AmericaCityAmerica by James Featherstone

America, Looking In is an assortment of candid street scenes, tender encounters, peaceful landscapes and abstract reflections that present a glimpse into the neglected corners of America.

America, Looking In is an assortment of candid street scenes, tender encounters, peaceful landscapes and abstract reflections that present a glimpse into the neglected corners of America.

A street scene in Hollywood with the numbers 666 in the upper right of the frame suggests the atmosphere of the city.

A drifter poses against cube glass in St. Petersburg, Florida. A senior woman waits in a wheelchair at the Hooters Casino Hotel in Las Vegas. These are a few examples of what draws James’ interests. As a Canadian, his curiosity in knowing what lies beyond the border has had him travelling throughout the United States in hopes of better understanding the parallels between the two countries.

America | James Featherstone

In my awareness, when I travel around America I feel a sense of déjà vu. It’s strangely familiar, however warped. I hope to one day figure out why I feel so strongly drawn to the American landscape.

Like many photographers before him, he has chosen to undergo the impossible task of photographing America. He’s often drawn to the neglected and overlooked fragments of the United States. Rather than walking down the main street he will choose the adjacent alleyway in hopes of stumbling upon a mysterious or surprising scene. He has a fascination with the neighbouring country, and the long-expired fantasy of the American Dream.

James’ photographs showcase his personal views and insights to a somewhat familiar land. His pictures touch base on themes of freedom, vulnerability, identity and desires, wrapped within his personal impressions and observations.

America | James Featherstone

About James Featherstone

James Featherstone is a Canadian photographer and filmmaker. His first documentation of America was when he was 6 years old. He accompanied his father on an epic road tri[ across most of the United States to collect obsidian rock for flintknapping. His father’s interest in Aboriginal cultures drove him to create arrowheads and bows made from raw materials.  Although James was oblivious of what he was doing with the VHS camcorder, the edited film is a strange collection of clips through the eyes of a 6 year old. This adventure planted a seed in James that has so far led to a life of photography, filmmaking and travel. [Official Website]

America | James Featherstone

America | James Featherstone

America | James Featherstone

America | James Featherstone

America | James Featherstone

America | James Featherstone

America | James Featherstone

America | James Featherstone

America | James Featherstone

America | James Featherstone

America | James Featherstone

America | James Featherstone

America | James Featherstone

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PHOTO: © JO LAUREN | UNITED KINGDOM | ISSUE 10
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PRINTED EDITION
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Samuel Feron has been photographing Nature for 2 decades, exploring remote and sparsely habited areas all over the world. He tries to go beyond what the eyes first see, assuming that Nature has secrets in itself.
Interview with Marco Cheli; Published in our printed edition #16

DnaEuropeInterview with Marco Cheli; Published in our printed edition #16

I think that Dodho provides a fantastic opportunity for those who want to be recognized by an informed public and by their peers. Seeing my work in the pages of Dodho, well, it is the most exciting thing that has ever happened to me, and I have photography to thank for it.
Interview with Lys Arango; Published in our printed edition #16

DnaEuropeInterview with Lys Arango; Published in our printed edition #16

Time, dedication, and the right rhythm combined with a human approach make the work of Lys Arango one of the most truthful and inspiring photo testimonies of indigenous people.
Interview with France Leclerc; Published in our printed edition #16

AmericaDnaInterview with France Leclerc; Published in our printed edition #16

Canadian Travel photographer France Leclerc tries to find this commonness with joy showing sweet observation through fresh eyes to portray ethnic group communities the world seems to ignore.
Interview with Nikolina Petolas; Published in our printed edition #16

DnaEuropeInterview with Nikolina Petolas; Published in our printed edition #16

I work in several techniques, but what you are reffering to in ’Tale of the Blue Pear’ series  are mostly digital collages combined with digital painting. I also paint in traditional techniques but that is done on canvas or hard board.
Interview with Michele Punturieri; published in our print edition #15

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This work is somewhat impromptu because it has been carried out, so to speak, on the spot and at the moment. Street photography pure, trying to capture the most interesting moments and faces in the places I visited. 
Interview with Dimitri Weber; published in our print edition #15

DnaEuropeInterview with Dimitri Weber; published in our print edition #15

I like the colours on my pictures to pop a bit. To be as natural as possible, while catching the eyes of the people looking at my pictures. So, I enhance some of those colours during my editing process, mostly to give them a homogeneous look that suits my style.
Interview with Ana Maria Robles; published in our print edition #15

AmericaDnaInterview with Ana Maria Robles; published in our print edition #15

There is no doubt that women play a leading role, but they are still a patriarchy and all decisions are made by men who meet in assemblies to discuss everyday issues. The pipes are carved and armed by them and generally match their ornaments in both the Toposa and the Didinga.
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Photo by ©Ryotaro Horiuchi | Japan | Issue#14
Dodho Magazine is pleased to announce the new call for the photographers selection from all over the world that will be presented in an exceptional edition.
Deadline: Monday, November 30, 2020
Photo by ©Ryotaro Horiuchi | Japan | Issue#14
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Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
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