EuropeFeaturedShotPortraits by Richard Ansett

My style and relationship to photography has been built from this foundation and I have come to realize that my fascination with other people’s lives is entirely relative to my own lack of understanding and sense of dislocation.

My worldview is been shaped by an ongoing enquiry into my sense of place as an adopted person with no information about my biological background.

My style and relationship to photography has been built from this foundation and I have come to realize that my fascination with other people’s lives is entirely relative to my own lack of understanding and sense of dislocation. I view the world from the outside in and I am interested in the broader frames of reference through which we all view society.

To express a final definition of my work feels impossible, except that it is a method of open and renewed experience having different results presented within certain dogmatic compositional and conceptual boundaries. My practice is a continual and evolving enquiry with the premise that relationships to reality are unique to every individual and should not be assumed to be shared. The presentations of specific works are projections of my own worldview and should not be taken too  literally as accurate representations of other peoples lives. In my relationship to subjects, I discuss that the foundation of all persona is reliant on an interpretation of the world influenced by forces within and beyond awareness.

The most successful project developments are unplanned beyond a starting point and final presentations invariably bear no resemblance to any preconceived notion of a ‘end product’. The works of greatest value develop in parallel to other more certain and less successful paths of enquiry. Many final presentations are developed, distanced from the moment of conception and may not appear for months or years after initial recording to escape the limitations of conventional narrative. Projects are continually revisited and edited through the lens of new progress and awareness. [Official Website]

Portraits | Richard Ansett

Portraits | Richard Ansett

Portraits | Richard Ansett

Portraits | Richard Ansett

Portraits | Richard Ansett

Portraits | Richard Ansett

Portraits | Richard Ansett

Portraits | Richard Ansett

Portraits | Richard Ansett

Portraits | Richard Ansett

Portraits | Richard Ansett

Portraits | Richard Ansett

Portraits | Richard Ansett

Portraits | Richard Ansett

Portraits | Richard Ansett

Portraits | Richard Ansett

Portraits | Richard Ansett

Portraits | Richard Ansett

Portraits | Richard Ansett

Portraits | Richard Ansett

Portraits | Richard Ansett

Portraits | Richard Ansett

Portraits | Richard Ansett

Portraits | Richard Ansett

Portraits | Richard Ansett

Portraits | Richard Ansett

Portraits | Richard Ansett

Portraits | Richard Ansett

Portraits | Richard Ansett

Portraits | Richard Ansett

Portraits | Richard Ansett

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PRINTED EDITION
Interview with Roger Ballen, One of the most influential photographic artists of the 21st century

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Roger Ballen was born in New York in 1950 but for over 30 years he has lived and worked in South Africa. His work as a geologist took him out into the countryside and led him to take up his camera and explore the hidden world of small South African towns.
Interview with Samuel Feron; Published in our printed edition #16

DnaEuropeInterview with Samuel Feron; Published in our printed edition #16

Samuel Feron has been photographing Nature for 2 decades, exploring remote and sparsely habited areas all over the world. He tries to go beyond what the eyes first see, assuming that Nature has secrets in itself.
Interview with Marco Cheli; Published in our printed edition #16

DnaEuropeInterview with Marco Cheli; Published in our printed edition #16

I think that Dodho provides a fantastic opportunity for those who want to be recognized by an informed public and by their peers. Seeing my work in the pages of Dodho, well, it is the most exciting thing that has ever happened to me, and I have photography to thank for it.
Interview with Lys Arango; Published in our printed edition #16

DnaEuropeInterview with Lys Arango; Published in our printed edition #16

Time, dedication, and the right rhythm combined with a human approach make the work of Lys Arango one of the most truthful and inspiring photo testimonies of indigenous people.
Interview with France Leclerc; Published in our printed edition #16

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Canadian Travel photographer France Leclerc tries to find this commonness with joy showing sweet observation through fresh eyes to portray ethnic group communities the world seems to ignore.
Interview with Nikolina Petolas; Published in our printed edition #16

