A plethora of stories in motion by Srideep Banerjee

I am passionate about photography and art in general since I was a child. Every time I had the opportunity to go to a new place like a school trip or  with my parents, I took my small camera, and I captured everything.

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We invite professional and amateur photographers from all around the world to share their work in our printed edition.

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I tend to align myself more towards the world of art, painting, crafting , cinematography,and being submerged in the world of music and movies. I like a range of music and movies from the 80’s classics to present day rock and pop music. I do have a special love for reading books on crime , thrillers as well as classic novels.

I am passionate about photography and art in general since I was a child. Every time I had the opportunity to go to a new place like a school trip or  with my parents, I took my small camera, and I captured everything. I always loved to photograph the life of people, and I still find them fascinating today. Over the course of time I took it as a medium to express what I felt and could not make up the right words for it .

Street photography is uniquely addictive . Once I had the hang of it, now I see daily activities whether indoor or outdoor with the perspective of street. Going out and interacting with people while capturing the very essence of their life, it allows me to be one of them,  without looking like just a photographer looking for ideas to enrich his portfolio.

My biggest mentor and influence from the day I decided to hold a camera is my sister, Sanghamitra Bhattacharya who is a photographer herself.  Her love for photography and her pictures used to fascinate me and does so till date. She plays an important role behind my unfettered inquisitiveness in this field. Other than her, I really like the work of Steve McCurry, Raghu Rai, and other pioneers. I am open to new ideas all the time because everyone’s perspective is quite different when it comes to street photography because it is so dynamic, so for me there is no perfect photo for a street, multiple angles , multiple POV can provide multiple pictures, each one unique.

For me the major element in a street photograph is the action at that moment. Light and shadows are the added cherry on the cake without which the perfect picture is incomplete. Colour in streets is debatable, I feel some pictures need colour to express themselves while some need to be in black and white to communicate.

I always try to shoot people at their best sides in order to embrace and highlight them. The type of pictures I take is influenced by many street photographers over time on one hand , and self improvising on the other to not make a replica of a previously clicked image. I’m usually looking for the right composition and wait for the subject to just not enter the frame but also engage in some activity. My main subject is often a person or an animal in motion because that creates a total atmosphere whereby the viewer is given multiple perspectives of what might actually be going on in that frame.

I usually try not to be noticeable, but sometimes I do clash into some disagreements which is fair enough given the people here do not want to be documented for some reason . Besides being yelled at, or being frowned upon, nothing ever really happened to me. I noticed that most of the time, people just don’t care but when the show their disgust, a smile goes a long way or if they want the picture to be deleted make sure it gets done. While shooting in the streets of West Bengal can be refreshing and help provide fresh perspective, there is always a chance of not getting what you hoped for, so the key that I have learned is to wait for a few moments and fruitful results might be at your hand.

Now in this time where we are forced into captivity due to the pandemic, I have learned that the actions that we chase in the streets can be chased within the four walls of our home. Just paying attention to the details and activities that the family member does and the kind of light that plays inside your home the entire morning can come in handy in shooting street photographs .

I use a Fujifilm xt100 with 15-45mm lens. After through research,I learned about the type of cameras produced by fuji and how it fits my description of a perfect camera, so without any hesitation I opted for it. The ease for focusing and the dynamic and precision of the colour that it catches makes it stand out . the light weight and the compact build of this camera makes it worthwhile to carry in the streets and often shoot the moment without disrupting the subject or making the subject feel over cautioned in the presence of a lens pointing at him or her.

About Srideep Banerjee

Srideep Banerjee, is currently pursuing b.tech in electronics and communication engineering. Apart from studies, he enjoys his company over others and as a result fell in love with photography and sees it as a medium of expression. He aims to improve himself over time and hopes to make a mark. He is keenly interested in studying humans and their activities. His work has been published in Fuji X Passion, an online magazine of Portugal. As an amateur, he hopes to learn more and publish more of his works .

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Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted.
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To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
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How can we help? Got an idea or something you'd like share? Please use the adjacent form, or contact contact@dodho.com
Thank You. We will contact you as soon as possible.
Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
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How can we help? Do you have an idea or something you'd like to share? Please use the form provided, or contact us at contact@dodho.com
Thank You. We will contact you as soon as possible.