All We Find, All We Leave Behind by Julie Derbyshire: Art, Symbolism, and Reflection

This project was made during a recent artist residency at the Pouch Cove Foundation in remote Newfoundland, Canada. Using a makeshift still-life table covered with a paper tablecloth in the live/work space that became my home during my stay.

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This project was made during a recent artist residency at the Pouch Cove Foundation in remote Newfoundland, Canada.

Using a makeshift still-life table covered with a paper tablecloth in the live/work space that became my home during my stay.

I created still-life compositions with objects I found in the studio, food items, and whatever foliage I could forage each day in the rough wasteland directly outside the building. The still-life genre holds a fascination for me; I have always reflected on the stories that objects carry. Each day of the residency, I enjoyed making simple compositions referencing the symbolism of early vanitas paintings, a reminder to the viewer of the fragility and transience of life. Placing found objects in dialogue with each other and photographing them under the vagaries of the ever-changing natural light in this remote coastal area, I assembled a series of quiet tableaux.

All We Find, All We Leave Behind focuses on the layering of history in a place, both in its original life as a school with shelves bulging with old books and, more recently, as a temporary home to the many artists who inhabited the space before me to make their own work. The studio resonated with the traces of all those people I would never meet dusty leafed-through books, paint-stained pots, seashells and pebbles gathered from the nearby coast which told a story of past and present. I too left behind my own objects for the next artist to find.

About Julie Derbyshire

Julie Derbyshire, born in the UK, is a London-based artist. She studied for an MA in Photography (Distinction) at the London College of Communication, University of the Arts London (2016–2017), following a BA in Photography (First Class) at the University of Westminster (2011–2015). Her solo exhibition Possession was held at One Paved Court, Richmond, in 2019. Selected group exhibitions include Women in Art at ECAD Gallery, Cromwell Place, London (2023); Photo London with ECAD Gallery (2022); the 6th Biennial of Fine Art & Documentary Photography at Gallery FotoNostrum, Barcelona (2021); Circle with Pollen Collective at 44 Great Russell Street, London (2021); the 14th Julia Margaret Cameron Awards at Gallery FotoNostrum, Barcelona (2020); the Tokyo International Foto Awards at ICA Gallery, Tokyo (2018); and the Arte Laguna Prize Finalists Exhibition at the Arsenale, Venice (2016). Recent awards include an Honourable Mention at the 20th Julia Margaret Cameron Awards (2023); an Honourable Mention at the PX3 Prix de la Photographie (2021); Runner-up at the 16th Julia Margaret Cameron Awards (2021); the Travers Smith Art Awards (2021); and the Photofusion Prize (2017). She has also undertaken residencies at the Pouch Cove Foundation Artist Residency Program in Newfoundland, Canada (2022 and 2024). [Official Website]

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Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted.
- Between 10/30 images of your best images, in case your project contains a greater number of images which are part of the same indivisible body of work will also be accepted. You must send the images in jpg format to 1200px and 72dpi and quality 9. (No borders or watermarks)
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How can we help? Got an idea or something you'd like share? Please use the adjacent form, or contact [email protected]
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Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
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How can we help? Do you have an idea or something you'd like to share? Please use the form provided, or contact us at [email protected]
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