B&WCityEuropeFeaturedarchitectural photography of Julia Anna Gospodarou

Architect and International Award-Winning B&W Fine Art Photographer, Julia lives in Athens and has a passion for both architecture and photography, doing them with the same dedication and joy.

Architect and International Award-Winning B&W Fine Art Photographer, Julia  lives in Athens and has a passion for both architecture and photography, doing them with the same dedication and joy.

Interested in photography from a very young age, she is used to think in images and considers them even more important than words. Published internationally in numerous books and magazines, her photographic work can also be seen online on the most important photography sites.

Julia is mostly known for her black & white long exposure architectural photography, but she is covering with her work multiple aspects and photographic genres, as she is always in search for beauty as  a tool to express herself in images. Next to her architectural work you will also see in  her portfolio  seascapes, landscapes, motion blur images and even street photography. Adept of the idea that processing a photograph is at least as important as capturing it, in order to give it a piece of the mind and soul of the artist and express  his  unique vision and  sensibility, her work goes beyond the boundaries of traditional photography and enters the fields of imagination and of searching for a perfect world and for the expression of this world through images.

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Through her B&W architectural fine art photography Julia aims  to suggest a   different way of looking at buildings by emphasizing and presenting almost abstract details of a structure, without though removing completely the factor of scale, form and context that could help identify the object.

The end goal is to put the mind of the viewer in a different space, where he needs to find different rules to interpret what he sees, but where he’s not being offered simply an interesting play of lines or pattern, but is also allowed to have a glance at the essence, the soul of the building or of the  structure that is photographed. She calls this process  of creation (en)visionography and its result  is a fusion of reality and imagination, where the image starts by being a white board where the  photograph is designed and built up by using from reality only those elements that help convey the vision and the idea which the artist intends to present in the final image. Processing is the tool  used to achieve this goal, which is giving shape to the artist’s vision, and the the approach is very similar to drawing , the photograph is processed  following the same principles that classical drawing uses, and it unfolds as if the photograph was drawn with a pencil, like an actual drawing. That’s why she is  talking about drawing a  photograph instead of processing it. In essence, this means taking a raw image from the world and molding it into the shape of the  mind and soul of the artist.  It’s a very personal process, as  the creation process is for every artist.  The message she finds in fine art photography and the one she tries to convey through her work is beauty and nothing else, there is no other goal in this genre than to treat beauty as the most perfect expression of humanity. Photography, as an art form, fine art photography, is the utmost expression of freedom, because beauty is above and beyond all freedom of spirit. [Official Website]

In Julia’s case, fine art photography its the answer to her restless  need to create and to express her ideas, feelings and everything that can’t be expressed otherwise than through creation and art.

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PHOTO: © JO LAUREN | UNITED KINGDOM | ISSUE 10
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PRINTED EDITION
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Interview with Marco Cheli; Published in our printed edition #16

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I think that Dodho provides a fantastic opportunity for those who want to be recognized by an informed public and by their peers. Seeing my work in the pages of Dodho, well, it is the most exciting thing that has ever happened to me, and I have photography to thank for it.
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Time, dedication, and the right rhythm combined with a human approach make the work of Lys Arango one of the most truthful and inspiring photo testimonies of indigenous people.
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Canadian Travel photographer France Leclerc tries to find this commonness with joy showing sweet observation through fresh eyes to portray ethnic group communities the world seems to ignore.
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I work in several techniques, but what you are reffering to in ’Tale of the Blue Pear’ series  are mostly digital collages combined with digital painting. I also paint in traditional techniques but that is done on canvas or hard board.
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This work is somewhat impromptu because it has been carried out, so to speak, on the spot and at the moment. Street photography pure, trying to capture the most interesting moments and faces in the places I visited. 
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I like the colours on my pictures to pop a bit. To be as natural as possible, while catching the eyes of the people looking at my pictures. So, I enhance some of those colours during my editing process, mostly to give them a homogeneous look that suits my style.
Interview with Ana Maria Robles; published in our print edition #15

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There is no doubt that women play a leading role, but they are still a patriarchy and all decisions are made by men who meet in assemblies to discuss everyday issues. The pipes are carved and armed by them and generally match their ornaments in both the Toposa and the Didinga.
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Photo by ©Ryotaro Horiuchi | Japan | Issue#14
Dodho Magazine is pleased to announce the new call for the photographers selection from all over the world that will be presented in an exceptional edition.
Deadline: Monday, November 30, 2020
Photo by ©Ryotaro Horiuchi | Japan | Issue#14
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How can we help? Got an idea or something you'd like share? Please use the adjacent form, or contact contact@dodho.com
Thank You. We will contact you as soon as possible.
Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
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