This project was made during a recent artist residency at the Pouch Cove Foundation in remote Newfoundland, Canada. Using a makeshift still-life table covered with a paper tablecloth in the live/work space that became my home during my stay.
His work centers on people, their struggles, and their environments—stories that resonate far beyond the frame. Recognized with countless international awards, including Nikon, POYI, and World Press Photo, his career is synonymous with excellence.
A Life Less Ordinary is a year-long fine art photography odyssey across the American West, exploring the mythic interplay between solitude, transformation, and wild nature.
By photographing from above and allowing the water to abstract the figures, Seif sets himself apart from the multitude of photographers who have tried to reinterpret the nude figure by placing it underwater.
Jeltema transforms the act of photographing into a craft of patience and poetry. She creates silver-gelatin contact prints, albumen prints, experimental works, and hand-colored pieces, each carrying the physical trace of time.
The Sorrows of This Field Are Yours. After Russia invaded Ukraine, I moved from Poland to Georgia, another country that had experienced an invasion by Russia in 2008. Given the circumstances of the past three years, Russian imperialism and aggression toward its neighbors have become deeply personal issues for me.
Subconscious captures the adrenaline and vibrancy of city life, juxtaposed with the unspoken loneliness, tension, and dilemmas lurking beneath the surface. Through her introspective street photography, Betty delves into her soul and subconscious
Cibografia is my way of seeing. A visual language that uses food to speak of matter, shadow, and light. A continuous search for meaning in what is usually consumed too quickly.
In this edition, we meet Italian photographer Salvatore Montemagno, born in Gela and now based in Montichiari. A self-taught artist, his work draws from 20th-century painting and the stillness of cinema, crafting portraits that resonate as whispers rather than proclamations.
Sunken Beauty. Where beauty dissolves and memory lingers a visual meditation on transformation and release. A flower opens in silence. Submerged in water, surrounded by pigment, smoke, and ice, it drifts like a memory slowly taking shape.
In times saturated with noise, the series “The Art of Silence” invites us on a journey into the peace of nature. Each photograph offers a pause, a refuge, where silence, as an act of listening, allows us to rediscover the essential in simplicity.
What a strange being! I think he comes from Plato's cave. Does he pay rent there, or does he live for free? He always wears black. Is he in permanent mourning? Who died? I'm not interested. I'm alive, and very happy to be even if it means I pay rent. I have another doubt: does my ego pay rent to live in me? I've never seen a penny from him.
For me, Polaroids are not just photographic objects: they are “effects” of personal memory. They have reopened a window to childhood, not so much out of nostalgia, but because of that sense of urgency and immediacy that only certain images possess.
The United Nations has declared the border between the United States and Mexico to be the deadliest land crossing in the world and a humanitarian crisis. Thousands of men, women, and children have died crossing.
In a world obsessed with movement, progress, and hyper-connectivity, (An)Organic presents a visual meditation on stillnesswhether embraced or inevitable. This ongoing fine art photography series explores the alienation of ordinary individuals through artificial figuressynth etic forms of silicone, porcelain, and other materials while subtle surreal elements shape a hypnotic yet unsettling atmosphere.
The Feminization of Aging refers to the phenomenon in which women make up a disproportionately large share of the elderly population worldwide. This is due to women’s longer life expectancy compared to men, as well as socio-economic, cultural, and health disparities that affect aging differently.
We are immersed in the “WOW! Philosophy.” If someone takes a look at any social network, it quickly becomes evident that we are faced with a collection of events where there is no room for negativity, frustration, or even the so-called "boring" aspects of everyday life. It is as if everyone wants to escape from these very human emotions.
As time moves relentlessly forward, it leaves traces of the past subtle and profound etched into landscapes, objects, and human relationships. The images in this project form components of an ethereal tapestry that weaves together echoes of the past, outlines of memories, and whispers of dreams.
New York City, a vibrant tapestry of cultures, thrives on relentless energy. It's a photographer's paradise, and black and white street photography captures the essence of this dynamic metropolis in a unique way.
#MyWestSideStory is a testament to the enduring strength of Chicago's West Side, a visual diary that speaks to the soul of the community. Through the lens of my camera, I seek to capture not just the faces of the people, but the very essence of their lives their struggles, their triumphs, and their undeniable resilience.
My photography journey is driven by a desire to immerse the viewer in scenes that feel both haunting and hopeful where solitude becomes a gateway to transformation. Through a visual storytelling style rooted in melancholy, optimism, and immersion into the unknown, I aim to capture moments that resonate deeply within the human spirit.
This project uses snow and travel as motifs, approaching them from a psychological perspective.
By projecting one’s own values and memories onto the self through the monochrome landscape of a snowy journey a space that seems to exist between reality and fantasy the work encourages the expression of a more humanistic sensibility, especially in this age of growing division.
Glacial Landscapes of the Southern Alps / Kā Tiritiri o te Moana, New Zealand.
This series of aerial images was photographed from a light aircraft and captures the blue waters of the braided Tasman, Godley, and Cass Rivers flowing into Lakes Pukaki and Tekapo.
In 2017, I retired from a career in independent school teaching and leadership to pursue photography full-time my true north since college. When I am not traveling, I split my time between street photography in New York City and rural projects in the Hudson Valley.
