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AmericaConceptQuotidian Life by Daniel Castonguay

Quotidian Life “ Series “ Living in a great city, I was naturally driven to street photography and depicting the quotidian life in its simplest form. I admit being very audacious not necessarily following the rules surrounding this type of photography in the pure sense of its definition.

Quotidian Life “ Series “ Living in a great city, I was naturally driven to street photography and depicting the quotidian life in its simplest form. 

I admit being very audacious not necessarily following the rules surrounding this type of photography in the pure sense of its definition. Indeed, my post production work allows me to put the emphasis on the mood, the atmosphere I was in when shooting. In fact, I just brought my street photography to a fantasy level and this let me to not just display images but my state of mind as well. To me, photography is a mode of expression in the same way as writing or playing music. Transmitting an emotion is the essence of my photographic work, bringing the viewer into a story that can literally be anything. More specifically, to make the viewer travel in a world of reverie leaving all the space to imagination. For me, street photography is more than a “ Picture making business “ , street photography is being part of a continuous theatrical sketch where I play the role of a muted actor. “

Quotidian Life | Daniel Castonguay

Quotidian Life | Daniel Castonguay

Quotidian Life | Daniel Castonguay

Quotidian Life | Daniel Castonguay

Quotidian Life | Daniel Castonguay

Quotidian Life | Daniel Castonguay

Quotidian Life | Daniel Castonguay

Quotidian Life | Daniel Castonguay

Quotidian Life | Daniel Castonguay

Quotidian Life | Daniel Castonguay

Quotidian Life | Daniel Castonguay

Quotidian Life | Daniel Castonguay

Quotidian Life | Daniel Castonguay

Quotidian Life | Daniel Castonguay

Quotidian Life | Daniel Castonguay

Quotidian Life | Daniel Castonguay

Quotidian Life | Daniel Castonguay

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Photo by ©Ryotaro Horiuchi | Japan | Issue#14
Dodho Magazine is pleased to announce the new call for the photographers selection from all over the world that will be presented in an exceptional edition.
Deadline: Monday, November 30, 2020
Photo by ©Ryotaro Horiuchi | Japan | Issue#14
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How can we help? Got an idea or something you'd like share? Please use the adjacent form, or contact contact@dodho.com
Thank You. We will contact you as soon as possible.
Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
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