DEADLINE FOR ENTRIES: MAY 31, 2021  |  WE ARE SELECTING 6 PHOTOGRAPHERS THAT WILL BE PRESENTED WORLDWIDE

DnaEuropeInside the camera bag of Marcello Perino

The photographic equipment I take with me in my bag varies a lot depending on the journey I decide to embark on and the type of photography I decide to do; for example, if I decide to do street photography only, the equipment I bring is the following

Marcello is a photographer based in Rome, he is interested in travel, documentary and street photography.

“I have always taken pictures, and I do this essentially in an attempt to stop time. I like the idea of doing it even if it is only a fantasy. time alters everything: it changes your skin, your voice, your looks, your way of thinking. sometimes you change and you don’t even realize it. a photograph makes you go back in time, and you remember where you came from, who you were and what your thoughts were. through a snap-shot, you remember yourself. through mine, i’m attempting to leave a mark, no matter if it is sad or happy, it’s enough to give an emotion. my pictures are spontaneous and sincere, sometimes moody, sometimes hilarious.” [Official Website]

ECF_9151_2

What’s in your camera bag?

The photographic equipment I take with me in my bag varies a lot depending on the journey I decide to embark on and the type of photography I decide to do; for example, if I decide to do street photography only, the equipment I bring is the following:
• My Fuji X100T with WCL-X100 wide conversion lens, which allows me to convert the X100 lens from 35 mm (135 mm equivalent) into 28 mm.
• 2 extra batteries.
• A Fuji BC-65N battery charger.
• A KATA LightTri-310 DL bag.
• A shower cap to protect the camera from dust or light rain.
• A small umbrella.
• My business card.
• A basic backpack.
• A cloth to clean the lens.
When the journey is longer and I decide to do documentary photography, in addition to the “street” equipment, I bring the following:
• My Canon 5d MIII with Canon EF 24-70 mm f/2.8 L USM II lens.
• 2 extra batteries.
• A Canon LC-E6E battery charger.
• Waterproof rain cover for the camera.
• A small umbrella.
• A Joby GorillaPod SLR-Zoom tripod with Ballhead.
• A Canon cloth pouch.
• A Walimex pro easyCover.
• A BlackRapid Yeti Slim.
• A Forclaz 22 Air backpack.
• My business card.
• A cloth to clean the lens.

 

What’s the most surprising thing you carry?

Without any doubt the cap that I use to protect my X100T from the drizzle… One of those plastic shower caps that you find in hotels. If this one is not surprising…

What is the one thing you couldn’t live without?

Being able to travel and practise photography. As far as I’m concerned, they are the same thing – in the sense that I can’t conceive traveling without being able to take my camera with me. At the same time it’s photography that drives me to travel, explore, discover the world and look at things in everyday life with different eyes. It helps me understand a little bit better the world in which I live.

What are some of the details that you find essential for your style of bags?

When I travel, I keep it fairly simple, in the sense that I am not particularly interested in very elaborate bags, also because my camera is hanging from my BlackRapid Yeti Slim strap most of the time; a bag with an anti-rain coat and the Canon soft cloth pouch case, which I only use during flights or when I put my Canon 5d MIII in my backpack, are therefore enough. On the other hand, when I practise street photography a small bag is essential to avoid limiting movements… Simplicity is the key!

What are the important things for protecting your camera gear?

For my Canon 5d MIII, I find the BlackRapid strap very useful, because it allows me to keep my camera just behind my right side, enabling me to protect it from any bumps and to move nimbly, without showing it off too much; I also use a Walimex pro easyCover silicone cover, which is very useful to protect my camera from small accidental blows. As for the lens, I protect it with a HOYA HD UV filter. To protect my Fuji X100T instead, as it is not very heavy or bulky, I only use a wrist strap and hold it tightly in my hand.

Can you give me the essential carry kit when traveling the globe (bags, accessories etc.)?

Generally speaking, I believe the equipment you take with you on a journey has to be as light as possible. I also believe that the equipment you bring has to be chosen depending on the type of journey you are embarking on and the type of photography you want to practise. For example, it often happens to spend weekends traveling around Europe and on such occasions street photography is very often the only photography I practise; in this case travelling light is advisable, which is why my Fuji X100T is perfect, as it is handy, light and manageable. The camera case is also important: the lighter and the handier it is, the less it will affect the rapid movements that are generally required when practising street photography. I believe the one I use is very comfortable because I can fit inside all the most important things. An accessory I believe to be very useful is the WLC-X100 wide conversion lens, which converts the 35-mm lens into a 28-mm lens, which I find particularly suitable for the type of photographs I take.
Another accessory that I consider essential when I am travelling with my Canon 5d MIII is my Blackrapid Yeti Slim, really useful for me!

 

https://www.dodho.com/wp-content/uploads/2020/12/BAnImage.jpg

ImageRights provides intelligent image search and copyright enforcement services to photo agencies and professional photographers worldwide.

