BotaniKa: Climatic change by Gerardo Stübing

"BotaniKa: Climatic change” I claim an allegory about climate change and one of its main consequences, the desertification of ecosystems that threatens to destroy a large part of their biodiversity.

“BotaniKa: Climatic change” I claim an allegory about climate change and one of its main consequences, the desertification of ecosystems that threatens to destroy a large part of their biodiversity.

The degradative process (mordancage) to which the negatives are damaged reveals structures that recall the behavior of the soil and plants when subjected to the effects of excessive drought and heat, both main consequences of the desertification originated by the climatic change. I start from macro photographs made with an old Polaroid CU-5 “hand” loaded with 4×5 B&W film (Ilford Delta 100 or Fomapan 100). The negatives are treated with an adapted (softer as for gelatin silver prints) mordancage formula. The resulting altered and partiallly destroyed negative is scanned and used as base for the final print. On one side I print a xerography on a transparency from the CMY channels, and after this I transfer it on paper using solvent and an etching press. With the K channel a contact negative is printed on a transparency and is contact printed overlayed using the argyrotype technique.

About Gerardo Stübing

Gerardo Stübing (Stübing), born in Valencia (1957). Professor of Botany at the University of Valencia. Graduated in Fine Arts, he is currently studying doctorate in Fine Arts at the Polytechnic University of Valencia. Stübing is a Valencian artist of German origin who has a long career and scientific recognition in the field of Botany, a science he has taught as a university professor for 30 years at the University of Valencia. Since 15 years 15 years he has simultaneously developed an artistic creation work.

The objective of his  works, beyond the strict artistic creation, is to deepen the awareness of the beauty and harmony of nature and to experience an artistic production based on them, seeking to sensitize the observer in the appreciation and respect for our natural environment, as we protect that of what we fall in love, and to fall in love with something or someone previously we have to know it.

He establish an alchemical hybridization between science, art and nature, combining photographic techniques from the 19th, 20th and 21st centuries to develop works that can be considered, either as ambiguous abstractions of reality, or as figurative representations of unusual aspects of botanical species for the non-experienced observer. His works have been selected in more than 60 competitions, some of them at the highest level such as the BMW prize, having won several awards and prizes, and made several exhibitions both collective (more than 50) and individual (10). It has works in official institutions: University of Valencia, International University of Andalusia, Jiloca Studies Center), Bancaja de Segorbe Foundation, British Institute of Seville and Ministry of Agriculture. [Official Website]

 

More Stories

The presence of an absence by Francesco Pace Rizzi

The presence of an absence by Francesco Pace Rizzi

The ephemeral geometries of the shadows, sometimes complex, sometimes simple, exert a great fascination on me such as to push me to deepen this topic and create a project (started in 2019) where the shadows are in a sort of dialogue with the scene, able to free the imagination and create surreal and intangible images.
Street photography; Hong Kong Lines and Patterns by Jason Au

Street photography; Hong Kong Lines and Patterns by Jason Au

"Hong Kong Lines and Patterns" is a street photography series that comes with a fine art aesthetic and the compositional approach of isolating urban subjects, geometric elements and forms fromthe chaotic urban environment of Hong Kong.
Real vs Unreal by Kaushik Dolui

Real vs Unreal by Kaushik Dolui

Photographs of this trend create a reality that does not reflect reality, but prompted by subconscious, characteristics, the expression of unconscious fantasies. Something like unnatural, supernatural and mysterious.

Color Awards

We invite you to participate in the first edition
of the Color Awards. We are looking
for the best color picture for this year, 2022.

