AfricaShotMarc Rogoff Photography

Marc originally trained as a Fashion designer and spent 25 years developing clothing brands around the world.

Marc originally trained as a Fashion designer and spent 25 years developing clothing brands around the world. Having picked up his first Polaroid camera at age 5 and having continuously taken photos through his career in fashion, he decided he needed a change, which resulted in him leaving the clothing business and taking up photography full time.

Marc’s fashion photography has a dark aesthetic often combined with an obscure narrative allowing individual images to stand on their own and retain the viewers curiosity. These are almost like frames from a movie taken at a decisive moment. Darkness and Light, Good and Evil, Love and Hate are regular themes that appear in his work. Most of the advertising work that Marc takes on is fashion or style related. Coming from a design background gives him a sense of how a garment should hang and what the best way of representing it is. He is also sought after for his lighting techniques which sometimes involve quite elaborate setups. Comfortable in both location and studio his images have a depth and clarity as well as a sense of trying to convey an emotion to the viewer. Marc has won numerous Awards – the most recent being a place in the prestigious International Kontinent Awards. [Official Website]
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Defaced

Defaced is a personal project exploring extreme anger. This allowed the subjects to manifest how they feel in as physical a way as possible. Most anger today sits under the surface – under the face so to speak and I wondered what it would look like if it were released unrestrained. This is the result.

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The Capgras Invocation

The point of this series is to leave a certain ambiguity and room for the viewer to fill the gaps of the story in. It is a “fashion” shoot but is also a narrative which only myself and Emma Winter my collaborator and set stylist know. We wanted each shot to be able to stand up on its own and be intriguing enough that if you didn’t see the rest of the story there would be something to keep you interested.

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Tribes

Tribes came out of a collaboration with Hasselblad and Professional Photographer Magazine who sponsored an award. It was an opportunity to do something completely different to what I had done before. The initial idea was to shoot a series of environmental portraits of Londoners who had some commonality in terms of style or interest. I called them tribes because I have belonged to some in my past. In conceptualising the series I suddenly got to a point where I thought that it would just end up as another boring set of portraits. I wanted to do something different that I hadn’t seen before. I thought that shooting people from above would make for an interesting perspective and set out to do just that. Once I started thinking about the logistics and the height I would have to get to above them it dawned on me that perhaps creating a pattern might be interesting. Little did I realise the nightmare that would ensue. Shooting from above in itself was difficult but working out how to do a step and repeat pattern with 50 meg files was a whole different ball game. I had created patterns for clothing prints as a designer and knew how to do it but doing it photographically was another story!

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PHOTO: © JO LAUREN | UNITED KINGDOM | ISSUE 10
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PRINTED EDITION
Interview with Roger Ballen, One of the most influential photographic artists of the 21st century

DnaInterview with Roger Ballen, One of the most influential photographic artists of the 21st century

Roger Ballen was born in New York in 1950 but for over 30 years he has lived and worked in South Africa. His work as a geologist took him out into the countryside and led him to take up his camera and explore the hidden world of small South African towns.
Interview with Samuel Feron; Published in our printed edition #16

DnaEuropeInterview with Samuel Feron; Published in our printed edition #16

Samuel Feron has been photographing Nature for 2 decades, exploring remote and sparsely habited areas all over the world. He tries to go beyond what the eyes first see, assuming that Nature has secrets in itself.
Interview with Marco Cheli; Published in our printed edition #16

DnaEuropeInterview with Marco Cheli; Published in our printed edition #16

I think that Dodho provides a fantastic opportunity for those who want to be recognized by an informed public and by their peers. Seeing my work in the pages of Dodho, well, it is the most exciting thing that has ever happened to me, and I have photography to thank for it.
Interview with Lys Arango; Published in our printed edition #16

DnaEuropeInterview with Lys Arango; Published in our printed edition #16

Time, dedication, and the right rhythm combined with a human approach make the work of Lys Arango one of the most truthful and inspiring photo testimonies of indigenous people.
Interview with France Leclerc; Published in our printed edition #16

