I wanted to be a photographer when I was 15, but my mother said I could always take it up later – so that was that for 30 years! I ended up reading English at Oxford and working as a strategy consultant for a few years
I wanted to be a photographer when I was 15, but my mother said I could always take it up later – so that was that for 30 years!
I ended up reading English at Oxford and working as a strategy consultant for a few years, both full-time and freelance, before ‘retiring’ at the age of 29! I then travelled round the world for seven years, doing four ski seasons and working on an internet start-up in San Francisco among other things, before finally returning to London in 2005. At that point, consulting work felt too stressful, so I decided to go ‘quality of life’. I’m now a private tutor and wildlife photographer.
I want to produce the most beautiful and powerful images I can, and I won’t be satisfied until I’ve captured images I think are worth five stars. These are my absolute favourite shots, and I’ve only produced around 180 of them over the years, so these are the special ones, the ones I’m most proud of. They can show any subject – not just wildlife – but they must convey the magic of being there.
I started out taking ‘portraits’ of animals. That was all very well, and a lion may look beautiful sitting on the African savannah or a jaguar prowling through the Brazilian Pantanal, but there isn’t much energy in those pictures. What I try to do now is to produce ‘action shots’ when the bird or animal is in motion. I still take portraits – and sometimes you don’t have a choice! – but my ideal image is much more likely to be a cheetah chasing down an impala than a bird perched on a branch!
My favourite animals are the predators, and the wonder of the long lens is that it can fool people into thinking they are right up close and personal with a very dangerous beast. It’s that sense of excitement that I try to capture in my work, and I’m happy to use whatever technology I can find to do the job. I regularly rent an 800mm Nikon lens for close-up shots, and I’ve just bought a Nikon D850 camera body with a 45.7 megapixel sensor and the ability to shoot nine frames per second. All that, combined with the wonders of Lightroom, gives me the best possible platform for capturing the power and beauty of the animal kingdom. [Official Website]
A cheetah cub lies against the curved wall of a concrete pipe looking out while its sibling stands facing the other way. They have golden fur covered with black spots, and the pipe is surrounded by long grass. Shot with a Nikon D850 in the Masai Mara in Kenya in July 2018. ISO 1600, 800mm, f/8, 1/1000
An elephant is throwing dust over itself with its trunk on a bare earth slope with trees in the background under a blue sky. It has mud stains on its trunk, and the dust is exploding in a cloud against its wrinkled grey skin. Shot with a Nikon D810 in Chobe National Park in Botswana in April 2016. ISO 140, 85mm, f/8, 1/500
A brown bear with shaggy, brown fur is about to catch a salmon in its mouth at the top of Brooks Falls, Alaska. The fish is only a few inches away from its gaping jaws. Shot with a Nikon D800 in Alaska, USA, in July 2015. ISO 400, 300mm, f/9.0, 1/1600
An African elephant stares at the camera, showing its wrinkled skin, long trunk and left eye and tusk. Shot with a Nikon D810 in the Ngorongoro Crater in Tanzania in January 2018. ISO 3600, 800mm, f/5.6, 1/500
A leopard lies on the branch of a tree that is covered in lichen. It has black spots on its brown fur coat and is looking for prey. Shot with a Nikon D850 in the Masai Mara in Kenya in July 2018. ISO 320, 800mm, f/8, 1/1600
A king penguin looks down and wonders what’s lying on the beach: is it an egg to nest on or just a rock to step over? Another penguin is having a look, too, and they both have black and orange heads, white breasts with orange patches at the throat, grey backs and flippers and black feet. Shot with a Nikon D810 in St Andrew’s Bay, South Georgia, in February 2016. ISO 200, 135mm, f/5, 1/640
