Magazine

Our printed editions, circulating throughout various galleries, festivals and agencies are dipped in creativity.

The spirit of DODHO’s printed edition is first and foremost an opportunity to connect with a photographic audience that values the beauty of print and those photographers exhibited within the pages of this magazine.

We invite professional and amateur photographers from all around the world to share their work in our printed edition.

#37

24,95

A carefully curated print volume dedicated to contemporary photography.

Description

Our 96-page Dodho Magazine offers an extraordinary tactile experience, immersing you in the world of contemporary photography.
Printed on premium 80# matte paper at a perfect size of 22x28cm.

DISCOVER THE ISSUE

This print edition is the result of a rigorous curatorial process led by our editorial team and an international jury of photographers, curators, and industry professionals. Its pages bring together projects selected for their visual strength, coherence, and ability to engage with the present moment. This issue embodies the standards, criteria, and real reach of the publication of which your work can become part.

*This is a screen representation. The printed edition retains the final quality.

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Meet the photographers in this issue

James Tye | Cover | James Tye is a London-based travel and portrait photographer, working on print commissions in the UK and abroad. After obtaining an MA in Fine Art Photography in 2007, he was fortunate to hold various exhibitions of portrait work in London and began a long-term project photographing people he met on the streets near his home in Shoreditch. He continues this project to this day and met Franko B one sunny afternoon while out with his camera.

Lorenzo Mancini | The Forgotten Of Saint Louis | Lorenzo Mancini is a Belgian-Italian photographer whose work explores human vulnerability, identity, and social invisibility. Working primarily in black and white, he uses natural light, strong contrasts, and a minimalist visual language to focus on the essentials.

In a world that moves increasingly fast and is often saturated with superficiality, Mancini chooses to slow down. His photography is rooted in patience, presence, and observation, allowing raw emotions and unguarded moments to emerge without artifice.

Bragi Þór Jósefsson | Village | Bragi Þór Jósefsson (b. 1961) is an Icelandic photographer based in Reykjavík. He graduated with a BFA in Photography from the Rochester Institute of Technology (RIT) in New York in 1986 and has worked as a full-time freelance photographer since 1994.

Over the course of his career, he has combined commercial assignments with long-term documentary and artistic projects, often focusing on the relationship between people, place, history, and the built environment. His work is characterized by a sustained interest in how communities shape, occupy, and transform their surroundings over time.

Monika Maroziene | Amber Coast | Monika Maroziene was born in Lithuania and raised along the Amber Coast. She creates work that brings together science and emotion, discipline and instinct. With a master’s degree in chemistry, her artistic journey began with a quiet yearning, what she describes as a void where art should be. That longing gradually led her to photography, where she found a medium through which she could weave her scientific understanding with deeply rooted personal stories and poetic vision.

Etienne Perrone | Dreams Happen After Dark | Etienne Perrone is a French photographer, filmmaker, and visual artist based in Marseille. His photographic work explores nocturnal urban spaces, artificial light, silence, absence, and the fragile boundary between documentary reality and cinematic fiction.

Christl Exelmans | Overlapping Days | Christl Exelmans is a freelance photographer working between Brussels and Paris. She develops her personal artistic projects while simultaneously undertaking commissioned work, mainly for the press and publishing houses.

Her work favors refined photography, nourished by the poetry of the moment. A devotee of natural light, which she considers more sincere, she creates images with muted tones that are both atmospheric and narrative.

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