Imprints by Charlotta Hauksdottir

The physical space of landscapes can be closely tied to a person’s identity, sense of being, and infused with personal history.
Imprints | Charlotta Hauksdottir

The physical space of landscapes can be closely tied to a person’s identity, sense of being, and infused with personal history. 

The composite, textured landscapes in the series “Imprints” are a re-creation of places and scenes from an estranged homeland. The series includes human scale composite images, images that utilize fingerprint patterns that evoke the uniqueness of our connection with nature, and abstract landscapes where several sheets of photographic paper with variable cutouts are layered together imitating landforms that have formed over time. The visible and obscured parts of the landscape suggest the interplay of effects between man and nature, as well as the imperfections of memory, with juxtaposed textures emphasizing the mind’s inability to retain and fully comprehend its environment. The discontinuity between the images also induces the viewer to draw on their own experiences to complete the work. Finally, by utilizing the textures of human fingerprints, the images speak to our individual responsibility for our impressions upon nature. [Official Website]

Imprints | Charlotta Hauksdottir

Imprints | Charlotta Hauksdottir

Imprints | Charlotta Hauksdottir

Imprints | Charlotta Hauksdottir

Imprints | Charlotta Hauksdottir

Imprints | Charlotta Hauksdottir

Imprints | Charlotta Hauksdottir

Imprints | Charlotta Hauksdottir

Imprints | Charlotta Hauksdottir

Imprints | Charlotta Hauksdottir

Imprints | Charlotta Hauksdottir

Imprints | Charlotta Hauksdottir

Imprints | Charlotta Hauksdottir

Imprints | Charlotta Hauksdottir

Imprints | Charlotta Hauksdottir

Imprints | Charlotta Hauksdottir

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Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
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