A leopard lies on the branch of a tree with its eyes half-closed. It has black spots on its brown fur coat and is looking sleepy. Shot with a Nikon D850 in the Masai Mara in Kenya in July 2018. ISO 180, 800mm, f/5.6, 1/500
Pig peeping out from behind wall on the street in an old Indian village. Shot with a Nikon D800 at Tordi Sagar in India in November 2013. ISO 250, 300mm, f/11, 1/125
The right eye of a Grevy’s zebra can be seen in close-up against a blueish background. Shot with a Nikon D800 at the Parque de la Naturaleza de Cabárceno, near Santander, Spain, in June 2017. ISO 1100, 400mm, f/5.6, 1/250
A leopard stands in a tree that is covered in lichen. It has black spots on its brown fur coat and is turning its head to look up. Shot with a Nikon D850 in the Masai Mara in Kenya in July 2018. ISO 1800, 800mm, f/5.6, 1/500
A cheetah chases a Thomson’s gazelle in a clearing amongst whistling thorn acacia trees. It has golden fur covered with black spots, and its tail is thrown out at an angle for balance. Shot with a Nikon D850 in the Masai Mara in Kenya in July 2018. ISO 320, 800mm, f/8, 1/1600
Three Adélie penguins watch another jumping between two ice floes. They have black heads and backs with white bellies. Shot with a Nikon D810 on Brown Bluff, Antarctica, in February 2016. ISO 72, 400mm, f/5.6, 1/1000
This shows the head of a Chilean flamingo with a catchlight in its eye against a black background. The bird has a pink and black curved beak, brown eyes and dirty white feathers. Shot with a Nikon D810 near the Iguazu Falls in Brazil in January 2016. ISO 64, 400mm, f/5.6, 1/1000
A lilac-breasted roller carrying a dead grasshopper in its beak lifts its wings to take off from the leafy branch of a bush. It has brown eyes, a grey beak, a white crown, lilac breast, turquoise and blue wings and long tail feathers. Shot with a Nikon D810 in Tarangire National Park in Tanzania in January 2018. ISO 640, 800mm, f/8, 1/1000
A cheetah races along with a green safari truck in the background. It has golden fur covered with black spots, and its legs and the background are blurred by the slow shutter speed. Shot with a Nikon D850 in the Masai Mara in Kenya in July 2018. ISO 280, 800mm, f/16, 1/100
A cheetah races along with its legs tucked under its body. It has golden fur covered with black spots, and its legs and the background are blurred by the slow shutter speed. Shot with a Nikon D850 in the Masai Mara in Kenya in July 2018. ISO 250, 800mm, f/16, 1/100
The golden profile of a giraffe’s head and neck can be seen against a pure black background. Shot with a Nikon D800 at the Parque de la Naturaleza de Cabárceno, near Santander, Spain, in June 2017. ISO 1100, 400mm, f/5.6, 1/4000
A Bengal tigress lies up to her neck in the dark shadows of a water hole. Her name is Maya ‘The Enchantress’, and she has orange and black stripes with white patches on her head. Shot with a Nikon D810 in Tadoba Andhari Tiger Reserve in India in May 2017. ISO 400, 800mm, f/5.6, 1/1000
A Bengal tigress with a catchlight in her eye lies up to her neck in the dark shadows of a water hole. Her name is Maya ‘The Enchantress’, and she has orange and black stripes with white patches on her head. Shot with a Nikon D810 in Tadoba Andhari Tiger Reserve in India on 13 May 2017, which just happened to be my birthday! ISO 220, 800mm, f/5.6, 1/1000
A blue wildebeest is silhouetted against the setting sun on the horizon. It has curved horns and is walking towards the sunset. Shot with a Nikon D850 in the Masai Mara in Kenya in July 2018. ISO 280, 800mm, f/16, 1/500
Samuel Feron has been photographing Nature for 2 decades, exploring remote and sparsely habited areas all over the world. He tries to go beyond what the eyes first see, assuming that Nature has secrets in itself.
I think that Dodho provides a fantastic opportunity for those who want to be recognized by an informed public and by their peers. Seeing my work in the pages of Dodho, well, it is the most exciting thing that has ever happened to me, and I have photography to thank for it.
Time, dedication, and the right rhythm combined with a human approach make the work of Lys Arango one of the most truthful and inspiring photo testimonies of indigenous people.
