Mazeda, was saying to a local newspaper: “There is no justice in this country. My younger daughter did not get justice and now the elder one has become a victim of the same crime. What is the use of our survival? I along with all my daughters will commit suicide by taking poison”. The local police arrested some of the criminals.
In 2003, Shahnaz’s sister went abroad for work and was sending money home to her husband. Shahnaz then got married, and her husband’s younger brother wanted money from Shahnaz and her sister. Shahnaz’s father was a poor man and could not afford to pay dowry to Shahnaz’s family in-law. During marriage Shahnaz got two daughters. She could not get a son. Therefore her family in-law did not accept her. They did not like her, and wanted revenge, because the family had not got enough dowry from Shahnaz and her family. One night he went to Shahnaz’s house and walked into her bedroom. While she was asleep, he poured acid over her. The crime happened on 13th October 2003.
Meftahul was a chemistry student at Chittagong University in Bangladesh. When she was studying at the university there was a group of male fellow students, who harassed her for a long time. Meftahul complained officially to the university about the harassments. One of the male students, who continued to approach and harass Meftahul, was the son of a senior staff at the university. His father and others made life difficult for Meftahul and tried to cancel her admission to exams at the university. As time went Meftahul became more and more stressed and desperate. After eight months she could not stand it any longer. On 4th July 2011, Meftahul was attending a practical session in the chemistry laboratory at the university. Here she took a bottle with acid and went out of the lab. She sat down on the stairs outside and drank the acid in an attempt to commit suicide. Meftahul did not die instantly and was immediately admitted to the Chittagong Medical College in a critical condition. She was nine days at the hospital in Chittagong and later transferred to the Intensive Care Unit at the Burn Unit at Dhaka Medical Hospital. Meftahul spend two months at the Intensive Care Unit struggling for her life before she came to the Acid Survivors’ Foundation in Dhaka
Rubel is a young man from Noakhali district in the Southern part of Bangladesh. Rubel was attacked by acid due to a family dispute over his father’s land.
Rubel is a college student from Noakhali district in the Southern part of Bangladesh. Rubel and his brother got a small piece of land from their father. One of their uncles and his sons wanted Rubel and his brother to sell the land to them so that they could make money. Rubel and his brother did not agree, and one day they attacked Rubel with acid.
Sabber and his father after the acid attack.
Sonia is 24 years old. She is from Faridpur, which is situated Northwest of the capital Dhaka in Bangladesh. When Sonia was 13 years old and went to class 7, one of her cousins wanted to marry her. He was at that time a student in class 10 and 18 years old. Sonia did not want to marry her cousin, and she refused his love attempts. For a while Sonia did what she could to resist and keep him at distance. One night, the cousin came to her house and threw acid on her while she was asleep. Sonia do not want to talk about what happened. She has two sisters and a brother, and her father died some years ago. Her brother is unemployed and is doing nothing. Sonia now looks after her mother, and also supports her two sisters and brother. Sonia is herself working with acid victims and is proud, because she has recently been promoted to a better job. Today is she is filling-in paper for a mother and her three years old son, who some days ago was also attacked with acid by an uncle. Sonia earns 9000 taka, equivalent to 150 dollars, per month and spends half of her salary for her family. After work she is trying to study and finish her bachelor in arts at a private university in Dhaka. Sonia’s surname is Bristi, which means rain. She hopes that rain will heal her scars. Sonia filed a case with the police, and the cousin who committed the crime was sentenced to 32 years in jail.
After the acid attack, Shahnaz filed a case with the police against her husband’s younger brother. After eight years nothing had happened. Her husband’s younger brother now lives in Narajangunj south of Dhaka. Shahnaz’s husband does no longer want to see her, and she lives with her mother and her two daughters. Her two daughters are 14 and 10 years old and go to class 9 and 6, respectively. Shahnaz says that it is her two daughters that keep her alive.