The competition is open to any interpretation of color photography
in all its dimensions, from everyday reality
to pure abstraction

DEADLINE | FRIDAY, SEPTEMBER 30, 2022

PHOTO BY © DANIIL KONTOROVICH
Cronorifugio

Cronorifugio

Light and time. These two essential concepts in photography are also fundamental for our being and in our life. Here and now, I feel that the time has come to talk about the time.
Sahara Giants by Alice de Kruijs

Sahara Giants by Alice de Kruijs

When in 2000, the palaeontologist Paul Sereno went to look for new dinosaur bones in the Sahara Desert, he did not expect that he would return from there as an archaeologist. Arriving in the northeast of Niger, Sereno and his colleague’s day after day sifted through the sand of Tener, one of the most inhospitable deserts in the world, which even the nomadic inhabitants of the Sahara call “desert in the desert”.
Tell me who I am by Mohammad Sorkhabi

Tell me who I am by Mohammad Sorkhabi

Segregation by gender has existed in highly conservative communities for years, in order to raise their children in an isolated environment and away from any sort of sexual relations. But in most cases, this only causes sexual suppression and severe disorders in sexual orientation identification.

Featured Stories

Erotic photography by Radoslaw Pujan

Erotic photography by Radoslaw Pujan

Born and raised in Poland. I have done IT studies on Poznan's polytechnique. Meantime of my professional work I have started taking pictures in free time. First landscapes, then portraits of friends, strangers.
No man´s land by Tine Poppe

No man´s land by Tine Poppe

Around 3000 rejected and "non-returnable" asylum seekers live in Norwegian asylum reception centres. They remain in an indefinite limbo situation for several years, without permission to work, no right to essential medical care and no possibility to leave for another country.
Photo manipulation by Sulaiman Almawash

Photo manipulation by Sulaiman Almawash

Photo manipulation is a mix of photography and graphic design. Combining lot of elements and create an unique image. It requires lot of creative skills, is a great source for inspiration and its always great fun and joy when you work on particular concept.
Keyhole by Erwin Olaf

Keyhole by Erwin Olaf

This is what you see when peering through the keyhole of Erwin Olaf´s installation. A girl in a red coat sitting on the floor. A woman, with her back towards the camera.
Delhi … where life never stops 
by Victoria Knobloch & Jagdev Singh

Delhi … where life never stops 
by Victoria Knobloch & Jagdev Singh

Monochrome Photoart is a joint venture of the german photographer Victoria Knobloch and the indian photographer Jagdev Singh. Their work highlights the essence of human existence with the same loving eyes yet individualy different.
Homeless people; On the street by Zoltán Molnár

Homeless people; On the street by Zoltán Molnár

In the EU, the number of homeless people has grown by seventy percent in one decade. Nowadays more than 700 thousand people have to face the fact daily that they have no roof above their heads.
https://www.dodho.com/wp-content/uploads/2022/07/color-banner.jpg

We invite you to participate in the first edition of the Color Awards. We are eager to see photograhs with new focus points and innovative approaches

https://www.dodho.com/wp-content/uploads/2020/12/BAnImage.jpg

ImageRights provides intelligent image search and copyright enforcement services to photo agencies and professional photographers worldwide.

https://www.dodho.com/wp-content/uploads/2022/05/banner.jpg

The book where words and images meet to never leave each other, The book contains 20 evocative paintings; each of them is a double page. 56 printed pages | 235x165mm

https://www.dodho.com/wp-content/uploads/2022/06/banner22.jpg

Call For Entries #21 | After 20 editions and more than 100 published photographers, our print edition has proven to be a simply effective promotional channel.

Points of the compass by Suvobroto Ray Chaudhuri

Points of the compass by Suvobroto Ray Chaudhuri

Examining life by over-thinking all the various life paths in front of you will always present a scary picture. In this journey over the last few years of your life, you might have been trying to figure out which path to go on.
Schwarz Flaneur by Pogus Caesar

Schwarz Flaneur by Pogus Caesar

The first thing that catches your eye is a young man inhaling deeply from a solvent filled plastic bag, Dinner Ladies sharing intimate conversations and a man’s scarred and tattooed arms folded in majestic defiance.
My mum by Viet Van Tran

My mum by Viet Van Tran

I started photographing my mother at the time she became seriously ill, (ten month ago) and continued shooting until my mother will get better, until now. I want to fix some moments forever, not only in my mind and heart, but alsoin a concrete and tangible shape.
The last tide by Marco Campi