300x250

With ON1 Photo RAW you get the professional photo editing tools every photographer needs to get professional results while keeping your workflow.

https://www.dodho.com/wp-content/uploads/2020/11/Z.jpg

Simply Stunning Landscapes – Would you like to capture stunning landscapes every time you shoot… without having to travel far from home?

https://www.dodho.com/wp-content/uploads/2021/03/BB-Gallery-2.jpg
Share your most best images in this photo contest in collaboration with ViewBug. A community that hosts over 40 photo contests and challenges.
RELATED STORIES
Intimate New York by Andreas Theologitis

B&WEuropeNudeIntimate New York by Andreas Theologitis

“Intimate New York” represents for him another view to the architecture of NYC. An hommage to architecture and womans body.
The Promenade by Cyrille Druart

B&WConceptEuropeThe Promenade by Cyrille Druart

The title reflects the photographic practice of Cyrille Druart. Unlike his other passion, Architecture, a field in which the progress of projects is slower and anchored in practical needs.
Becoming A Specter by Daniel W. Coburn

AmericaB&WConceptBecoming A Specter by Daniel W. Coburn

The edge or border of something. An amount by which something is won or falls short.Consider the mind and body as a parchment that is scribed, erased, and scribed again—used and reused in perpetuity until its fibers begin to unravel and fall apart.
Bonfire Night by Omer Ga’ash

AsiaNudeBonfire Night by Omer Ga’ash

In my work I focus on landscape and body exploration using group of young man to reflect nature terrain in mid-day until dark. The compositions are based on the artist memory during different part of his life.
https://www.dodho.com/wp-content/uploads/2021/04/instagram.jpg
La Maison Brûle by Alessandro Ciccarelli

B&WConceptEuropeLa Maison Brûle by Alessandro Ciccarelli

Alessandro Ciccarelli (Rome, 1979) began to study photography under the guidance of visual artist Akiko Young, then perfecting the techniques of darkroom and digital post-production
Something Here by Shin Noguchi

AsiaCitySomething Here by Shin Noguchi

I capture people going about daily life because there are moments that they themselves do not realize are more beautiful and full of human touch than the carefully choreographed movies of Charlie Chaplin, Alfred Hitchcock, Federico Fellini or Shakespeare's plays.
TRENDING STORIES
Saskia Boelsums, Sculptor and Photographer

ConceptEuropeSaskia Boelsums, Sculptor and Photographer

Ever since her art school days, Saskia Boelsums had been fascinated by the many possibilities and results that photography could create. Over the past few years, Saskia has spent more time working with this medium.
Interview with Nick Gandano ; Second place in our Black & White 2018

DnaEuropeInterview with Nick Gandano ; Second place in our Black & White 2018

As for my opinion of Dodho Magazine, I only have words of thanks for the award and for the exquisite attention I have always received.On the other hand I think they do a great job in the sense of serving as a platform for dissemination for new photographers as is my case.
Alexandre Grand ; elegance, lightness and spontaneity

AmericaNudeAlexandre Grand ; elegance, lightness and spontaneity

My portraits are characterized by elegance, lightness and spontaneity. They seek to bring up forgotten or repressed personalities, those parts that society has said were not appropriate, what was imprisoned because they labeled it ugly and found it improper. 
Rainier School by Steve Davis

AmericaStoryRainier School by Steve Davis

The Rainier School is a state operated institution for the developmentally disabled, not far from Seattle at the base of beautiful Mount Rainier. The school at the Rainier School disappeared years ago.
Somewhere between metamorphosis and reincarnation; Tropies by C.Owen

AmericaB&WBioConceptSomewhere between metamorphosis and reincarnation; Tropies by C.Owen

Within each photograph, the animals seem to speak to us; some are vengeful, threatening, angry, innocent, yet other are majestic and even calm.
Perpetual Motif by George Vogiatzakis

ConceptEuropePerpetual Motif by George Vogiatzakis

A vicious circle. A perpetual motif, whose beginning may be in the photo shooting, in the previous unanswered question that I had raised or in the phrasing of the question itself. A paradoxical, a tormenting process.
Kerekes István ; People & Portrait

EuropeShotKerekes István ; People & Portrait

I was born in 1977 in Marosvásárhely/ Transylvania / Romania. Now I live and I work in Mosonmagyaróvár – western Hungary. I am taking part regularly in national and international photo competitions and exhibitions since 2004.
IDP: Internal Displaced People by Stefan Steinmann

B&WEuropeStoryIDP: Internal Displaced People by Stefan Steinmann

The world is my base and my curiosity my compass. Moments are the fundamental target of my camera. During my journey around the world, I have had lots of different moments but this one was particularly memorable. 
African Hauteness by Belinda Muller

ShotAfrican Hauteness by Belinda Muller

African Hauteness is inspired by African masks, Feathers and Kuba cloths colors and unique textures unique to African fashion.
FEATURED STORIES
Guatemala; Until the corn Grows Back by Lys Arango

EuropeFeaturedStoryGuatemala; Until the corn Grows Back by Lys Arango

Until the corn Grows Back; Lys Arango’s project was selected and published in our print edition 16. Criminal violence in Central America was something that happened very far away and that explained, according to the media, the gigantic caravans of migrants that from 2017 began to travel thousands of kilometres to reach the United States
Greatest jockeys; Fortza Paris by Marco Cheli

