Deep In A Dream-Central Park by Michael Massaia

I started documenting Central Park back in 2007 as way of coping with severe insomnia. I would commonly take long walks at night, and the park always seemed to be calling me in.

Magazine

Our printed editions, circulating throughout various galleries, festivals and agencies are dipped in creativity.

The spirit of DODHO’s printed edition is first and foremost an opportunity to connect with a photographic audience that values the beauty of print and those photographers exhibited within the pages of this magazine.

We invite professional and amateur photographers from all around the world to share their work in our printed edition.

https://www.dodho.com/wp-content/uploads/2024/06/ban29.jpg

I started documenting Central Park back in 2007 as way of coping with severe insomnia.  

I would commonly take long walks at night, and the park always seemed to be calling me in. I set out to document the park at its most vacant, isolating, and at times, haunting moments.  The park appears to go through a period of metamorphosis during those late night/early morning hours, and I was determined to capture it.  All of the images are captured using 8×10, 5×7, 4×5 view cameras, slow black and white film developed in a variety of staining developers, and the final prints are split toned gelatin silver prints.  I work alone, and I’m the sole craftsman in every step of the process.

Deep In A Dream-Central Park| Michael Massaia

“When I start any photo project my aspirations with it are usually very selfish. Since I was 5 years old I always had this very romantic and extremely unrealistic view of New York City. I used to go up on my roof in New Jersey just to see if I could get a glimpse of the Empire State building. I loved the fact (especially when I was younger) that the city had this quality, that at any given moment something really bad or really wonderful could happen. It seemed unhinged and free. As time went on, the reality of the city kind of chipped away at my idealistic view of NYC, but oddly enough my insomnia has allowed me to hold onto to a piece of my youthful outlook. Exploring Central Park at it’s most vacant hours really takes me back to sitting on my parents roof in New Jersey when I was a kid. All of those possibilities (good and awful) surrounding me on the outskirts of the park. The flickers of lights in the buildings surrounding me, and yet I’m alone as far I can see.”

Deep In A Dream-Central Park| Michael Massaia

About Michael Massaia

Born in New Jersey, 1978. Michael Massaia is a fine art Photographer and Printmaker who has spent the past fourteen years documenting areas and objects that never extend to far from his front door. Isolation, disconnection, and an attempt to put a spotlight on the ordinary are the constant in all of his work.  He focuses, primarily, on large format, black and white film, utilizing a variety of highly modified proprietary analog and digital printing techniques.  Michael works alone and is the sole craftsman from the instant the negative is exposed to the moment the final print is made. [Official Website]

Deep In A Dream-Central Park| Michael Massaia

Deep In A Dream-Central Park| Michael Massaia

Deep In A Dream-Central Park| Michael Massaia

Deep In A Dream-Central Park| Michael Massaia

Deep In A Dream-Central Park| Michael Massaia

Deep In A Dream-Central Park| Michael Massaia

Deep In A Dream-Central Park| Michael Massaia

Deep In A Dream-Central Park| Michael Massaia

Deep In A Dream-Central Park| Michael Massaia

Deep In A Dream-Central Park| Michael Massaia

Deep In A Dream-Central Park| Michael Massaia

Other Stories

stay in touch
Join our mailing list and we'll keep you up to date with all the latest stories, opportunities, calls and more.
We use Sendinblue as our marketing platform. By Clicking below to submit this form, you acknowledge that the information you provided will be transferred to Sendinblue for processing in accordance with their terms of use
We’d love to
Thank you for subscribing!
Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted.
- Between 10/30 images of your best images, in case your project contains a greater number of images which are part of the same indivisible body of work will also be accepted. You must send the images in jpg format to 1200px and 72dpi and quality 9. (No borders or watermarks)
- A short biography along with your photograph. (It must be written in the third person)
- Title and full text of the project with a minimum length of 300 words. (Texts with lesser number of words will not be accepted)
This is the information you need to start preparing your project for its presentation
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
Contact
How can we help? Got an idea or something you'd like share? Please use the adjacent form, or contact contact@dodho.com
Thank You. We will contact you as soon as possible.
Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
Get in Touch
How can we help? Do you have an idea or something you'd like to share? Please use the form provided, or contact us at contact@dodho.com
Thank You. We will contact you as soon as possible.