The last tide by Marco Campi

Last November Venice experienced the second highest tide in recorded history. Looking at the top 10 tides, we see that five have occurred in the past 20 years and the frequency of exceptional tidal flooding above 110 cm have ramped up dramatically through the years.
Calcio Storico Fiorentino by Marco Ponzianelli

Calcio Storico Fiorentino by Marco Ponzianelli

The Historical Football was born in Florence in the 16th century and it is a combination of soccer, rugby and wrestling world that nowadays is played in historical costumes.
Stages of our lives; SOMA by Saman Deilamani

Stages of our lives; SOMA by Saman Deilamani

The form, constructed settings and the process all aim to create a sculptural parallel that represent the lived body. It is at their intersection that the desire for the ideals of nude photography collide with the the profaneness of flesh.

Trending Stories

Mundari by Timo Heiny

Mundari by Timo Heiny

I was 17 years old when I travelled the first time with my camera through east Africa. As a visitor who comes from a completely different cultural background, I was fascinated by such an archaic way of life that I had the luck to discover at my journey.
Minimalistic Food Portraiture by Foodism360

Minimalistic Food Portraiture by Foodism360

I like to zoom in on the extraordinary of the ordinary. The ordinary are often overlooked, forgotten, neglected, undervalued or simply thrown away, yet to me the ordinary are all special and unique.
Exotic Companions by Frank Trimbos

Exotic Companions by Frank Trimbos

In South Africa, the market for trading exotic pets, either legally or illegally, is big. It all looks so nice and cool, having an exotic animal as your pet, and inspired by stories about the ‘real Tarzan’ and the ‘lion whisperer’, a lot of people want to be the next exotic animal whisperer.
I am a woman by Aleksandr Kutsepalov

I am a woman by Aleksandr Kutsepalov

These photos are from the project "I am a WOMAN". Only as we get older do we begin to understand some things that used to seem different. We begin to notice what used to be taken for granted.
Anatomy of a photograph by Patty Maher

Anatomy of a photograph by Patty Maher

The image is part of a series called "The Infinite Universe" and this particular photo is the first in the series and is also named "The Infinite Universe". 
Unequally; Urban Women by William Guilmain

Unequally; Urban Women by William Guilmain

The urban space is unequally shared between genders. Patriarchal cultural codes make the street as a place dominated by men. If it is well accepted that men can stay in the street, women only cross it.
Time To Rush Home by David Nam Lip

Time To Rush Home by David Nam Lip

This portfolio is specifically captured an environment with expression of muslim people after they completed the congregation of the Bishwa Ijtema at Tongi, Bangladesh.
Invasion by Andrey Semenov

Invasion by Andrey Semenov

Earth equally soaks up temple and shit. Close your eyes for a minute, and cities surrounding you will disappear. So-called artefacts, like buildings, highways, airports or shopping malls, which are considered to be the proof of superiority of certain species of this planet.
Petricor by Joaquin Bas Ros

Petricor by Joaquin Bas Ros

The 20 photographs that compose this portfolio are part of those included in Petricor, a photobook that aims to be a mirror of what is sadly beginning to be known as "Empty Spain".

Other Stories

stay in touch
Join our mailing list and we'll keep you up to date with all the latest stories, opportunities, calls and more.
We use Sendinblue as our marketing platform. By Clicking below to submit this form, you acknowledge that the information you provided will be transferred to Sendinblue for processing in accordance with their terms of use
We’d love to
Thank you for subscribing!
Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted.
- Between 10/30 images of your best images, in case your project contains a greater number of images which are part of the same indivisible body of work will also be accepted. You must send the images in jpg format to 1200px and 72dpi and quality 9. (No borders or watermarks)
- A short biography along with your photograph. (It must be written in the third person)
- Title and full text of the project with a minimum length of 300 words. (Texts with lesser number of words will not be accepted)
This is the information you need to start preparing your project for its presentation
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
Contact
How can we help? Got an idea or something you'd like share? Please use the adjacent form, or contact contact@dodho.com
Thank You. We will contact you as soon as possible.
Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
Get in Touch
How can we help? Got an idea or something you'd like share? Please use the adjacent form, or contact hello@dodho.com
Thank You. We will contact you as soon as possible.