AmericaDnaInterview with France Leclerc; Published in our printed edition #16

Canadian Travel photographer France Leclerc tries to find this commonness with joy showing sweet observation through fresh eyes to portray ethnic group communities the world seems to ignore.
Interview with Nikolina Petolas; Published in our printed edition #16

DnaEuropeInterview with Nikolina Petolas; Published in our printed edition #16

I work in several techniques, but what you are reffering to in ’Tale of the Blue Pear’ series  are mostly digital collages combined with digital painting. I also paint in traditional techniques but that is done on canvas or hard board.
Interview with Michele Punturieri; published in our print edition #15

DnaInterview with Michele Punturieri; published in our print edition #15

This work is somewhat impromptu because it has been carried out, so to speak, on the spot and at the moment. Street photography pure, trying to capture the most interesting moments and faces in the places I visited. 
Interview with Dimitri Weber; published in our print edition #15

DnaEuropeInterview with Dimitri Weber; published in our print edition #15

I like the colours on my pictures to pop a bit. To be as natural as possible, while catching the eyes of the people looking at my pictures. So, I enhance some of those colours during my editing process, mostly to give them a homogeneous look that suits my style.
TRENDING STORIES
Kutupalong refugee camp; Citizens of despair by Javier Arcenillas

B&WEuropeStoryKutupalong refugee camp; Citizens of despair by Javier Arcenillas

The most atrocious conditions you can imagine, when living under a military tyranny ruling the country, as in Burma –a country closed to foreign journalists– can be seen at Kutupalong refugee camp.
Wildlife portraits by Nick Dale

BioEuropeFeaturedWildlife portraits by Nick Dale

I wanted to be a photographer when I was 15, but my mother said I could always take it up later – so that was that for 30 years! I ended up reading English at Oxford and working as a strategy consultant for a few years
Warsaw Halla ; A short rollerblading

StoryWarsaw Halla ; A short rollerblading

The film tells one day story about group of rollerbladers. They share a common passion - a sport that allows them to maintain a right level of adrenaline.
People and street photography by Mahesh B

AsiaB&WShotPeople and street photography by Mahesh B

My name is Mahesh and I am from Chennai, India. Basically, I am a software engineer and an amateur photographer. I have been taking pictures around 6 years now. I love people and street photography.
Storytelling; Things that are important by Ramak Bamzar

AsiaShotStorytelling; Things that are important by Ramak Bamzar

People interest me. Their stories, personalities, where they come from, how their family and origins have shaped who they are.
Tribal traits and traditions by Trevor Cole

B&WEuropeStoryTribal traits and traditions by Trevor Cole

The Omo valley of Ethiopia is home to approximately forty tribes, living in climatic, social and political margins. I aspire to capture these people as they are, in a state of transition as outside influences increasingly make an impact on their indigenous culture.
Jennifer Orhélys ; A breathless dream

ConceptEuropeJennifer Orhélys ; A breathless dream

Jennifer Orhélys's images feel like a breathless dream. The characters are beautiful but obscured; they feel close but just out of reach.
Patagonia; The Damned and the Beautiful by Brigitte Grignet

B&WEuropeStoryPatagonia; The Damned and the Beautiful by Brigitte Grignet

The area is home to some of the rarest plants and rainforests, many endangered species of animals, pristine rivers with high aquatic biodiversity, and the largest ice fields outside of Greenland and Antarctica.
Marzena Kolarz ; Black Portraits / Chimney Sweeps.

B&WEuropeShotMarzena Kolarz ; Black Portraits / Chimney Sweeps.