Whispering Forest is a photographic journey into the quiet soul of the forest a place where reality and imagination merge, where light and shadow weave stories, and where nature reveals itself as an emotional landscape. This project captures not just the physical presence of trees and foliage, but also the elusive atmosphere that lingers within the woods: a fusion of wonder, melancholy, and timelessness.
I have always loved dance and movement. As a child, I was constantly in motion, dancing to the Beatles or pretending to be a ballerina. Even when seemingly at rest, I "moved." I would lie on the living room couch, staring up at the cathedral ceiling, dreaming of the world upside down.
SIBERIAN EXILES is a photographic triptych about the deportation of women and children from the Baltic States to remote parts of Siberia. Eyewitnesses recount the mass deportations, life in the Gulag camps, the organized resistance against the Soviet occupiers, and the beginning of the Cold War.
True North explores the profound experience of light within the natural landscape. Made during a residency in rural Finland in January 2015 the darkest time of the year, when the sun.
The Chinese have long been accused of devouring "anything that moves," including meals made from our beloved canines. However, the fishing village of Sai Kung in the New Territories of Hong Kong has embraced dogs as members of the family with a passion bordering on obsession.
No Place Like Home takes inspiration from Dorothy Gale’s exclamation, “Oh, Aunty Em, there’s no place like home!”, upon returning from her adventure through Oz. Dorothy realizes that the lure of magic and adventure in faraway wonderlands can never replace the comfort and familiarity of home.
I first met Indi at a wedding reception where I had been hired as a photographer. I couldn't help but notice that she was dancing longer and harder than any other guest she appeared to be loving life. During the editing process, I asked a friend if she knew Indi.
ELEPHANT is a deeply personal photographic exploration of empty nest syndrome, sparked by my son's departure for his studies. His absence created a suffocating emptiness in our home an unspoken weight that materialized as an elephant in the room.
Time is both a thief and a sculptor, stealing us away while carving us into the stone of eternity. L’Écho du Temps is not merely a series; it is a requiem for the ephemeral and a hymn to the everlasting. Here, the grandeur of architecture Palais Garnier, Sainte-Chapelle, the Panthéon, Versailles stands as a silent. sentinel
As an illustrator and sculptor of scenic objects for her photographic compositions, she draws inspiration from nature, forests, the sea, and mystery, immersing herself in a continuous interplay between reality and imagination. As an illustrator and sculptor of scenic objects for her photographic compositions.
A conceptual, timeless, feminine figure created in a graphic, minimalist style, embodying sensuality and strength within a surreal, geometric concept. It resonates like a single note played on a piano, a contrasting yet harmonious composition with internal dynamics and power.
I have been a summer visitor to the island of Martha’s Vineyard, off the coast of Cape Cod, every year since 1986. My family and I stay in the town of Chilmark, on a dirt road overlooking a sheep farm with a view of the ocean.
Growing up as a girl in New Delhi was daunting. From the moment we are old enough to understand, we begin to notice stories of violence and servitude. We see them in movies, where harassment and abuse are romanticized. We see them at home, when our parents’ friends make jokes about women belonging in the kitchen.
Tony Dočekal’s series The Color of Money and Trees questions the pursuit of success and the value of the American Dream. Reflecting on universal themes of freedom, community, and purpose.
In 1996, I came to Tokyo for the first time at the invitation of the legendary publisher Robert Delpire (Robert Frank - The Americans) as part of an international exhibition project.
Displacement is a series that began in 2023 and proposes a reflection on the condition of refugees who have experienced forced displacement, being compelled to leave their homes, belongings, and country to start a new life elsewhere,
With an old Polaroid camera, I preserve memories and fleeting contemplations. I capture ordinary things and situations: the transient moments of daily life. My aim is to convey a sense of melancholy and loneliness.
This body of work is a series of staged photographs featuring still life compositions with a female figure.
In the history of art, still life paintings have traditionally been characterized by the total absence of the human figure.
For my series Summer Fairies, I explore the relationship between the ecology and natural environment of Himebotaru fireflies flying in the summer night forest.
When I was a child, I played on the asphalt, in the round concrete park at the bottom of my street. We had a routine: whoever juggled the most won. Sliding the ball with the outside of the foot to perform a roulette.
My love story with photography began during the very first Covid lockdown in March 2020.
There, I rediscovered the wonders of my garden using an old smartphone.
The Ardennes region is like a time capsule.The southern Belgian/northern French region was once bustling with activity. This area thrived until major industries shifted their focus to larger cities.In the wake of this migration, the Ardennes have gradually slipped into a state of impermanence, a place where time seems to stand still.
Metamorphosis represents the historical period we are living in—a phase of transition and change that concerns not only us but, above all, nature. Quoting the ecological philosopher David Abram
We use cookies on our website to give you the most relevant experience by remembering your preferences and repeat visits. By clicking “Accept”, you consent to the use of ALL the cookies.
This website uses cookies to improve your experience while you navigate through the website. Out of these, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. We also use third-party cookies that help us analyze and understand how you use this website. These cookies will be stored in your browser only with your consent. You also have the option to opt-out of these cookies. But opting out of some of these cookies may affect your browsing experience.
Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information.
Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. It is mandatory to procure user consent prior to running these cookies on your website.