EuropeFeaturedShotPortraits by Richard Ansett

My style and relationship to photography has been built from this foundation and I have come to realize that my fascination with other people’s lives is entirely relative to my own lack of understanding and sense of dislocation.

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My worldview is been shaped by an ongoing enquiry into my sense of place as an adopted person with no information about my biological background.

My style and relationship to photography has been built from this foundation and I have come to realize that my fascination with other people’s lives is entirely relative to my own lack of understanding and sense of dislocation. I view the world from the outside in and I am interested in the broader frames of reference through which we all view society.

To express a final definition of my work feels impossible, except that it is a method of open and renewed experience having different results presented within certain dogmatic compositional and conceptual boundaries. My practice is a continual and evolving enquiry with the premise that relationships to reality are unique to every individual and should not be assumed to be shared. The presentations of specific works are projections of my own worldview and should not be taken too  literally as accurate representations of other peoples lives. In my relationship to subjects, I discuss that the foundation of all persona is reliant on an interpretation of the world influenced by forces within and beyond awareness.

The most successful project developments are unplanned beyond a starting point and final presentations invariably bear no resemblance to any preconceived notion of a ‘end product’. The works of greatest value develop in parallel to other more certain and less successful paths of enquiry. Many final presentations are developed, distanced from the moment of conception and may not appear for months or years after initial recording to escape the limitations of conventional narrative. Projects are continually revisited and edited through the lens of new progress and awareness. [Official Website]

Portraits | Richard Ansett

Portraits | Richard Ansett

Portraits | Richard Ansett

Portraits | Richard Ansett

Portraits | Richard Ansett

Portraits | Richard Ansett

Portraits | Richard Ansett

Portraits | Richard Ansett

Portraits | Richard Ansett

Portraits | Richard Ansett

Portraits | Richard Ansett

Portraits | Richard Ansett

Portraits | Richard Ansett

Portraits | Richard Ansett

Portraits | Richard Ansett

Portraits | Richard Ansett

Portraits | Richard Ansett

Portraits | Richard Ansett

Portraits | Richard Ansett

Portraits | Richard Ansett

Portraits | Richard Ansett

Portraits | Richard Ansett

Portraits | Richard Ansett

Portraits | Richard Ansett

Portraits | Richard Ansett

Portraits | Richard Ansett

Portraits | Richard Ansett

Portraits | Richard Ansett

Portraits | Richard Ansett

Portraits | Richard Ansett

Portraits | Richard Ansett



Legal Note: The photographer attest that have full authorization to give consent to the publication of these photos or project and have the authorization and permissions of third parties. Guarantees that you have all the necessary communications of property and you have obtained all the necessary authorizations for any property, buildings, architecture, structures or sculptures appearing in your photographs.

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Photo by ©Ryotaro Horiuchi | Japan | Issue#14
Dodho Magazine is pleased to announce the new call for the photographers selection from all over the world that will be presented in an exceptional edition.
Deadline: Monday, November 30, 2020
Photo by ©Ryotaro Horiuchi | Japan | Issue#14
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Dodho Magazine is pleased to announce the new call for the photographers selection from all over the world that will be presented in an exceptional edition.
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Deadline: Monday, November 30, 2020
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How can we help? Got an idea or something you'd like share? Please use the adjacent form, or contact contact@dodho.com
Thank You. We will contact you as soon as possible.
Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
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