DnaEuropeInterview with Nikolina Petolas; Published in our printed edition #16

I work in several techniques, but what you are reffering to in ’Tale of the Blue Pear’ series  are mostly digital collages combined with digital painting. I also paint in traditional techniques but that is done on canvas or hard board.
Interview with Michele Punturieri; published in our print edition #15

DnaInterview with Michele Punturieri; published in our print edition #15

This work is somewhat impromptu because it has been carried out, so to speak, on the spot and at the moment. Street photography pure, trying to capture the most interesting moments and faces in the places I visited. 
Interview with Dimitri Weber; published in our print edition #15

DnaEuropeInterview with Dimitri Weber; published in our print edition #15

I like the colours on my pictures to pop a bit. To be as natural as possible, while catching the eyes of the people looking at my pictures. So, I enhance some of those colours during my editing process, mostly to give them a homogeneous look that suits my style.
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Living in Peace by Pedro Sutter

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Volcanic mountain ; Devils Gold by Larry Louie

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In the volcanic mountain of Kawah Ijen on the Island of Java in Indonesia, toxic smoke billows onto the surface of the volcanic mountain through tentacle like tunnels.
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Wildlife photography; Land of Giants by Will Burrard-Lucas

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Under the sign of the rat; Roger the Rat by Roger Ballen

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Surreal, refined, disturbing: Roger Ballen has made a name for himself with his special eye for what is usually considered minor or outside, yet is nevertheless profound and touching.
Intimate portraits of animals; Behind Glass by Anne Berry

B&WBioEuropeFeaturedIntimate portraits of animals; Behind Glass by Anne Berry

Behind Glass is a collection of photographs made in monkey houses of small zoos throughout Europe. Anne Berry is recognized for her ability to create lyrical, intimate portraits of animals.
Fictional narrative photography; Birth Undisturbed by Natalie Lennard

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Birth Undisturbed is a fictional narrative photography series by Natalie Lennard, that brings scenes of natural childbirth into cinematic fine-art tableaux.
Japanese Aquariums by George Nobechi

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Japanese Aquariums is a journey into some of my oldest, most treasured childhood memories. Whenever I visited my grandparents in the small, northern Japanese city of Otaru, my grandfather, a high school teacher and an enormous influence in my life, would take me to the aquarium.
Greenland; Stories from the Sea by Camille Michel

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Greenland became politically independent from Denmark in 1979 and is slowly getting on the path to economic independency. The ‘ice country’ is currently facing the consequences of climate change.
Intimate diary; Jazz Notes by Giuseppe Cardoni

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It is a declaration of love by Giuseppe Cardoni, but also by an Italian region, Umbria, which has always hosted the most important jazz festivals and where the author took most of his photographs.
Guatemala; Until the corn Grows Back by Lys Arango

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Until the corn Grows Back; Lys Arango’s project was selected and published in our print edition 16. Criminal violence in Central America was something that happened very far away and that explained, according to the media, the gigantic caravans of migrants that from 2017 began to travel thousands of kilometres to reach the United States
Greatest jockeys; Fortza Paris by Marco Cheli

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Fortza Paris; Marco Cheli’s project was selected and published in our print edition 16. Over the years, until today there are many young Sardinians, specifically from Barbagia, who leave their island with the dream of becoming a jockey of the Palio di Siena.
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Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
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Photo by ©Ryotaro Horiuchi | Japan | Issue#14
Dodho Magazine is pleased to announce the new call for the photographers selection from all over the world that will be presented in an exceptional edition.
Deadline: Monday, November 30, 2020
Photo by ©Ryotaro Horiuchi | Japan | Issue#14
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Deadline: Monday, November 30, 2020
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How can we help? Got an idea or something you'd like share? Please use the adjacent form, or contact contact@dodho.com
Thank You. We will contact you as soon as possible.
Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
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