Belief by Natan Dvir

In this rapidly changing world in which career and financial successes are revered, perhaps even idolized, communities, as well as the concept of personal identities and how they are presented within society are greatly evolving.

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In this rapidly changing world in which career and financial successes are revered, perhaps even idolized, communities, as well as the concept of personal identities and how they are presented within society are greatly evolving.

The information revolution shortened distances between people enabling interactions never before possible. Yet even in these exciting times belief continues to be one of the basic, most significant and profound factors defining and shaping individuals and societies alike.

Having been raised in Israel, I was regularly exposed to strong religious, social and political beliefs and ideas from an early age. Holy sites situated throughout Israel make the (physically) small country extremely important for Jews, Christians, Muslim and many other religions. The regionʼs history combined with the volatile political situation today, result in a complex and intense reality in which people emphatically and publicly express themselves.

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I am fascinated and sometimes frightened by the extreme situations people reach in the pursuit and defense of their beliefs. I explore the various sides of how people practice their beliefs, the places it brings them to and the scenes in which they take part. Regardless of specific religious or political affinities, belief can provide a sense of community, belonging, safety, and understanding, yet might also provoke hatred, separation and aggressiveness.

Tranquility vs. anger, ecstasy vs. rage, understanding vs. fanaticism.

Using my camera as a tool for examination, I documented religious ceremonies, political events and situations of conflict throughout Israel. The photographs in this project are direct examinations of the public as a whole yet focus on individuals and their experiences as well.

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The dialogue between the pictures is as important as every individual image, as each one has the potential to connect with viewers in a unique way. By displaying multiple images in this series, I aim to show the multifaceted nature of belief and the various ways it impacts the lives of individuals and communities. Belief can often shape peopleʼs behavior and personal interactions but this is typically unnoticed by those who are most deeply influenced by it. This project promotes self-reflection and encourages viewers to contemplate their own beliefs, or the ideals of their communities, and the intensity with which belief affects their actions and way of life. [Official Website]

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2 comments

  • Janssens serge

    May 21, 2016 at 00:52

    Un reportage remarquable ,des images prenantes . Mais dans ce contexte je m’abstiendrais ,je dirais juste une chose . Tout conflits est dramatique …

Comments are closed.

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Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
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