His name is Durjoy. In his native language, Bangla, “Durjoy” means invincible. Durjoy had strong sulfurique acid poured down his mouth and throat as a baby at the age of six weeks by his paternal aunt. His tongue, teeth, mouth and throat melted instantly. Burnt skin hung loose on his neck. It was a matter of heritance. As the only male heir to a poor Hindu family, his aunt saw Durjoy as a threat to her inheritance, and so she tried to kill him. The incidence happened in 2005, and Durjoy was admitted to the Dhaka Medical College Hospital. He was alive but starving to death. His anterior neck had been destroyed and the mouth merged into the sternum in a mass of dense scar. He was found by the Acid Survivors Foundation in Dhaka, and came in contact with the British doctor, Ron Hiles, who for many years had been doing fantastic heroic work for acid survivors in Bangladesh. The first operation was performed in Bangladesh involved removing the dense anterior neck scar and closing the defect with skin grafts. Enteral feeding was needed to improve Durjoy’s nutritional status. During 2006, he was operated several times in Bangladesh, and he was putting on weight and beginning to walk but his future remained perilous. Charity funds were raised, and Durjoy and his parents travelled to Hong Kong at the end of 2006, where Durjoy again underwent a series of operations. The Bangladeshi doctor Kawser Ahmed accompanied the family and was also involved in the lifesaving operations in Hong Kong. When Durjoy arrived in Hong Kong he had difficulty in breathing with risk of aspiration necessitating a tracheostomy, inability to take liquid or solid food requiring permanent enteral feeding and inability to talk or vocalise due to intraoral scarring and tethering of his tongue. Durjoy returned to Bangladesh in March of 2007 and on the day of his discharge, he was active, interacting, putting on weight and doing well and learning to play a bit with a football. Durjoy was very well looked after in Dhaka, but inevitably as he grew his caloric needs outweighed the possible input through his small oral aperture. In addition his speech was non-existent due to the tethering of his tongue. On 1 November 2009, Durjoy returned to Hong Kong. His mother, father and a physiotherapist from Dhaka, Sultana, accompanied him. Durjoy underwent further scar revisions in the neck, insertion of a ‘permanent’ gastrostomy tube and further intraoral grafts. Durjoy left Hong Kong in January 2010 with the feeding tube in place. Durjoy is now living in Dhaka where skilled and courageous people look well after him. Durjoy is truly invincible. He is a miracle of the human spirit.
GuruShots is a platform for people who love taking photos. Get ready to push your creativity and enter your shots in the ‘Mostly White’ photo challenge!
Call For Entries #18 | After 17 editions and more than 100 published photographers, our print edition has proven to be a simply effective promotional channel.
Reflection of watching a documentary trilogy Godfrey Reggio with music composer Philip Glass was embodied in the atmosphere of my shooting "Koyaaniskatsi". In the Hopi language, the word Koyaanisqatsi means "life out of balance".
Saigon Execution ; We are facing one of the most shocking photographs of the last century; one of the most iconic and legendary representations of the cruelty of war conflicts.
Jose Girl was born in Zaragoza in 1977, currently residing in Los Angeles; as a photographer she is intimately related to the rock world. Author of 3 books on this photography subject, her great vocation is portrait photography where she develops her full potential as an artist with a unique look endowing her images with a strong personal stamp
Female symbol is the title of my new serie about the feeling of a woman when she hears about her cancer. “You can be a peacock in life, full of life and yet have a broken heart.”
This work I am sending you is about witnessing and taking part of the peace process of Mozambique back in 1992-1994, during the ONUMOZ (United Nations electoral mission).
Most of the talent have no acting background. I certainly did not. Yet, when you put on the costume, you magically put on a persona. I can be a soldier, a servant or a guard or anything.
Ten photographs, each independent of the other gathered together into a ongoing series, explore small yet unsettling and familiar dramas of loss and isolation.
Driving a car from Seattle, Washington to Deer Isle, Maine feels like eating a hamburger as a main course and Chinese hot pot for dessert. It was quite an amazing tour one that opened my eyes to how diverse this country could be.
