On Changes by Elena Nassati

An image may be a reconstructed memory based on the photographer’s experience. Through my project entitled ‘On Changes’, I am recounting different stories based on memories and experiences from my recent past
On Changes / Elena Nassati

An image may be a reconstructed memory based on the photographer’s experience. Through my project entitled ‘On Changes’, I am recounting different stories based on memories and experiences from my recent past, considering the significance of the contemporary time that we are living in.

As we grow up, conscious thoughts, perceptions and feelings are created. I have tried to express them as unprecedented sentiments through the reconstruction of moments that have or have had special meaning to me.These moments represent experiences, memories and even deeper thoughts equally hauled from the conscious and the unconscious, and, space serves – sometimes literally, sometimes figuratively – the narrative of those moments. Memory is perhaps the most important element of human existence. The present goes by so quickly that we fail to realize it, therefore all our life consists of a farrago of memories, which determine who we are. Memory acts as a reminder of our existence. Art and photography have always been deeply connected with the memory. A photographic picture, has the ability to remain intact through the passage of time, unlike memory, which is fragile and deteriorating. I tried to exploit this particularity that photography has by reproducing my own memories in a way that can keep them forever indelible. I am not interested in the exact reproduction of reality, nor the original development of the story, but rather making a new story and trying to recreate the feelings of my own experiences and hoping for the viewers to reflect their emotions and interpretations. [Official Website]

 

On Changes / Elena Nassati
On Changes / Elena Nassati

On Changes / Elena Nassati
On Changes / Elena Nassati

On Changes / Elena Nassati
On Changes / Elena Nassati

On Changes / Elena Nassati
On Changes / Elena Nassati

On Changes / Elena Nassati
On Changes / Elena Nassati

On Changes On Changes On Changes On Changes On Changes On Changes

On Changes / Elena Nassati
On Changes / Elena Nassati

On Changes / Elena Nassati
On Changes / Elena Nassati

On Changes / Elena Nassati
On Changes / Elena Nassati

On Changes / Elena Nassati
On Changes / Elena Nassati

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Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
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