Han Youngsoo: Photographs of Seoul 1956–63

New York (Feb 24 - Jun 09, 2017) The International Center of Photography (ICP) will present the exhibition Han Youngsoo: Photographs of Seoul 1956– 63 in the ICP gallery at Mana Contemporary in Jersey City.
Image caption: Han Youngsoo, Seoul, Korea, 1956-63. © Han Youngsoo Foundation

Magazine

Our printed editions, circulating throughout various galleries, festivals and agencies are dipped in creativity.

The spirit of DODHO’s printed edition is first and foremost an opportunity to connect with a photographic audience that values the beauty of print and those photographers exhibited within the pages of this magazine.

We invite professional and amateur photographers from all around the world to share their work in our printed edition.

https://www.dodho.com/wp-content/uploads/2024/06/ban29.jpg

From February 24 to June 9, 2017, the International Center of Photography (ICP) will present the exhibition Han Youngsoo: Photographs of Seoul 1956– 63 in the ICP gallery at Mana Contemporary in Jersey City.

The exhibition, organized by ICP and the Waterfall Mansion & Gallery, will be the rst substantial U.S. showing of the work of Korean photographer Han Youngsoo (1933–1999), whose remarkable images bring to life the social and economic rebirth of Seoul in the years following the Korean War.

The thirty-eight prints on view have been selected by ICP Adjunct Curator Christopher Phillips and Waterfall Mansion & Gallery Adjunct Curator Doo Eun Choi. A biographical video, Han Youngsoo: His Modern Times in Seoul, produced by the Han Youngsoo Foundation, will be on view in the gallery throughout the course of the exhibition.

Han Youngsoo was little known outside of Korea during his lifetime. Seen from today’s vantage point, his photographs come as a surprise. With their impeccable composition, flawless timing, and scrupulous attention to social detail, they suggest the work of a long-lost Korean cousin of such early Magnum photographers as Henri Cartier-Bresson, David Seymour (Chim), and Marc Riboud. After taking part in bitter frontline ghting as a young South Korean soldier during the Korean War (1950–53), Han returned to Seoul at the war’s end and found a devastated city. Choosing photography as a profession, he witnessed a period of profound transformation in Seoul that saw the rapid creation of a modern city and urban society. His photographs tell this story by offering a fascinating window onto the everyday lives of the city’s ordinary men, women, and children. Although he did not overlook the surviving customs and architecture of old Seoul—there are remarkable views of terraced hills crowded with traditional tile-roofed dwellings—Han was more interested in exploring the modern urban culture that was rapidly taking shape. His street portraits are lled with recognizable metropolitan types: an anxious young couple tending to their sidewalk used-book stall; a self-satis ed young woman strolling in a sleek furcoat on what appears to be a warm fall day. Han paid special attention to the changing status of Korean women, who were then nding new roles as entrepreneurs or consumers, as suggested in views of narrow streets lined with well-stocked fashion boutiques. Although after 1966 Han turned his attention to running a successful studio specializing in advertising and fashion photography, his photographs of Seoul in the postwar decade remain one of the richest and most humanly sympathetic visual records of those years.

ABOUT HAN YOUNGSOO

Born to a well-to-do family in Gaesung, Korea, in 1933, Han Youngsoo took drawing and painting lessons as a young man and pursued photography as a hobby. Following service in the Korean military during the Korean War, he started his photographic career as a member of Shinsunwhue (New Line Group), an association
of socially concerned realist photographers. With the advent of economic prosperity in 1960s Korea, he established Han’s Photo Studio in 1966; it became a celebrated pioneer of Korean advertising photography and fashion photography. Han played an active role in a number of Korean photography associations and cultural organizations. In 1987 he published a wide selection of his historic photographs of postwar Seoul in a large- format book, Korean Lives After the War, 1956–1960. Following his death in 1999, his daughter Han Sunjung established the Han Youngsoo Foundation to preserve his negatives and archive and to promote recognition

of his accomplishments. Han Youngsoo’s works have received growing international attention in recent years, and were featured at the Rencontres d’Arles photo festival in 2014. Two volumes of his photographs have been published by Hansgraphic: Seoul: Modern Times (2014) and Once Upon a Time (2015).

International Center of Photography

Feb 24, 2017 – Jun 09, 2017

888 Newark Avenue, 6th Floor

Jersey City, NJ 07306

www.icp.org

Image caption: Han Youngsoo, Seoul, Korea, 1956-63. © Han Youngsoo Foundation
Image caption: Han Youngsoo, Seoul, Korea, 1956-63. © Han Youngsoo Foundation

Image caption: Han Youngsoo, Seoul, Korea, 1956-63. © Han Youngsoo Foundation
Image caption: Han Youngsoo, Seoul, Korea, 1956-63. © Han Youngsoo Foundation

Image caption: Han Youngsoo, Seoul, Korea, 1956-63. © Han Youngsoo Foundation
Image caption: Han Youngsoo, Seoul, Korea, 1956-63. © Han Youngsoo Foundation

Other Stories

stay in touch
Join our mailing list and we'll keep you up to date with all the latest stories, opportunities, calls and more.
We use Sendinblue as our marketing platform. By Clicking below to submit this form, you acknowledge that the information you provided will be transferred to Sendinblue for processing in accordance with their terms of use
We’d love to
Thank you for subscribing!
Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted.
- Between 10/30 images of your best images, in case your project contains a greater number of images which are part of the same indivisible body of work will also be accepted. You must send the images in jpg format to 1200px and 72dpi and quality 9. (No borders or watermarks)
- A short biography along with your photograph. (It must be written in the third person)
- Title and full text of the project with a minimum length of 300 words. (Texts with lesser number of words will not be accepted)
This is the information you need to start preparing your project for its presentation
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
Contact
How can we help? Got an idea or something you'd like share? Please use the adjacent form, or contact contact@dodho.com
Thank You. We will contact you as soon as possible.
Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
Get in Touch
How can we help? Do you have an idea or something you'd like to share? Please use the form provided, or contact us at contact@dodho.com
Thank You. We will contact you as soon as possible.