In Japan, baby boomers continue to grow older, and the population 75 years or older has grown to be 13.3% of the total population. 6.1% of these women and 2.7% of these men cannot go out shopping or ask a relative living elsewhere to assist them.
My interest for photography dates from my adolescence with my passion for astrophotography. I expanded my field of view and I began to photograph my surroundings.
This series of photographs presents a love story that passes through different stages until it reaches to the stability and emotional maturity that we all crave for in a relationship.
This project is about an elderly woman from Russia affected by cancer. For several years she had been struggling her disease. She received treatment inhospitals, got several courses of chemotherapy
Late last year, I happened to read an online article about a photographer who had managed to get himself 365 nights of free accommodation in Africa in exchange for his pictures.
Surreal, refined, disturbing: Roger Ballen has made a name for himself with his special eye for what is usually considered minor or outside, yet is nevertheless profound and touching.
Behind Glass is a collection of photographs made in monkey houses of small zoos throughout Europe. Anne Berry is recognized for her ability to create lyrical, intimate portraits of animals.
Birth Undisturbed is a fictional narrative photography series by Natalie Lennard, that brings scenes of natural childbirth into cinematic fine-art tableaux.
Japanese Aquariums is a journey into some of my oldest, most treasured childhood memories. Whenever I visited my grandparents in the small, northern Japanese city of Otaru, my grandfather, a high school teacher and an enormous influence in my life, would take me to the aquarium.
Greenland became politically independent from Denmark in 1979 and is slowly getting on the path to economic independency. The ‘ice country’ is currently facing the consequences of climate change.
It is a declaration of love by Giuseppe Cardoni, but also by an Italian region, Umbria, which has always hosted the most important jazz festivals and where the author took most of his photographs.
Until the corn Grows Back; Lys Arango’s project was selected and published in our print edition 16. Criminal violence in Central America was something that happened very far away and that explained, according to the media, the gigantic caravans of migrants that from 2017 began to travel thousands of kilometres to reach the United States
Fortza Paris; Marco Cheli’s project was selected and published in our print edition 16. Over the years, until today there are many young Sardinians, specifically from Barbagia, who leave their island with the dream of becoming a jockey of the Palio di Siena.
The project River blindness focuses on a neglected tropical disease, which is the second most common cause of infectious blindness worldwide.
OTHERSTORIES
This website uses cookies to improve your experience. We'll assume you're ok with this, but you can opt-out if you wish. AcceptRead More
Privacy & Cookies Policy
Privacy Overview
This website uses cookies to improve your experience while you navigate through the website. Out of these, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. We also use third-party cookies that help us analyze and understand how you use this website. These cookies will be stored in your browser only with your consent. You also have the option to opt-out of these cookies. But opting out of some of these cookies may affect your browsing experience.
Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information.
Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. It is mandatory to procure user consent prior to running these cookies on your website.
We use Sendinblue as our marketing platform. By Clicking below to submit this form, you acknowledge that the information you provided will be transferred to Sendinblue for processing in accordance with their terms of use
We’d love to
Thank you for subscribing!
Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted.
- Between 10/30 images of your best images, in case your project contains a greater number of images which are part of the same indivisible body of work will also be accepted. You must send the images in jpg format to 1200px and 72dpi and quality 9. (No borders or watermarks)
- A short biography along with your photograph. (It must be written in the third person)
- Title and full text of the project with a minimum length of 300 words. (Texts with lesser number of words will not be accepted)
This is the information you need to start preparing your project for its presentation
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
Dodho Magazine is pleased to announce the new call for the photographers selection from all over the world that will be presented in an exceptional edition.
Dodho Magazine is pleased to announce the new call for the photographers selection from all over the world that will be presented in an exceptional edition.
Dodho Magazine is pleased to announce the new call for the photographers selection from all over the world that will be presented in an exceptional edition.
Thank You. We will contact you as soon as possible.
Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