Canadian Travel photographer France Leclerc tries to find this commonness with joy showing sweet observation through fresh eyes to portray ethnic group communities the world seems to ignore.
I work in several techniques, but what you are reffering to in ’Tale of the Blue Pear’ series are mostly digital collages combined with digital painting. I also paint in traditional techniques but that is done on canvas or hard board.
This work is somewhat impromptu because it has been carried out, so to speak, on the spot and at the moment. Street photography pure, trying to capture the most interesting moments and faces in the places I visited.
I like the colours on my pictures to pop a bit. To be as natural as possible, while catching the eyes of the people looking at my pictures. So, I enhance some of those colours during my editing process, mostly to give them a homogeneous look that suits my style.
There is no doubt that women play a leading role, but they are still a patriarchy and all decisions are made by men who meet in assemblies to discuss everyday issues. The pipes are carved and armed by them and generally match their ornaments in both the Toposa and the Didinga.
Over eons, glaciers travel from mountain tops in their slow, unrelenting march to the seas. Grinding rock to powder and carving valleys in their wake, they create the landscapes we see today
Most first-time tourists to New York head out to busy Times Square and other parts of touristy Manhattan, seeking to feel the continuous flow of 24h life that ‘the city that never sleeps’ is known for.
My current interests in photography encompasses self portraiture, black and white photography in general and the use of vintage photographic equipment that infuses my images with a timeless dimension.
Burundi is a small, landlocked, and little known nation of 12 million people located along the eastern shore of Lake Tanganyika between the Congo, Rwanda, and Tanzania.
"This pink cat" series is about those moments in life when we put on a mask and but the cost of that mask is turn our souls inside out .In my life I am often faced with the duplicity of humanity.
This work I am sending you is about witnessing and taking part of the peace process of Mozambique back in 1992-1994, during the ONUMOZ (United Nations electoral mission).
Direction is a fine art photography project to display the high contrast of light and shadow. In this project, I am looking for the charm of light and shadow.
These photographs are part of a larger series documenting the elephants of Tsavo and the work of Tsavo Trust. The full series is published in a new book titled “Land of Giants”.
Surreal, refined, disturbing: Roger Ballen has made a name for himself with his special eye for what is usually considered minor or outside, yet is nevertheless profound and touching.
Behind Glass is a collection of photographs made in monkey houses of small zoos throughout Europe. Anne Berry is recognized for her ability to create lyrical, intimate portraits of animals.
Birth Undisturbed is a fictional narrative photography series by Natalie Lennard, that brings scenes of natural childbirth into cinematic fine-art tableaux.
Japanese Aquariums is a journey into some of my oldest, most treasured childhood memories. Whenever I visited my grandparents in the small, northern Japanese city of Otaru, my grandfather, a high school teacher and an enormous influence in my life, would take me to the aquarium.
Greenland became politically independent from Denmark in 1979 and is slowly getting on the path to economic independency. The ‘ice country’ is currently facing the consequences of climate change.
It is a declaration of love by Giuseppe Cardoni, but also by an Italian region, Umbria, which has always hosted the most important jazz festivals and where the author took most of his photographs.
Until the corn Grows Back; Lys Arango’s project was selected and published in our print edition 16. Criminal violence in Central America was something that happened very far away and that explained, according to the media, the gigantic caravans of migrants that from 2017 began to travel thousands of kilometres to reach the United States
Fortza Paris; Marco Cheli’s project was selected and published in our print edition 16. Over the years, until today there are many young Sardinians, specifically from Barbagia, who leave their island with the dream of becoming a jockey of the Palio di Siena.
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Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted.
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Dodho Magazine is pleased to announce the new call for the photographers selection from all over the world that will be presented in an exceptional edition.
Dodho Magazine is pleased to announce the new call for the photographers selection from all over the world that will be presented in an exceptional edition.
Dodho Magazine is pleased to announce the new call for the photographers selection from all over the world that will be presented in an exceptional edition.
Thank You. We will contact you as soon as possible.
Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