I am the daughter of a chimney sweep. Since childhood my world was tangential to the world of chimney sweeps. This world was full of rules, rights, honor and class.
FEATURED STORIES
Wildlife photography; Land of Giants by Will Burrard-Lucas

B&WBioEuropeFeaturedWildlife photography; Land of Giants by Will Burrard-Lucas

These photographs are part of a larger series documenting the elephants of Tsavo and the work of Tsavo Trust. The full series is published in a new book titled “Land of Giants”.
Under the sign of the rat; Roger the Rat by Roger Ballen

AmericaB&WConceptFeaturedUnder the sign of the rat; Roger the Rat by Roger Ballen

Surreal, refined, disturbing: Roger Ballen has made a name for himself with his special eye for what is usually considered minor or outside, yet is nevertheless profound and touching.
Intimate portraits of animals; Behind Glass by Anne Berry

B&WBioEuropeFeaturedIntimate portraits of animals; Behind Glass by Anne Berry

Behind Glass is a collection of photographs made in monkey houses of small zoos throughout Europe. Anne Berry is recognized for her ability to create lyrical, intimate portraits of animals.
Fictional narrative photography; Birth Undisturbed by Natalie Lennard

ConceptEuropeFeaturedFictional narrative photography; Birth Undisturbed by Natalie Lennard

Birth Undisturbed is a fictional narrative photography series by Natalie Lennard, that brings scenes of natural childbirth into cinematic fine-art tableaux.
Japanese Aquariums by George Nobechi

AsiaFeaturedStoryJapanese Aquariums by George Nobechi

Japanese Aquariums is a journey into some of my oldest, most treasured childhood memories. Whenever I visited my grandparents in the small, northern Japanese city of Otaru, my grandfather, a high school teacher and an enormous influence in my life, would take me to the aquarium.
Greenland; Stories from the Sea by Camille Michel

EuropeFeaturedStoryGreenland; Stories from the Sea by Camille Michel

Greenland became politically independent from Denmark in 1979 and is slowly getting on the path to economic independency. The ‘ice country’ is currently facing the consequences of climate change.
Intimate diary; Jazz Notes by Giuseppe Cardoni

B&WEuropeFeaturedShotIntimate diary; Jazz Notes by Giuseppe Cardoni

It is a declaration of love by Giuseppe Cardoni, but also by an Italian region, Umbria, which has always hosted the most important jazz festivals and where the author took most of his photographs.
Guatemala; Until the corn Grows Back by Lys Arango

EuropeFeaturedStoryGuatemala; Until the corn Grows Back by Lys Arango

Until the corn Grows Back; Lys Arango’s project was selected and published in our print edition 16. Criminal violence in Central America was something that happened very far away and that explained, according to the media, the gigantic caravans of migrants that from 2017 began to travel thousands of kilometres to reach the United States
Greatest jockeys; Fortza Paris by Marco Cheli

EuropeFeaturedStoryGreatest jockeys; Fortza Paris by Marco Cheli

Fortza Paris; Marco Cheli’s project was selected and published in our print edition 16. Over the years, until today there are many young Sardinians, specifically from Barbagia, who leave their island with the dream of becoming a jockey of the Palio di Siena.
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OTHER STORIES
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Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted.
- Between 10/30 images of your best images, in case your project contains a greater number of images which are part of the same indivisible body of work will also be accepted. You must send the images in jpg format to 1200px and 72dpi and quality 9. (No borders or watermarks)
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Issue #14 | September 2020
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Dodho Magazine is pleased to announce the new call for the photographers selection from all over the world that will be presented in an exceptional edition.
Deadline: Monday, November 30, 2020
Photo by ©Ryotaro Horiuchi | Japan | Issue#14
Dodho Magazine is pleased to announce the new call for the photographers selection from all over the world that will be presented in an exceptional edition.
Deadline: Monday, November 30, 2020
Photo by ©Ryotaro Horiuchi | Japan | Issue#14
CALL
FOR ENTRIES
Dodho Magazine is pleased to announce the new call for the photographers selection from all over the world that will be presented in an exceptional edition.
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Deadline: Monday, November 30, 2020
Contact
How can we help? Got an idea or something you'd like share? Please use the adjacent form, or contact contact@dodho.com
Thank You. We will contact you as soon as possible.
Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
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