EuropeFeaturedStoryGreatest jockeys; Fortza Paris by Marco Cheli

Fortza Paris; Marco Cheli’s project was selected and published in our print edition 16. Over the years, until today there are many young Sardinians, specifically from Barbagia, who leave their island with the dream of becoming a jockey of the Palio di Siena.
Africa; River Blindness by Marcus Trappaud Bjørn

B&WEuropeFeaturedShotAfrica; River Blindness by Marcus Trappaud Bjørn

The project River blindness focuses on a neglected tropical disease, which is the second most common cause of infectious blindness worldwide.
Northern Siberia; Like Last Year’s Snow by Oded Wagenstein

AsiaFeaturedStoryNorthern Siberia; Like Last Year’s Snow by Oded Wagenstein

In the remote village of Yar-Sale in Northern Siberia live a group of elderly women. They were once part of a nomadic community of reindeer herders.
Mongolia; Kazakh Childhood by France Leclerc

AmericaB&WFeaturedStoryMongolia; Kazakh Childhood by France Leclerc

Kazakh Childhood; France Leclerc’s project was selected and published in our print edition 16. Though the daily activities may vary quite dramatically from one part of the world to the next, children can thrive if provided with a nurturing caregiver and a safe place to play and explore. 
Dreamland; Tale of the blue pear by Nikolina Petolas

ConceptEuropeFeaturedDreamland; Tale of the blue pear by Nikolina Petolas

Tale of the blue pear; Nikolina Petolas’s project was selected and published in our print edition 16. The series present a search for our own essence, which is embodied in the shape of a pear, in different color and sizes, which can be found in the majority of her artworks.
Homeless people; On the street by Zoltán Molnár

B&WEuropeFeaturedStoryHomeless people; On the street by Zoltán Molnár

In the EU, the number of homeless people has grown by seventy percent in one decade. Nowadays more than 700 thousand people have to face the fact daily that they have no roof above their heads.
Religious devotion; Viernes Santo by Oliver Weber

B&WEuropeFeaturedStoryReligious devotion; Viernes Santo by Oliver Weber

Ceremony of the funeral of god’s son Jesus. With the arrival of spring comes Easter week. It has centuries of history behind it and is one of Spain’s most authentic and emotive celebrations.
Losing our minds by Eddy Verloes

B&WConceptEuropeFeaturedLosing our minds by Eddy Verloes

I want this poetic-philosophical reflection to speak through my images in these corona times. In my series “Losing our minds” I consciously show only young people who are looking for themselves, for the meaning of life and the relationship between man and nature.
OTHER STORIES
X
stay in touch
Join our mailing list and we'll keep you up to date with all the latest stories, opportunities, calls and more.
We use Sendinblue as our marketing platform. By Clicking below to submit this form, you acknowledge that the information you provided will be transferred to Sendinblue for processing in accordance with their terms of use
We’d love to
Thank you for subscribing!
Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted.
- Between 10/30 images of your best images, in case your project contains a greater number of images which are part of the same indivisible body of work will also be accepted. You must send the images in jpg format to 1200px and 72dpi and quality 9. (No borders or watermarks)
- A short biography along with your photograph. (It must be written in the third person)
- Title and full text of the project with a minimum length of 300 words. (Texts with lesser number of words will not be accepted)
This is the information you need to start preparing your project for its presentation
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
Issue #14 | September 2020
Current Issue
Vicky Martin
Ryotaro Horiuchi
Susanne Mildeelberg
Diego Bardone
Nicky Hamilton
Alain Schroeder
Printed on 80# matte paper 22x28cm | 100 Pages
Showroom
September 7 to October 31, 2020
Julia Fullerton-Batten
LOOKING OUT FROM WITHIN
Get in touch
How can we help? Got an idea or something you'd like share? Please use the adjacent form, or contact contact@dodho.com
Thank You. We will contact you as soon as possible.
Dodho Magazine is pleased to announce the new call for the photographers selection from all over the world that will be presented in an exceptional edition.
Deadline: Monday, November 30, 2020
Photo by ©Ryotaro Horiuchi | Japan | Issue#14
Dodho Magazine is pleased to announce the new call for the photographers selection from all over the world that will be presented in an exceptional edition.
Deadline: Monday, November 30, 2020
Photo by ©Ryotaro Horiuchi | Japan | Issue#14
CALL
FOR ENTRIES
Dodho Magazine is pleased to announce the new call for the photographers selection from all over the world that will be presented in an exceptional edition.
Are you ready?
Deadline: Monday, November 30, 2020
Contact
How can we help? Got an idea or something you'd like share? Please use the adjacent form, or contact contact@dodho.com
Thank You. We will contact you as soon as possible.
Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
NEW!
FOLLOW US.
Subscribe now and get a free access to a curated list of resources.
Feel free to contact.
2017 (C) All rights reserved.
ghfd